Maya (Space: 1999)

Maya is a fictional character created by writer producer Freddie Frieberger, who appeared in the second series of the science fiction television program Space: 1999. Played by actress Catherine Schell (who also made a first season appearance as a different character), Maya was introduced in the second series opener "The Metamorph". Maya is in her early twenties, and is a native of the planet Psychon.

Character biography

Maya is the daughter of the accomplished Psychon scientist Mentor (Brian Blessed); her mother had died before the events depicted in "The Metamorph". She had one brother, also a scientist, who sat with their father on Psychon's High Scientific Council. Psychon's science and technology was far in advance of Earth's at the time of the Alphans' encounter with this planet; the manipulation and transmutation of matter at the molecular level was commonplace.

Maya recounts her upbringing as essentially idyllic. The planet Psychon had a peaceful and happy culture. Its people were all of one race, one religion and one government; with an over-abundance of natural resources, there was no separation of classes. The world of her youth was soon lost in an environmental disaster; intense volcanic activity laid waste to the entire planet. The escalation of the surface temperature to an average 180 degrees Fahrenheit made life there impossible. The surviving Psychons were forced to retreat to underground compounds to survive.

Space: 1999

Space: 1999 is a British science-fiction television series that ran for two seasons and originally aired from 1975 to 1977. In the opening episode, set in the year 1999, nuclear waste stored on the Moon's far side explodes, knocking the Moon out of orbit and sending it, as well as the 311 inhabitants of Moonbase Alpha, hurtling uncontrollably into space. The series was the last production by the partnership of Gerry and Sylvia Anderson and was the most expensive series produced for British television up to that time. The first season was co-produced by the British television ITC and the Italian television RAI, while the second season was produced solely by ITC.

Storyline

Two series (or seasons) of the programme were produced, each comprising twenty-four episodes. Production of the first series was from November 1973 to February 1975; production of the second series was from January 1976 to December 1976.

Maya (Buddhist mental factor)

Māyā (Sanskrit; Tibetan wyl.: sgyu) is a Buddhist term translated as "pretense" or "deceit" that is identified as one of the twenty subsidiary unwholesome mental factors within the Mahayana Abhidharma teachings. In this context, it is defined as pretending to exhibit or claiming to have a good quality that one lacks.

Definitions

The Abhidharma-samuccaya states:

Alexander Berzin explains:

See also

References

Sources

External links

Maya (illusion)

Maya (Sanskrit: māyā) literally "illusion", "magic", has multiple meanings in Indian philosophies depending on the context. In ancient Vedic literature, Māyā literally implies extraordinary power and wisdom. In later Vedic texts and modern literature dedicated to Indian traditions, Māyā connotes a "magic show, an illusion where things appear to be present but are not what they seem". Māyā is also a spiritual concept connoting "that which exists, but is constantly changing and thus is spiritually unreal", and the "power or the principle that conceals the true character of spiritual reality".

In Buddhism, Maya is the name of Gautama Buddha's mother. In Hinduism, Maya is also an epithet for goddess, and the name of a manifestation of Lakshmi, the goddess of "wealth, prosperity and love". Maya is also a name for girls.

Etymology

Māyā (Sanskrit: माया) is a word with unclear etymology, probably comes from the root "√ma", or "mā" which means "to measure". Alternatively, the root of the word may be from "man-" or "to think", implying the role of imagination in the creation of the world. In early Vedic usage, the term implies, states Mahony, "the wondrous and mysterious and wondrous power to turn an idea into a physical reality".

Paragon (comics)

Paragon is the codename used by three unrelated fictional characters from Marvel Comics. The first was genetically engineered by the Enclave. The second was created as an original character for the video game Marvel Nemesis: Rise of the Imperfects. The third is a superhero and a member of Nebraska's Initiative team.

Paragon (Kismet)

Paragon (Maya)

Paragon (Maya) is a fictional character from Electronic Arts who first appeared in Marvel Nemesis: Rise of the Imperfects.

Fictional character biography

After a century-long search, a young Amazonian warrior, Maya, was chosen from an isolated, primitive, and forgotten society deep within the South American jungle. Matching a specifically required DNA structure, Maya was the perfect candidate for the ultimate weapon. Maya possessed a toxin free physical make-up, Amazonian warrior skills, and the instinctual savagery found at the core of all humanity.

Having acquired the perfect specimen, Niles Van Roekel ordered her to be put into a prolonged stasis. It would take years to successfully master the fusion of alien tech with humans before Roekel’s team would finally be ready to work on Maya.

Space

Space is the boundless three-dimensional extent in which objects and events have relative position and direction. Physical space is often conceived in three linear dimensions, although modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as spacetime. The concept of space is considered to be of fundamental importance to an understanding of the physical universe. However, disagreement continues between philosophers over whether it is itself an entity, a relationship between entities, or part of a conceptual framework.

Trompe le Monde

Trompe le Monde is the fourth studio album by the American alternative rock band Pixies, released in 1991 on the English independent record label 4AD in the United Kingdom and by Elektra Records in the United States. After the surf-pop of Bossanova, the album saw a return to the abrasive sound of the band's early albums.

Critical reception

The album was described by Michael Bonner, writing in Lime Lizard, as "one of the best albums that you may very well ever hear" and "a strong contender for best album of the 20th century".AllMusic writer Heather Phares noted the reduced role of Kim Deal, calling it "essentially Black Francis' solo debut".

Content

The album name comes from the title of the first track, "Trompe le Monde", a French phrase meaning "Fool the World". Unlike previous albums, the title of the album comes from the name of a song (rather than a song lyric), and is a play on the French phrase "trompe l'oeil"—a painting technique in which the painter fools the viewer into thinking objects presented are real.