A mid vowel (or a true-mid vowel) is any in a class of vowel sounds used in some spoken languages. The defining characteristic of a mid vowel is that the tongue is positioned mid-way between an open vowel and a close vowel.
The only mid vowel with a dedicated symbol in the International Phonetic Alphabet is the mid central vowel with ambiguous rounding [ə].
The IPA divides the vowel space into thirds, with the close-mid vowels such as [e] or [o] and the open-mid vowels such as [ɛ] or [ɔ] equidistant in formant space between open [a] or [ɒ] and close [i] or [u]. Thus a true mid front vowel can be transcribed as either a lowered ⟨e̞⟩ (with a lowering diacritic) or as a raised ⟨ɛ̝⟩ (with a raising diacritic). Typical truly mid vowels are thus:
MIDI (/ˈmɪdi/; short for Musical Instrument Digital Interface) is a technical standard that describes a protocol, digital interface and connectors and allows a wide variety of electronic musical instruments, computers and other related devices to connect and communicate with one another. A single MIDI link can carry up to sixteen channels of information, each of which can be routed to a separate device.
MIDI carries event messages that specify notation, pitch and velocity, control signals for parameters such as volume, vibrato, audio panning, cues, and clock signals that set and synchronize tempo between multiple devices. These messages are sent via a MIDI cable to other devices where they control sound generation and other features. This data can also be recorded into a hardware or software device called a sequencer, which can be used to edit the data and to play it back at a later time.
MIDI technology was standardized in 1983 by a panel of music industry representatives, and is maintained by the MIDI Manufacturers Association (MMA). All official MIDI standards are jointly developed and published by the MMA in Los Angeles, California, US, and for Japan, the MIDI Committee of the Association of Musical Electronics Industry (AMEI) in Tokyo.
MID or Mid may refer to:
A member of the armed forces mentioned in dispatches (or despatches, MiD) is one whose name appears in an official report written by a superior officer and sent to the high command, in which is described his or her gallant or meritorious action in the face of the enemy.
In a number of countries, a servicemember's name must be mentioned in dispatches as a condition for receiving certain decorations.
In the British Armed Forces, the despatch is published in the London Gazette.
Soldiers of the British Empire or the Commonwealth of Nations who are mentioned in dispatches but do not receive a medal for their action, are nonetheless entitled to receive a certificate and wear a decoration. For 1914–1918 and up to 10 August 1920, the decoration consisted of a spray of oak leaves in bronze. This decoration was only established in 1919, but it had retroactive effect. From 1920 to 1993, the decoration consisted of a single bronze oak leaf, and in the Canadian Armed Forces still does. In a change introduced in 2014 to the British Armed Forces, multiple decorations may now be worn on a single campaign medal for those awarded since 1962. Prior to this change, even if the soldier was mentioned in dispatches more than once, only a single such decoration was worn. In Britain, since 1993, the decoration is a single silver oak leaf. In each case the decoration is pinned or sewn diagonally on to the appropriate campaign medal ribbon. If no campaign medal is awarded, the oak leaf is worn on the left breast of the dress uniform.
Here's another state to mind
My head is clear but I'm cold
I fulfil all your dreams
Here's another point of view
My head is free but I ain't cool
I fulfil all your dreams
I put myself in big disgrace
For I had to fall down my face
Could not carry on
I put myself in big disgrace
When trouble come I know my fate
So pay the price with blood and hate
I feel right
I feel right
When the point of time is right
Then I try to change my mind
Give me some relief
But I know one day will come
Where I will find the peace (...)
I put myselft in big disgrace
When trouble come I know my fate
So pay the price with blood and hate
I feel right
I feel right
I feel right