Milton Gabler (May 20, 1911 – July 20, 2001) was an American record producer, responsible for many innovations in the recording industry of the 20th century.
Gabler was born in Harlem, New York, the son of Susie (née Kasindorf) and Julius Gabler. His father was an Austrian Jewish immigrant (from Vienna), and his mother's family were Jewish immigrants from Russia (including Rostov). At fifteen, he began working in his father's business, the Commodore Radio Corporation, a radio shop located on East 42nd Street in New York City.
By the mid-1930s, Gabler renamed the business the Commodore Music Shop, and it became a focal point for jazz fans and musicians alike. In 1933 Gabler began buying up unwanted copies of recordings from the record companies and resold them, making him the first person to deal in reissues, the first to sell records by mail order, and also the first to credit all the musicians on the recordings.
Gabler started up a specialty label UHCA (United Hot Clubs of America) in about 1935 to reissue selected 78 r.p.m. sides previously released by other companies. He was able to secure many important jazz records including the 1931 Joe Venuti-Eddie Lang all star session (from ARC), Bessie Smith's final session (from OKeh), a number of Frank Trumbauer, Bix Beiderbecke, and Miff Mole sides (also from OKeh). These reissues were from the original 78 stampers and were instrumental in spreading the concept of collecting classic performances from the past. A number of Paramount and Gennett sides were dubbed from clean copies and issued on UHCA and the sound was surprisingly good for a dubbing.