A journeyman is an individual who has completed an apprenticeship and is fully educated in a trade or craft, but not yet a master. To become a master, a journeyman has to submit a master work piece to a guild for evaluation and be admitted to the guild as a master. Sometimes, a journeyman is required to accomplish a three-year working trip, which may be called the journeyman years.
The word journeyman comes from the French word journée, which means a day's work or a day's travel; journée in turn comes from Vulgar Latin, diurnum meaning day. The title refers to the journeyman's right to charge a fee for each day's work. A journeyman has completed an apprenticeship but is employed by another such as a master craftsman, but would live apart and might have a family of his own. A journeyman could not employ others. In contrast, an apprentice would be bound to a master, usually for a fixed term of seven years, and lived with the master as a member of the household, receiving most or all compensation in the form of food, lodging, and training.
In American English, a journeyman or journeywoman is an athlete who is technically competent but unable to excel. The term is used elsewhere (such as in British and Australian contexts) to refer to a professional sportsman who plays for a large number of different clubs during his career.
Journeymen players are usually distinguished from an elite or "star" player. Quirk and Fort note that the concerns of journeymen players and superstars, with respect to contract and other negotiations, differ: Superstars are concerned with the preservation of their rights to be free agents, whilst journeymen players are concerned with issues such as league minimum salaries and player pensions. Fort observes that this leads to conflicts between journeymen and superstars, such as (Fort's example) the 1995 attempt by a group of superstar players to derail the agreement between the NBA and its players' association. Holt and Mason note that in football, golf, flat racing, snooker, cricket, and other sports there is a clear distinction in earnings between the few rich stars in each sport and the journeyman professionals. They state that snooker has "an élite of perhaps twenty players" and point to a distinction between high earning test cricketers with six figure wages and "the average county professional" (for whom they give Simon Hughes, who earned £50,000 in the whole of his twelve years in county cricket, as an example). Vamplew describes how league cricket in the 1890s provided little attraction for star cricketers but was greatly attractive to journeymen players in county cricket, eventually forcing the counties to raise their conventional maximum wage, offer winter pay to more players, and expand the fixture lists.
In professional wrestling slang, a job is a losing performance in a wrestling match. It is derived from the euphemism "doing one's job", which was employed to protect kayfabe. The term can be used a number of ways. When a wrestler is booked to lose a match it is described as "a job". The act itself is described with the verb jobbing, while the act of booking (rather than being booked) to job is called jobbing out. To lose a match fairly (meaning without any kayfabe rules being broken) is to job cleanly. Wrestlers who routinely lose matches are known as jobbers, which is viewed as a very disrespectful term by those in the business. Carpenter was a more respectful term used by earlier generations.
A job which is presented as being the result of an extremely close match, or underhanded tactics on the part of an opponent, will not necessarily tarnish a wrestler's reputation, especially if the situation is presented as one where the wrestler "deserved" to win but was cheated. At other times a high-profile loss, particularly one which makes the wrestler in question look weak, foolish, or otherwise damages their reputation, might signify certain behind-the-scenes events that have real-life implications on a wrestler. Such a job may mark the end of a push, a departure from the company, or a loss of faith in the wrestler as a marketable commodity. As a result, it may also mark a downward slide in a wrestler's career. This is especially the case when the wrestler is beaten very easily, or squashed. Sometimes, jobbing is presented to a wrestler because of the problems and bad working relationship that the wrestler and the owner of the promotion actually have, or, it can be presented only because of the owner's good graces.
Maya may refer to:
Maya is a 2001 Hindi film directed by Digvijay Singh with Nitya Shetty, Mita Vashisht, Anant Nag and Nikhil Yadav in lead roles.
12-year-old Maya lives with her aunt Lakshmi, uncle Arun and cousin Sanjay, a typical middle-class family in rural India. The cousins enjoy a playful summer indulging in mischiefs and youthful pranks. But then the young girl has her first period that proves to be a turning point in her life. Maya's family begins making plans for a celebratory feast that involves a ritual rape.
The Film won international acclaim at the major film festivals it participated in. The music score by the America based duo of Manesh Judge and Noor Lodhi won Critics Mention at the Flanders Film Festival in Belgium. The music also received an award in England and came in third behind John Williams' score for Star Wars Episode III: Revenge of the Sith, and Leonardo DiCaprio's Catch me if you Can. The movie was first runners-up in People's Choice Award at the Toronto Film Festival, one spot ahead of Mira Nair's well known hit, Monsoon Wedding.
Maya is a music album by electronic artist Toby Marks (Banco De Gaia).
3xCD, limited numbered edition of 1500. All tracks mastered/remastered by Toby Marks, November 2013.