John Zorn (born September 2, 1953) is an American avant-garde composer, arranger, producer, saxophonist and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".
Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.
Memento mori (Latin: "remember that you must die") is the medieval Latin theory and practice of reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits. It is related to the ars moriendi ("The Art of Dying") and related literature. Memento mori has been an important part of ascetic disciplines as a means of perfecting the character, by cultivating detachment and other virtues, and turning the attention towards the immortality of the soul and the afterlife.
In art, mementos mori are artistic or symbolic reminders of mortality. In the European Christian art context, "the expression... developed with the growth of Christianity, which emphasized Heaven, Hell, and salvation of the soul in the afterlife."
In English, the phrase is pronounced /məˈmɛnˌtoʊ ˈmɔːriː/, mə-MEN-toh MOR-ee.
Memento is the 2nd person singular future active imperative of meminī 'to remember, to bear in mind', usually serving as a warning: remember!; mori is the present active infinitive of morior, literally "to die".
Memento mori (Latin: "remember you will die") is a common motif in art.
It may also refer to:
"Memento Mori" is the fourteenth episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on February 9, 1997. It was directed by Rob Bowman, and written by series creator Chris Carter, Vince Gilligan, John Shiban and Frank Spotnitz. "Memento Mori" featured guest appearances by Sheila Larken, David Lovgren and Morris Panych. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Memento Mori" earned a Nielsen household rating of 15.5, being watched by 19.1 million people in its initial broadcast. The title translates from Latin as "remember that you will die."
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. When Scully is diagnosed with an inoperable nasopharyngeal tumor, Mulder attempts to discover what happened to her during her abduction experience, believing the two events to be related.
No one knows better than the king
Life's a filthy dirty game
Very very hard to win
No one knows better than the king
How to disregard the pain
Never, never let it in
No one knows better than the king
That an angry man goes blind
Knocks his head against the wall
No one knows better than the king
How it hurts a man to fight
That he's human after all
No one knows better than the king
What a desperate man may do
When it gets too hard to bear
No one knows better than the king
How to spit on the taboos
As they thought he'd never dare
No one knew better than the king
How to care for number one
How to take and never give
No one knew better than the king
That when all is said and done
That's the only way to live
No one knew better than the king
Just how angry you can be
When they cage you in with laws
No one knew better than the king
That a man who thinks he's free
knocks his head against a wall
No one knew better than the king
Just how bitter it would be
To be beaten after all
No one knew better than the king
They're the ones who fix the game
They're the ones with loaded dice
No one knew better than the king
That they'd get him all the same