Ottoman military bands are thought to be the oldest variety of military marching bands in the world. Though they are often known by the Persian-derived word mahtar (مهتر; mehter in Ottoman Turkish) in the West, that word, properly speaking, refers only to a single musician in the band. In Ottoman, the band was generally known as mehterân (مهتران, from the Persian plural mahtarān), though those bands used in the retinue of a vizier or prince were generally known as mehterhane (مهترخانه, meaning roughly, "a gathering of mehters", from Persian "house of the mahtar"). In modern Turkish, the band as a whole is often termed mehter bölüğü ("mehter company [troop]"), mehter takımı ("mehter platoon"). In the West, the band's music is also often called Janissary music because the janissaries formed the core of the bands.
It is believed that individual instrumentalists may have been mentioned in the 8th century Orkhon inscriptions. Such military bands as the mehters, however, were not definitively mentioned until the 13th century. It is believed that the first "mehter" was sent to Osman I by the Seljuk Sultan Alaeddin Keykubad III as a present along with a letter that salutes the newly formed state. From then on every day after the afternoon prayer; "mehter" played for the Ottoman ruler. The notion of a military marching band, such as those in use even today, began to be borrowed from the Ottoman Empire in the 16th century. The sound associated with the mehterân also exercised an influence on European classical music, with composers such as Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven all writing compositions inspired by or designed to imitate the music of the mehters.
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Se quiser amar