Melvins! (album)

Melvins is an album by Melvins, released in 1986 through C/Z Records. The album has been released as Six Songs (1986, vinyl), Eight Songs (1991, vinyl), 10 Songs (1991, CD) and 26 Songs (2003, CD). The songs are taken from two sessions in 1986.

Tracks 1-10 are taken from the 1991 eight/ten song, LP/CD version rerelease of this album. Tracks 11-16 are taken from the original six song vinyl release. Tracks 17-19 were taken from the 1986 Outtakes From First 7 inch vinyl single. Track 20-24 are garage demos. Track 20 is taken from the Northwest Hardcore compilation tape. Track 22 is taken from the Let's Kiss compilation tape from K Records. "Ever Since My Accident" is available on the Kill Rock Stars compilation (KRS-201) in superior quality. Track "26", "Hugh", is a field recording put as the b-side of the demo cassettes the band would give away to venues and labels to promote the band.

The track listing on the booklet of the CD lists 26 tracks but for unknown reasons the CD only has 25 tracks as "Ever Since My Accident" and "Hugh" are together on track 25 and not individual tracks as credited.

Lysol (album)

Lysol (aka Melvins aka Untitled aka Lice-all) is the fourth album by the Melvins, released in 1992 on Boner Records.

The album cover is a painting based on a sculpture by Cyrus Edwin Dallin named "Appeal to the Great Spirit." The image also appears on The Beach Boys in Concert, on the logo for Brother Records, and on the cover of The Time Is Near by the Keef Hartley Band.

The album was recorded in less than a week, according to the band's official website.

Release

Boner Records was unaware that Lysol was a registered trademark until after the first batch of record jackets and CD booklets/back cards had already been printed. Lysol sent a staff member to go undercover as an interviewer for a magazine to find out information about the record, as they did not want their name on the album. Boner officially retitled the record Melvins and covered the word Lysol with black tape on the front of the jackets and booklets and with black ink on the spines. Early after the initial release, the tape and ink were easily removed, and many fans did so. Later, attempting to remove the tape would result in severe damage. Subsequent printings omitted the word Lysol entirely.

! (album)

! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.

Track listing

Personnel

The following people were involved in the making of !:

References

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.