Michael Henderson (born 1951) is an American bass guitarist and vocalist best known for his bass playing with Miles Davis in the early 1970s, on early fusion albums such as A Tribute to Jack Johnson, Pangaea, and Live-Evil, as well as series of R&B/soul hits in the mid to late 1970s.
He was one of the first notable bass guitarists of the fusion era as well as being one of the most influential jazz and soul musicians of the past 40 years. In addition to Davis, he has played and recorded with Marvin Gaye, Aretha Franklin, Stevie Wonder, the Dramatics, Doctor John, among many others. He is considered to be one of the greatest bass guitarists based in Detroit, along with Bob Babbitt and his primary influence, James Jamerson.
Before working with Davis, Henderson had been touring with Stevie Wonder, whom he met at the Regal Theater in Chicago while warming up for a gig. Davis saw the young Henderson performing at the Copacabana in New York City in early 1970 and reportedly said to Wonder simply "I’m taking your fucking bassist." After almost seven years with Davis, Henderson focused on songwriting and singing in a solo career that produced many hit songs and albums for Buddah Records until his retirement in 1986. Although known primarily for ballads, he was an influential funk player whose riffs and songs have been widely covered. His solo recordings have sold well over one million albums. A track titled "Wide Receiver" on an album of the same name is highly favored by breakdancers. The album, along with others, was reissued in 2015. He is also known for his ballad vocalizing on several Norman Connors hit recordings, including "You Are My Starship" and "Valentine Love", performed with Jean Carn.
Michael Henderson is a musician.
Michael Henderson may also refer to:
Michael Henderson (born 1937) is a physician who has made contributions to motor vehicle safety. After moving from the UK to Australia, Henderson headed the new Traffic Accident Research Unit in the Department of Motor Transport in New South Wales. He wrote an early book on safety in motor racing and was involved in the design of a Pininfarina racing car built with the intent of increasing safety.
Henderson was born in 1937 in Woking, UK and graduated from Cambridge and St Thomas' Hospital. Henderson's career in safety began with his work in aviation research with the Royal Air Force. In 1968 he released a seminal book, Safety in Motor Racing. Henderson's book was influenced by his race medical experience and his accumulation of racing statistics. In 1969, Henderson was part of a team of experts that worked with Pininfarina and Automobil Revue to design a safe racing car known as the Sigma Grand Prix. Tony Davis of Drive.com.au said that the Sigma "was almost certainly the first racing car to take safety seriously."
Night or nighttime (sp. night-time or night time) is the period of time between the sunset and the sunrise when the Sun is below the horizon.
This occurs after dusk. The opposite of night is day (or "daytime" to distinguish it from "day" as used for a 24-hour period). The start and end points of time of a night vary based on factors such as season, latitude, longitude and timezone.
At any given time, one side of the planet Earth is bathed in light from the Sun (the daytime) and the other side of the Earth is in the shadow caused by the Earth blocking the light of the sun. This shadow is called the umbra. Natural illumination is still provided by a combination of moonlight, planetary light, starlight, diffuse zodiacal light, gegenschein, and airglow. In some circumstances, bioluminescence, aurorae, and lightning can provide some illumination. The glow provided by artificial illumination is sometimes referred to as light pollution because it can interfere with observational astronomy and ecosystems.
The Time: Night (Russian: Время ночь) is a novella by Russian author Lyudmila Petrushevskaya. It was originally published in Russian in the literary journal Novy Mir in 1992 and translated into English by Sally Laird in 1994. In 1992 it was shortlisted for the Russian Booker Prize.
The Time: Night follows the struggles of the matriarchal Anna Andrionova as she holds together an emotionally unstable and financially decrepit family in early . Writing in first-person, Petrushevskaya presents the novella as a manuscript Anna's family finds after her death, and into which she poured the frustration and sheer power of her parenthood. Anna's struggles throughout to reconcile her intense love for her family with their parasitic lifestyles. The opening pages introduce Anna's daughter, Alyona, through a brief stolen segment of her diary, unveiling her chronic promiscuity and destructive incompetence. Alyona's rambunctious toddler, Tima, for whom Anna shows riveting affection aion, accompanies his grandmother during his mother's escapades. Anna's ex-convict son Andrei makes intermittent appearances at her communal apartment, looking for food and booze money. As the manuscript progresses, Petrushevskaya reveals the pitiful and terminal condition of Anna's mother in a mental hospital, and another illegitimate child of Alyona's. The narrative concludes with Alyona fleeing the apartment with her children in the night, after the death of Anna's mother.
Night Time is the fifth studio album by English post-punk band Killing Joke. It was released in March 1985, through record label E.G.
Night Time was released in March 1985 by record label E.G. It was an international hit, reaching number 11 in the United Kingdom, number 8 in New Zealand and number 50 in Sweden.
The album was remastered and reissued in 2008, with nine bonus tracks. The bonus tracks include the non-album single "A New Day", three remixes and four tracks from a 1984 Kid Jensen BBC radio session.
In his retrospective review, Ned Raggett of AllMusic opines that the album finds the band's music "caught between their earlier aggression and a calmer, more immediately accessible approach. This turned out to be the band's Achilles heel in the end, with later albums in the '80s evidence that the group had turned into an unbelievably boring, generic modern rock band. At this point, however, the tension between the two sides had a perfect balance, and as a result, Night Time is arguably the quartet's freshest album since its debut, with a warm, anthemic quality now supplementing the blasting, driving approach that made the band's name". Adrian Begrand of PopMatters opined that, with the album, the band "perfected" their "balance between antagonism and accessibility" and that "the band are simply on fire on this record".
In the Night Time is the third album by American bass guitarist Michael Henderson. Released in 1978 on Buddah Records.
All tracks composed by Michael Henderson; except where indicated
Funny, just seems kind of funny. That every time it's sunny, I can't get along with my honey. Whoo whoo whoo whoo whoo...
But in the night time, it always comes out right. In the night time, it always comes out right.
Jogging,I can't keep up with you.(No, no babe) In the park I missed you (I missed you babe)but you better not try again (Don't try, don't try, Don't try it baby, don't try it baby!)
Cause in the night time, it always comes out right. In the night time, it always comes out right.
I'm not trying to say that I don't like the daytime, but the going is better for me, in the night time. With the phone always ringing, radio singing, I just want to satisfy you. Hey baby is it...? (Ooh it's just too much) I know it's (just too much) Hey hey hey hey baby!!it always comes out right. In the night time, it always comes out right.