Mausam (Hindi: मौसम; English: Season) is a 1975 Indian film starring Sanjeev Kumar and Sharmila Tagore, and directed by Gulzar. It is loosely based on the novel, The Judas Tree, by A.J. Cronin. Sharmila Tagore for her acting received The Silver Lotus Award at the 23rd National Film Festival and the movie was honoured by presenting an award for 2nd Best Feature Film. The movie received two of eight nominations at the 24th Filmfare Awards.
The film was remade in Tamil as Vasandhathil or Naal with Sivaji Ganesan.
Mausam is a dramatic love story of Dr. Amarnath Gill, who falls for Chanda, the daughter of a local healer, Harihar Thapa, when visiting Darjeeling for his medical exams. Amarnath is called back and promises Chanda to return, though he never keeps his promise. Twenty-five years later, he returns as a wealthy man and searches for Chanda and her father. He learns that Harihar has died and that Chanda was married to a crippled old man. She gave birth to a daughter, became insane and died. Finding Chanda's daughter, Kajli, he sees that she closely resembles her mother and later discovers that after having been molested by her mother's brother-in-law, she ended up at a brothel. Amarnath had no choice but to buy her from the brothel and he takes Kajli home and tries to change her into well refined woman to make up for what he did to Chanda. Unaware that Amarnath is indirectly responsible for her mother's death, Kajli begins to fall in love for him.
Mausam is a Pakistan television drama serial based on the theme of love and jealousy. It shows the relationship between two cousins (Shazia and Saman) who belong to a middle-class family. They live in the same house and are very friendly with each other. Everything changes when they met a rich bachelor named Hashir. The ambitious Shazia starts dreaming of marrying Hashir, but he falls for the modest Saman. This leads to a series of manipulations by Shazia as she tries to win Hashir by keeping him away from Saman. Popular drama serial serial Roshan Sitara aired in India on Zee Zindagi under the title Mausam so now this drama will air as Mausamm 2. Initially it was going to broadcast as "Gum Hua Mohabbaton Ka Mausam" but now the decision has been changed.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.