"Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album Kind of Blue. The song's modes consist of G Dorian for 16 bars, A Aeolian for another 16 bars, and then back to G Dorian for the last eight bars, then the progression repeats.
It was originally called "Miles" on the album, and led off the B-side of the record. Since people began referring to the tune as "Milestones" rather than "Miles," in later editions of the album the name was changed.
The musicians on the original 1958 recording of "Milestones" are:
Only Cannonball, Miles, and Coltrane solo, Garland does not.
Milestones is a 1975 American drama film directed by Robert Kramer and John Douglas.
A many-faceted portrait of those individuals who sought radical solutions to social problems in the United States during the 1960s and 1970s. It cuts back and forth between six major story lines and more than fifty characters, and across a vast landscape, to explore the lifestyles and attitudes of the American left who faced both personal and historical transitions in the period following the Vietnam War."
Milestones is an album by the Great Jazz Trio; pianist Hank Jones, bassist Buster Williams and drummer Tony Williams, recorded in 1978 for the Japanese East Wind label.
Allmusic awarded the album 3 stars and its review by Scott Yanow states, "Excellent advanced modern mainstream music that features the three musicians almost operating as equals".
Milestones is an album by Roy Orbison, released on September 24, 1973 on MGM Records and his last album for that label. It was arranged by Joe Tanner, Rex North and Randy Goodrum. "The Morning After" was featured in the film The Poseidon Adventure.
This album was only released in the US.
Composition or Compositions may refer to:
In dance, choreography is the act of designing dance. Choreography may also refer to the design itself, which is sometimes expressed by means of dance notation. A choreographer is one who designs dances. Dance choreography is sometimes called dance composition.
Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreograhic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance.
The art of choreography involves the specification of human movement and form in terms of space, shape, time and energy, typically within an emotional or non-literal context. Movement language is taken from the dance techniques of ballet, contemporary dance, jazz dance, hip hop dance, folk dance, techno, k pop, religious dance, pedestrian movement, or combinations of these.
Compounding is a legal procedure whereby a criminal or delinquent avoids prosecution in a court of law, potentially leading to the confiscation of his estate or some other punishment, in exchange for his payment to the authorities of a financial penalty or fine. The agreement so reached is termed a composition. The term is from the Latin verb pono, ponere, posui, positum, "to place", + com, "with/together". In general legal terminology a "composition" is "an agreement not to prosecute in return for a consideration". It was commonly used by the victorious Parliamentarians against the Royalists after the English Civil War, for which purpose the Committee for Compounding with Delinquents was established in 1643. Also in Early Germanic law and in the modern period, see Ausgleich, also called the Composition of 1867).