Men (1924 film)
Men (1924) is an American silent film drama, directed by Dimitri Buchowetzki, starring Pola Negri, produced by Famous Players-Lasky, and distributed by Paramount Pictures.
The film was Negri's fifth feature for Paramount since coming to the United States in 1923.
Cast
Preservation status
The film is now considered a lost film.
See also
References
External links
1924 in film
The year 1924 in motion picture involved some significant events and films.
Events
Top grossing films (U.S.)
Notable films released in 1924
U.S.A. unless stated
Man (Middle-earth)
In J. R. R. Tolkien's Middle-earth books, such as The Hobbit and The Lord of the Rings, the terms Man and Men refer to humankind – in contrast to Elves, Dwarves, Orcs and other humanoid races – and does not denote gender.
The Elves call the race of Men Atani in Quenya, literally meaning "Second People" (the Elves being the First), but also Hildor (Followers), Apanónar (After-born), and Fírimar or Firyar (Mortals). Less charitably they were called Engwar (The Sickly), owing to their susceptibility to disease and old age, and their generally unlovely appearance in the Elves' eyes. The name Atani becomes Edain in Sindarin, but this term is later applied only to those tribes of Men who are friendly to the Elves. Other names appear in Sindarin as Aphadrim, Eboennin, and Firebrim or Firiath.
Origins
The race of Men is the second race of beings created by the One God, Ilúvatar. Because they awoke at the start of the Years of the Sun, while the Elves awoke at the start of the First Age during the Years of the Trees, they are called the Afterborn by the Elves.
Men (deity)
Men (Greek: Μήν, Latin: Mensis, also known at Antioch in Pisidia as Men Ascaënus) was a god worshipped in the western interior parts of Anatolia. The roots of the Men cult may go back to Mesopotamia in the fourth millennium BC. Ancient writers describe Men as a local god of the Phrygians.
Lunar symbolism dominates his iconography. The god is usually shown with a crescent like open horns on his shoulders, and he is described as the god presiding over the months. He is depicted with a Phrygian cap and a belted tunic. He may be accompanied by bulls and lions in religious artwork. The iconography of Men partly recalls that of Mithras, who also wears a Phrygian cap and is commonly depicted with a bull and symbols of the sun and moon.
The Augustan History has the Roman emperor Caracalla venerate Lunus at Carrhae; this has been taken as a Latinized name for Men. The same source records the local opinion that anyone who believes the deity of the moon to be feminine shall always be subject to women, whereas a man who believes that he is masculine will dominate his wife. David Magie, however, disputes the identification of this ‘Lunus’ with Men, and suggests that Caracalla had actually visited the temple of Sin.
32 Men
The 32 Men (Danish: Stadens 32 mænd) were the leading merchants of Copenhagen, who had the right to demand an audience before the king.
Film (Polish magazine)
Film is a monthly Polish magazine devoted to cinema. It has been in publication since 1946, originally as a bimonthly publication. The founders were Jerzy Giżycki, Zbigniew Pitera, Tadeusz Kowalski, and Leon Bukowiecki.
Since September 2012, the editor-in-chief has been Tomasz Raczek. Previous editors have included Maciej Pawlicki, Lech Kurpiewski, Igor Zalewski and Robert Mazurek, Agnieszka Różycka, Marcin Prokop and Jacek Rakowiecki.
In January 2007, Film was purchased by Platforma Mediowa Point Group (PMPG).
Editorial staff
References
External links
Official website (Polish)
Lubrication theory
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
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