Metroland (film)

Metroland is a 1997 British comedy-drama film directed by Philip Saville and starring Christian Bale and Emily Watson. Written by Adrian Hodges, based on the novel Metroland by Julian Barnes, the film is about a man whose calm and predictable life is disrupted by the sudden reappearance after ten years of his best friend, which leads him to remember his carefree youth in Paris, to question some of his lifestyle decisions, and to re-evaluate his life and marriage. Mark Knopfler wrote the score and produced the Metroland soundtrack, which is supplemented by some additional tracks appropriate to the period depicted in the film.

The executive producer Andrew Bendel and director Philip Saville needed 3 songs from the punk era to be included in the live band scenes played by a fictitious group called The Subverts. Danny de Matos and Del Bartle were asked to write the songs to be included in the film. These three particular songs featured in the film (although not included on the Polygram soundtrack) "Amerikkka We Hate You", "Destroy the Hoi Polloi" and "You Destiny" were also produced by Danny de Matos.

Metroland (novel)

Metroland is an English novel written by Julian Barnes and published in 1980. Philip Larkin wrote a letter to Barnes saying "that he had much enjoyed it, despite his prejudice against novels with people under the age of 21 in them. He added, gloomily, something like, 'but is that what life's like nowadays?'" Barnes described "this unexpected praise" as "the most gratifying moment of the strange passage of first publication."

Overview

Metroland is a first person account of Christopher Lloyd and his experiences growing up in the suburbs of London (so-called Metroland), his brief life in Paris as a graduate student and the early years of his subsequent marriage. As adolescents Christopher and his childhood friend Toni had shown contempt for the bourgeois establishment but this lifestyle is one that Christopher ultimately chooses, much to Toni's disappointment, obtaining a secure job in publishing, marrying, buying a house and having a child. Christopher realises that his normal life and somewhat mundane marriage are not perfect, nor are they necessarily more exciting than his time in Paris with his bold French girlfriend Annick, but he does love his wife and is content.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: