| Select | ||||
|---|---|---|---|---|
| File:Kim-Wilde-Select.jpg Cover photo by Gered Mankowitz |
||||
| Studio album by Kim Wilde | ||||
| Released | 10 May 1982 | |||
| Genre | Synthpop | |||
| Length | 40:44 | |||
| Label | RAK | |||
| Producer | Ricky Wilde | |||
| Kim Wilde chronology | ||||
|
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   [1] |
Select is the second studio album by Kim Wilde, released in May 1982.
The first single from this album, "Cambodia", was released in November 1981 and signalled a different sound from the Wilde camp, with an electronic and synth sound different from The Enid sound of her last album. The songs were again written by Marty and Ricky Wilde and produced by Ricky Wilde. The lyrics of the songs were similar to the first album: the second single "View from a Bridge" and the album track "Wendy Sadd" seemed to be about suicide, "Chaos at the Airport" described a nightmare about flying and "Ego" was quite the opposite of a lovesong. "Can You Come Over" was recorded at the Wilde's home. The cover image was a photograph from Gered Mankowitz.
This sequel to the debut album topped the charts in a host of European countries and hit #8 in Australia — although it did not surpass the success of its predecessor. The album was certified Silver in the UK.
Track listing [link]
All songs written by Marty Wilde and Ricky Wilde, except where indicated
- "Ego"— 4:11
- "Words Fell Down" — 3:31
- "Action City" — 3:25
- "View from a Bridge" — 3:32
- "Just a Feeling" — 4:12
- "Chaos at the Airport" — 3:20
- "Take Me Tonight" — 3:56
- "Can You Come Over" — 3:35
- "Wendy Sadd" — 3:49
- "Cambodia + Reprise" — 7:13
Bonus tracks (2009 remastered CD edition) [link]
- "Watching for Shapes" ("Cambodia" B-Side) — 3:42
- "Cambodia (single version)" — 3:57
- "Child Come Away" — 4:05
- "Just Another Guy" ("Child Come Away" B-side) — 3:19
- "Bitter Is Better" (Masami Tsuchiya, Bill Crunchfield) — 3:43
References [link]
- ^ Mason, Stewart. "Kim Wilde Select review". Allmusic. Rovi Corporation. https://www.allmusic.com/album/select-r2300522/review. Retrieved 2012-05-10.
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Id, ego and super-ego
Id, ego, and super-ego are the three parts of the psychic apparatus defined in Sigmund Freud's structural model of the psyche; they are the three theoretical constructs in terms of whose activity and interaction our mental life is described. According to this model of the psyche, the id is the set of uncoordinated instinctual trends; the super-ego plays the critical and moralizing role; and the ego is the organized, realistic part that mediates between the desires of the id and the super-ego. The super-ego can stop one from doing certain things that one's id may want to do.
Although the model is structural and makes reference to an apparatus, the id, ego and super-ego are purely psychological concepts and do not correspond to (somatic) structures of the brain such as the kind dealt with by neuroscience. The super-ego is observable in how someone can view themself as guilty, bad, pathetic, shameful, weak, and feel compelled to do certain things. Freud (1923) in The Ego and the Id discusses "the general character of harshness and cruelty exhibited by the [ego] ideal – its dictatorial 'Thou shalt.'"
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Ego… Ichografisis 1957 - 1995 (Marinella: The very best of EMI years) (Greek: Εγώ… Ηχογραφήσεις 1957 - 1995; English: Me… Recordings 1957 - 1995) is a compilation of recordings by popular Greek singer Marinella, under the EMI series Capitol Original Masters. This album is part of the compilation. The 2 CD set includes 44 recordings from 1957 - 1995 for the Minos EMI Label and covers her early work with Stelios Kazantzidis and her later solo years. It also includes duets with Tolis Voskopoulos, Yiannis Parios and Kostas Spyropoulos. It was released on December 26, 2005 in Greece by Minos EMI.
Tracklisting
Disc 1
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Conclusion (music)
In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
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Facebook structure
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Basic rules
A group of players (two or more) decide who is going to be "it", often using a counting-out game such as eeny, meeny, miny, moe. The player selected to be "it" then chases the others, attempting to get close enough to "tag" one of them (touching them with a hand) while the others try to escape. A tag makes the tagged player "it" - in some variations, the previous "it" is no longer "it" and the game can continue indefinitely while in others, both players remain "it" and the game ends when all players have become "it".
There are many variants which modify the rules for team play, or place restrictions on tagged players' behavior. A simple variation makes tag an elimination game, so those tagged drop out of play. Some variants have a rule preventing a player from tagging the person who has just tagged them (known as "no tags-back", "no returns", or "can't tag your master").
Mein
Mein may refer to:
People with surname Mein:
See also
