Mermaid (Russian: Русалка, translit. Rusalka) is a 1996 Russian animated short film directed by Aleksandr Petrov and showcasing the paint-on-glass animation technique for which Petrov is known. The story is based on traditional Slavic folklore about the rusalki, river-dwelling mermaids said to be "born" from the unhappy souls of young women who had committed suicide by drowning—usually after being mistreated by a man. The Russian "mermaid" is, for this reason, a dangerous creature more akin to the Greek sirens than to Disney's cute and lovable Ariel.
As springtime begins to break up the ice on a frozen river, a handsome young novice monk rescues a naked girl who has apparently fallen into the water. She disappears suddenly, but returns time and time again over the ensuing months—first demonstrating her dolphin-like swimming ability (and her surprising technique of catching fish in her teeth!) and then winning the young man's heart with her coquettish flirting and beautiful singing.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
A mermaid is a legendary aquatic creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many cultures worldwide, including the Near East, Europe, Africa and Asia. The first stories appeared in ancient Assyria, in which the goddess Atargatis transformed herself into a mermaid out of shame for accidentally killing her human lover. Mermaids are sometimes associated with perilous events such as floods, storms, shipwrecks and drownings. In other folk traditions (or sometimes within the same tradition), they can be benevolent or beneficent, bestowing boons or falling in love with humans.
Some of the attributes of mermaids may have been influenced by the Sirens of Greek mythology. Historical accounts of mermaids, such as those reported by Christopher Columbus during his exploration of the Caribbean, may have been inspired by manatees and similar aquatic mammals. While there is no evidence that mermaids exist outside of folklore, reports of mermaid sightings continue to the present day, with recent examples from Canada, Israel, and Zimbabwe.
Mermaid (sometimes The Mermaid) is a 1979 outdoor sculpture by Roy Lichtenstein, composed of concrete, steel, polyurethane, enamel, palm tree, and water. It is located in Miami Beach at the Fillmore Miami Beach at Jackie Gleason Theater. Measuring 640 cm × 730 cm × 330 cm (252 in × 288 in × 132 in), it is his first public art commission according to some sources, although others point to a temporary pavilion that predates this work. It is also the second piece of public art in the city of Miami Beach. Since the sculpture was installed, it has been restored several times, and the theater that it accompanies has been restored and renamed twice.
The statue rests outside what was originally called the Miami Beach Auditorium and later named the Miami Beach Theater of the Performing Arts or Theater of the Performing Arts, Miami. In 1987, the building was renamed the Jackie Gleason Theater of the Performing Arts. The institution was renamed in 2007 to the The Fillmore Miami Beach at Jackie Gleason Theater.