Magnús Þór Jónsson (born April 7, 1945), also known by his mononym Megas, is a rock and roll singer, songwriter, and writer who is well known in his native country of Iceland.
Being an admirer of Elvis Presley, Megas welcomed the arrival of rock & roll to Iceland by 1956, although his interest in music had to be postponed while he attended grammar school in 1960.
While he was young, he studied piano and showed skill at painting. He wrote outrageous short stories for the school papers and in 1968 he also published the sheet music and lyrics to 14 songs, many of which would be released on his first records. As a young bohemian writer, he was inspired by Bob Dylan and Ray Davies, and embarked into songwriting, but his works were not copies of the American or British idols, but in fact, his songs were very original.
At the beginning of the seventies, his music works were not accessible as Megas only performed them to his friends of the left-wing circles. However, in 1972, Icelandic students in Oslo, Norway helped him release his first album, in which diabolic and satiric lyrics were accompanied by a mild acoustic music played by Norwegian folk musicians. This work caused controversy and his music was banned by the Icelandic national radio, but Megas became a cult figure in the growing alternative scene.
Megas is the first album by Icelandic rock singer Magnús Þór Jónsson (better known as Megas).
The original album released in 1972 has 15 songs and was released on CD in 1994. The 2002 remastered reissue has seven bonus tracks, demos and live recordings. Most of the bonus tracks have not been released on any other album. “Pældu í því (sem pælandi er í)” is a variation of “Spáðu í mig” with a slightly different melody and a different lyric, but the same theme. A new version of the song “Adieu Capital” reappeared in 2005 on an album jointly released by Megas and Súkkat titled Hús Datt.
Track note:
Megas 1972–2002 is a compilation released in 2002 by the Icelandic rock singer Megas to commemorate the 30th anniversary of his music career. This compilation, made up of 43 tracks, contains several of Megas's hits, from the first album titled Megas (1972) to Englaryk í Tímaglasi (2002).
The compilation features singer Björk as backing vocalist and the long-time collaborator, Guðlaugur Kristinn Óttarsson, who added guitars on several tracks.
[Intro:]
Who Got Tha Clout?
Don't act surprised cuz it's that bitch from the South.
Pumpin' out the N-O.
You don't want no clout.
Who Got Tha Clout?
Don't act surprised cuz it's that bitch from the South.
[1st Verse: Mia X]
Who's 'bout to come?
Who they cleared the way for?
Who all them niggas respect?
Who got them hoes scared to flex?
Well here's a track that gets wrecked.
Who's got the industry hexed?
Well now, it's mama, full of marijuana.
Headline nigga, whatcha' whatcha' want, huh?
You can see them niggas writin' rhymes,
but don't need none, want some.
Hoes run from these here,
who gon still be the boss bitch next year?
Who ain't gotta brag cuz the realness is there?
Who be havin' muthafuckas bucked everywhere?
When you think the biggest mama,
who be on yo' fuckin' mind?
When you hear 'bout it, 'bout it,
who you waitin' for to rhyme?
Whose time is now?
Who you can't doubt?
Who's got clout?
Say my name loud.
[Bridge One x4: Mia X]
[Records Scratching]
Mia...X... When Mystikal hits the door.
[Verse Two: Mystikal]
You better hold yo' breath,
cuz I'ma leave this bitch SMOKIN', like ganja.
Not only will I run 'ya, BITCH I'LL RUN BEHIND 'YA.
I, stay sharper than yo' barbershop barber,
it's my honor, to rock it wit' the biggest mama.
I ROLLS, like hoes jaws go off from, RAW,
it's me the meat claws off.
Oh, you supposed to be balla?
It take tall props to call shots, that's bigger than bald spots,
y'all workin' off small pox.
You know, like I know, leave yo' fuckin' jaws locked,
stop worryin' 'bout niggas thats out to leave, work what
y'all got.
Believe none of what you hear, and some of what you
saw, Mystikal, Mia X, who the fuck you think it's for?
Look we ain't yo' standard his and hers rap duo,
we cut the fuckin' fool, who try somethin' TRU.
Been bustin' ass since days of old school,
I refuse to leave this bitch without my props and the jewels.
[Bridge Two:]
When Mystikal Hits The Door,
How ya' daughter got popped
[x7]
When Mystikal Hits The Door, When Mystikal Hits The Door
[Verse Three: Both]
[Mia X]
Mama comes through this bitch, like Hurricane
Bessy, messy hoes know, chill wit that ass like
a mill.
[Mystikal] I know they knew this ain't no damn Jack and Jill,
we run this fuckin' hill, got this bitch locked down,
so tight, zipped up, shit sealed!
[Mia] Still, I gotta keep my pocketbook filled...
[Mys] And you WILL, just gotta keep my wallet on til'.
Build our nine together, watch what kinda car we build.
Nigga better find some silence fo' yo'self, stop walkin' on
STEEL.
[Mia] For real, you know we actin' plum donkey, black prince
of the South and mama Mia tag teamin' boku funky...
[Mys] Stankin' like Monkey Shit!
[Mia] On the side of Limberger...
[Mys] On top of fart rocks...
[Mia] Washed down with skunk piss.
[Mys] I don't think they heard us,
stop trippin' cuz you playin' wit' yo'self,
bitch we rappin' for the world, just say that shit to yourself.
[Mia] Intentions of wealth, who you see?
That nigga wit' the braids, and that squeaky voiced bitch,
lyrics hurtin' yo' head for days, nigga. Representin' the
South, fuck all that asshole and nasty, you gonna
gimme my clout.
[Outro:]
I represent...
Who got the clout?...