Note

Note, notes, or NOTE may refer to:

Music and entertainment

Finance

Technology and science

Notes (album)

Notes is an album by Canadian jazz pianist Paul Bley and American drummer Paul Motian recorded in 1987 and released on the Italian Soul Note label.

Reception

The Allmusic review by Eugene Chadbourne awarded the album 3 stars stating "the tracks basically having the flatness and relative lack of detail of the album's cover illustration. These performances have a lingering quality, however, certain moments eventually acquirng magic like illuminations, even though it is all mere residue under the fingers of players who seemingly can create beauty in their sleep".The Penguin Guide to Jazz said "Their interplay in the most demanding of improvisational settings is intuitive and perfectly weighted".

Track listing

Notes (2013 film)

Notes is a short romantic comedy film about a pair of roommates whose relationship developes through a series of post it notes. Notes marked the first installment of a trilogy of short films by Worrying Drake Productions. The film was also the directorial debut for John McPhail.

Plot

Adam (Tyler Collin) has just moved into a new flat with Abi (EmmaClaire Brightlyn) who is a nurse. The pair have never met and as a result of their conflicting sleep patterns the pair communicate via post it notes. What starts off as a complaint over their preferred types of coffee soon develops into flirtatious messages.

Main Cast

Release and reception

Notes was released on 7 June 2013 and was positively received by critics. Thomas Simpson of MovieScramble wrote:

The film went on to appear in many domestic and international film festivals and picked up the Best Film accolade at the Edinburgh Bootleg Film Festival, as well as the audience award at the Palme Dewar festival in Aberfeldy.

Metamatic

Metamatic is an album by John Foxx, released in 1980. It was his first solo album following his split with Ultravox the previous year. A departure from the textured mix of synthesizers and conventional instruments on Systems of Romance, his last album with the band, Metamatic 's hard-edged electronic sound was more akin to Kraftwerk's The Man-Machine (1978), Gary Numan's The Pleasure Principle (1979), and early Human League. The name 'Metamatic' comes from a painting machine by kinetic artist Jean Tinguely, first exhibited at the Paris Biennial in 1959.

Production and style

Recorded in what the composer described as "an eight-track cupboard in Islington", Metamatic was engineered by then-unknown Gareth Jones. Foxx's electronic equipment included ARP Odyssey, an Elka 'String Machine' and a Roland CR-78 drum machine. His keyboard skills were rudimentary at the time, and several of the synth parts were played for him by John Wesley-Barker.

Half a dozen tracks referenced automobiles or motorways, most obviously "Underpass" and "No-One Driving". Foxx re-worked the former track as "Overpass" on the live Subterranean Omnidelic Exotour in 1998 (reissued in 2002 as the second of a 2-disc set, The Golden Section Tour + The Omnidelic Exotour); he also re-used its distinctive riff for the track "Invisible Women" on 2001's Pleasures of Electricity with Louis Gordon. The song "He's a Liquid" was influence by a still from a Japanese horror film depicting a suit draped across a chair in such a way as to suggest that the wearer had liquified; Foxx's lyrics also alluded to the 'fluidity' of human relationships. The final track, "Touch and Go", exhibited psychedelic touches that would increasingly recur in his 1980s work.