Mercy is a 2000 erotic thriller film directed by Damian Harris and starring Ellen Barkin. The movie was based on a novel written by David L. Lindsey.
Detective Cathy Palmer (Ellen Barkin) is on the trail of an elusive serial killer. During her investigation she meets Vickie Kittrie (Peta Wilson), who belongs to an exclusive club of women who engage in secret sessions of bondage and S&M. Matters become even more complicated when Palmer finds herself attracted to Kittrie, leading to a brief lesbian encounter. Palmer soon learns that each victim belonged to this club of prominent, sexually experimental women. In order to catch the killer, Catherine must trust Vickie to guide her through the dangerous and illicit underground.
Mercy (Abigail Mercy Wright) is a fictional supervillain appearing in American comic books published by Marvel Comics.
Abigail Mercy Wright is an extremely unpredictable and dangerous foe, and has given multiple explanations to her origin, including being an alien, and angel, or, much later, a woman who gained her powers through radiation treatments to save her from brain cancer. She considers herself on a mission of "mercy" to "help" those who are overcome with despair, but don't have the strength to commit suicide, believing that she is doing them a favor. This can include anything from dropping an electric toaster into the bath, to guiding the spirit of a comatose person to the afterlife.The Hulk is one of the few people Mercy has been unable to "help," as he refuses to stop fighting, no matter how horrible his existence may be.
As part of the Marvel NOW! event, Mercy later appears as one of the Red Hulk's recruits for his new black ops incarnation of the Thunderbolts.
"Mercy" is a song by English rock band Muse from their seventh album, Drones. It was released as the second single from the album on 18 May 2015.
The song is part of a concept album about "the journey of a human, from their abandonment and loss of hope, to their indoctrination by the system to be a human drone, to their eventual defection from their oppressors". On the band's website, writer and singer Matthew Bellamy stated that "[t]he opening line of ‘Mercy’ - Help me I’ve fallen on the inside - is a reference to the protagonist knowing and recognizing that they have lost something, they have lost themselves. This is where they realize they’re being overcome by the dark forces that were introduced in ‘Psycho’."
In his review of Drones, NME's Mark Beaumont described the song as "infectious electro-rock".Consequence of Sound's Collin Brennan called it an "anthem" reminiscent of "latter-day U2". In similar fashion, Gigwise's Andrew Trendell described the song as a "driving and pulsing piano-led arena power-anthem". Likening it to the music from the band's fourth album Black Holes And Revelations, he called the song a "close cousin to 'Starlight'[...], albeit with a rejuvenated energy and very forward-looking approach".
A mob, mobile or monster is a computer-controlled non-player character (NPC) in a computer game such as an MMORPG or MUD. Depending on context, every and any such characters in a game may be considered to be a "mob", or usage of the term may be limited to hostile NPCs and/or NPCs vulnerable to attack. Common usage refers to either a single character or a multitude of characters in a group as a mob. In most modern graphical games, "mob" may be used to specifically refer to generic monstrous NPCs that the player is expected to hunt and kill, excluding NPCs that engage in dialog or sell items or who cannot be attacked. "Named mobs" are distinguished by having a proper name rather than being referred to by a general type ("a goblin," "a citizen," etc.). "Dumb mobs" are those capable of no complex behaviors beyond attacking or moving around.
Defeating mobs may be required to gather experience points, money, items, or to complete quests. Combat between player characters (PCs) and mobs is called player versus environment (PvE). PCs may also attack mobs because they aggressively attack PCs. Monster versus monster (MvM) battles also take place in some games.
The Mob are one of six teams currently competing in SlamBall.
The Mob (then Chicago Mob) were one of the first two slamball teams with the then Los Angeles Rumble whom they played a series of exhibition games with, which the Mob ended up winning. They were later joined by the Diablos, Steal, Slashers, and Bouncers for the first ever season of Slamball. The Mob finished with a 4–5 record in the first season, just missing the playoffs. However, the next year, they won their Division and went to the playoffs but lost in the first round to the Riders, who went on to win the championship. Slamball then went on hiatus until 2008, when the Mob returned to the playoffs but again lost in the first round to the Slashers, who later won the championship.
Mob 47 is a hardcore punk band which formed in Stockholm, Sweden in 1982, originally under the name of "Censur". In 1983 the band members changed the name to what it's now called "Mob 47" when singer Mentis entered the band. During their early years they played with the legendary band Anti Cimex. They were influenced by bands such as Discharge, Crucifix, D.R.I., and B.G.K.. They have been described as the fastest of the Swedish D-beat groups.
Guitarist and founding member, Åke formed several other bands after and around the time of Mob 47. The bands Agoni, Röjers, Discard, Crudity, and Protes Bengt were featured with Mob 47 on the "Stockholm's Mangel" compilation in 1985. Some with other members of Mob 47, mostly the drummer Chrille. Per, vocalist of contemporary Swedish outfit Bruce Banner, is noted for singing in a number of these bands. Åke has continued to play and released a new Mob 47 demo playing solo with a drum machine in 1998.
In 2003 Speedstate Records in Japan released a 2 CD official discography. In 2005 the band began to rehearse again. They did their first official gig in 20 years at Debaser, in Stockholm, the 25th of May 2006 and are currently working on some new material.
I’ve been slaving all day long
Making mock of me as if nothing’s wrong
It’s a curse, I’m a castaway
I’ve given all, nothing more to say
So tired, still no end
She placed her hand on her forehead
Wondered why, what’s it for
It’s a dead end
Mrs. B walks towards the door
You haven’t eaten anything, don’t you want some more?
Does she talk to herself or me
Contemporary slavery
She seems shrunken
And her face showed signs of her old age
Breakable bones
All alone without her family
They are waiting for the death of Mrs. B
Mrs. B keeps her son to herself
At least she tries to
When he married, it cause quite a stir
She hit him and her too
She wonders why no one calls
Since they got her number and all
It’ll be a relief to slowly drift away
No more waiting for the lonely days
Mrs. B says she’s all alone
Wondering if she’s safe in her home
Doesn’t care to come out because the kids