Midian is the fourth studio album by English extreme metal band Cradle of Filth. It was released on November 14, 2000, through Music for Nations. The album marks the return of guitarist Paul Allender to the band, as well as the introduction of drummer Adrian Erlandsson (At the Gates, The Haunted) and keyboard player Martin Powell (My Dying Bride, Anathema).
The album was reissued in 2012 by The End Records.
Midian is inspired by English author Clive Barker's novel Cabal and his subsequent film version Nightbreed. Dani Filth explained to the magazine Empire in September 2012:
Doug Bradley, who played the role of Lylesberg in Nightbreed (but is better known as Pinhead from Barker's Hellraiser and its sequels), provides narration on some tracks.
In the Bible, the "Midianites" are an Arab tribe descended from Abraham, and Midian itself is where Moses spent his forty-year exile from Egypt. The biblical Midianites take their name from Midian, a son of Abraham, and one of his concubines. Today, the former territory of Midian is found through small portions of western Saudi Arabia, southern Jordan, southern Israel and the Sinai. The people of Midian are also mentioned extensively in the Qur'an, where the name appears in Arabic as Madyan. The Midian of Cabal and Nightbreed is a hidden city offering shelter for monsters away from humanity.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.