Matinée

Matinée may refer to:

See also

The Dark of the Matinée

"The Dark of the Matinée" (also known simply as "Matinée") is a song by Scottish indie rock band Franz Ferdinand. It was released as the third single from their eponymous debut studio album on 19 April 2004. The song reached number eight in the UK Singles Chart. In Australia, the song was ranked #50 on Triple J's Hottest 100 of 2004.

Background

The song is about walking home from Bearsden Academy fantasizing about a better life in the future, telling Terry Wogan about it on UK national television, then being shaken from the fantasy as its own ridiculousness shatters its very existence. The chorus and title started off from a mail conversation with Bob Hardy where he suggested the dark of a matinée performance was a utopian environment.

Video

The video features the band dressed as schoolboys, dancing in an automatic, almost possessed, fashion and miming along to the main vocal track. It was inspired by Dennis Potter's television play Blue Remembered Hills (1979), which features adults playing children, and the lip-sync device Potter used in his 'serials with songs' Pennies from Heaven (1978) and The Singing Detective (1986). The finale of the video also takes several visual cues from the "Dry Bones" sequence in Singing Detective. Kapranos wanted to shoot the video in the corridors of Bearsden Academy and approached the school who, while initially receptive, ultimately rejected the idea, as the idea of schoolboys in their early 30s was too reminiscent of the recent scandal involving Brian MacKinnon.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: