A stunt in American football and Canadian football, sometimes called a twist, is a planned maneuver by a pair of players of the defensive team by which they exchange roles to better slip past blockers of the offensive team at the beginning of a play.
The purpose of a stunt is to confuse opposing blockers, which is an aid to the defense in rushing an opposing forward pass or kick. The main weakness of a stunt is that it is more vulnerable than average to running plays by the opposing team. In most cases, the defense will not use a play incorporating stunting if it expects a running play from the offense.
There are two main types of stunts. In one, a line player, who would otherwise try to charge forward, instead drops back, and a nearby linebacker or defensive back charges forward instead. In the other, which is known as cross-rushing, line players, instead of charging straight ahead, cross paths. One of them may follow a looping path that goes behind the other before moving forward (in which case the stunt is called a "loop"), or one may wait for the other to penetrate slightly first, and then cross behind, their paths angling across each other. In some variants, a rushing player will run around more than one rushing teammate.
A stunt is a difficult or unusual feat performed for film or theatre.
Stunt or Stunting may also refer to:
In radio broadcasting, stunting occurs when a station abruptly airs content that is seemingly uncharacteristic compared to what they normally play. The tactic is commonly used when a station is about to undergo a major change (such as a change in format, branding, frequency, ownership or management, or even the acquisition of a high-profile program or personality), or simply as a prank on listeners and rival broadcasters (e.g. a temporary April Fools' Day stunt that does not involve an on-air change); either way, stunting is intended as a way to generate a greater amount of media publicity and audience attention to the station, by virtue of its shock value, than a straightforward format change could provide. Depending on the station's situation and its management's preference, stunt formats can last anywhere from a few minutes to several weeks before the permanent change is launched.
A station may stunt by repeating the same song or songs over and over on a continuous loop.
Maya may refer to:
Maya is a 2001 Hindi film directed by Digvijay Singh with Nitya Shetty, Mita Vashisht, Anant Nag and Nikhil Yadav in lead roles.
12-year-old Maya lives with her aunt Lakshmi, uncle Arun and cousin Sanjay, a typical middle-class family in rural India. The cousins enjoy a playful summer indulging in mischiefs and youthful pranks. But then the young girl has her first period that proves to be a turning point in her life. Maya's family begins making plans for a celebratory feast that involves a ritual rape.
The Film won international acclaim at the major film festivals it participated in. The music score by the America based duo of Manesh Judge and Noor Lodhi won Critics Mention at the Flanders Film Festival in Belgium. The music also received an award in England and came in third behind John Williams' score for Star Wars Episode III: Revenge of the Sith, and Leonardo DiCaprio's Catch me if you Can. The movie was first runners-up in People's Choice Award at the Toronto Film Festival, one spot ahead of Mira Nair's well known hit, Monsoon Wedding.
Maaya is a 1972 Malayalam-language Indian feature film directed by Ramu Kariat for Jaya Maruthi starring Thikkurissi Sukumaran Nair in the lead role.Prem Nazir and Sharada also plays pivotal roles, supported by Vijayasree, Sujatha, Sankaradi and T. R. Omana playing other important roles. The film was based on an award winning 1963 novel with the same name by popular novelist K Surendran
Sankarappillai (Thikkurissi Sukumaran Nair) is the local business man who runs grocery shop in the village center. He also owns the little textile shop of the village which his son Raghuvaran Pillai (Adoor Bhasi) operates. Sankarappillai's family also includes his second wife Eeswari (T. R. Omana) and daughter Gomathy (Sharada). Sankarappillai is separated from his first wife Kalyani (Adoor Bhavani) but visits and supports his daughter Omana in the first marriage.
Gomathy is in love with Madhavankutty (Prem Nazir) an educated but unemployed young man. Sankarappillai and Eeswary also encourages their relation. Madhavankutty takes up job in a news paper in the town. Raghu wishes to expand the textile business, Madhavankutty introduces Raghu and Sankarappillai to his old class mate Vasukkutty (K. P. Ummer). Vasukkutty's uncle Pankippillai(GK Pillai) run a bigger textile shop in the town. Though two head-strong men clashes at first Pankippillai agrees to loan textiles worth Rs 30,000 to Sankarappillai. Vasukkutty meets Gomathy during a business visit to Sankarappillai's home and falls head over heals for the beautiful girl. Seeking business advantage Sankarappillai decides to arrange Gomathy's wedding with Vasukkutty leaving a heart broken Madhavankutty resort to writing.
I hear you talk about your family life
I wish I knew just what that means
I guess my mother never loved my dad
And now I wear it on my sleeve
My sister called me just the other day
It felt so good to hear her voice
My problem is I don't have much to say
I guess she doesn't have a choice, and I'm sorry
Look at me I'm so pathetic
I can't believe I'm just an addict
I've never needed anyone to help me
I'm begging you to please come save me from myself, save me from my...
My mothers always tried to change herself
She never learned to let things be
She doesn't know how bad she messed me up
'Cause now she seems so fake to me but I love her
Look at me I'm so pathetic
I can't believe I'm just an addict
I've never needed anyone to help me
I'm begging you to please come save me from myself, save me from myself
If you push me then I won't fall
I've been programmed to take it all
And shove it way down inside
Like my father
I'm so pathetic
I can't believe I'm just an addict
I've never needed anyone to help me (I'm failing it)
I'm begging you to please come save me from myself
I hear you talk about your family life