Migration is the second album by Los Angeles, California-based R&B group Creative Source. This was their last album on Sussex Records before moving onto Polydor Records in 1975.
In the context of virtualization, where a guest simulation of an entire computer is actually merely a software virtual machine (VM) running on a host computer under a hypervisor, migration (also known as teleportation) is the process by which a running virtual machine is moved from one physical host to another, with little or no disruption in service.
Ideally, the process is completely transparent, resulting in no disruption of service (or downtime). In practice, there is always some minor pause in availability, though it may be low enough that only hard real-time systems are affected. Virtualization is far more frequently used with network services and user applications, and these can generally tolerate the brief delays which may be involved. The perceived impact, if any, is similar to a longer-than-usual kernel delay.
The actual process is heavily dependent on the particular virtualization package in use, but in general, the process is as follows:
Migration is the third studio album by The Amboy Dukes. It was released in 1969 on Mainstream Records (stereo S/6118). On this album, Rusty Day replaced John Drake on vocals. The song "I'm Not A Juvenile Delinquent" is a cover of the 1956 song by Frankie Lymon and The Teenagers.
A CD reissue was released in 1991 by Repertoire Records with two bonus tracks (REP 4178-WZ). It credits the band as "The American Amboy Dukes", the name under which the group's records were released in Britain.
CD bonus tracks
Bruno may refer to:
It may also refer to:
Brüno is a 2009 American mockumentary comedy film directed by Larry Charles and starring Sacha Baron Cohen, who produced, co-wrote, and played the gay Austrian fashion journalist Brüno. It is the third film based on one of Cohen's characters from Da Ali G Show; the first were Ali G Indahouse and Borat.
Gay Austrian fashion reporter Brüno Gehard is fired from his own television show, Funkyzeit mit Brüno (Funkytime with Brüno) after disrupting a Milan Fashion week catwalk (whose audience included Paul McCartney), and his lover Diesel leaves him for another man. Accompanied by his assistant's assistant, Lutz, he travels to the United States to become "the biggest gay Austrian celebrity since Hitler".
Brüno unsuccessfully attempts an acting career as an extra on NBC's Medium. He then interviews Paula Abdul, using "Mexican chair-people" in place of furniture (Abdul goes along with everything, explaining how she aspires to help people, until a naked man, adorned with sushi, is wheeled into the room). He then produces a celebrity interview pilot, showing him dancing erotically, criticizing Jamie-Lynn Spears' fetus with reality TV star Brittny Gastineau, unsuccessfully attempting to "interview" actor Harrison Ford, and closing with a close-up of his penis being swung around by pelvic gyrations. A focus group reviewing the pilot hate it, calling it "worse than cancer". Brüno then decides to make a sex tape, thus he then interviews Ron Paul, claiming to have mistaken him for drag queen RuPaul. While waiting in a hotel room with Paul, Brüno flirts with him before undressing, causing Paul to leave angrily and call him "queerer than the blazes".
Bruno (released as The Dress Code on DVD and VHS) is a 2000 American film starring Alex D. Linz and Shirley MacLaine. The film is the first and, as of 2014, the only film ever directed by MacLaine.
Distributed by New Angel Inc., Bruno premiered at the 2000 Los Angeles Film Festival in a limited theatrical release. From there, the film was distributed straight to cable television and rights to it were acquired by Starz.
Bruno Battaglia (Alex D. Linz) is a young boy attending an American Roman Catholic school. Bruno's estranged father Dino (Gary Sinise), a police officer, left the family long ago and Bruno lives with his mother Angela (Stacey Halprin). Angela is overweight and dresses flamboyantly in outfits that she designs and makes herself, standing out in stark contrast to the rest of their conservative Italian American neighborhood.