Mast (film)

Mast is a 1999 Bollywood musical romantic film directed by Ram Gopal Varma. This was the debut film for Aftab Shivdasani as a lead actor. Upon release, the film received positive reviews, and has become an instant hit at the box office.

Synopsis

Kittu (Aftab Shivdasani) is an arts student in Pune and is madly in love with actress and film star Malika (Urmila Matondkar). He has posters up on his wall and goes to all of her movies, and even fantasizes that she is there with him when he is watching these items. His father concerned with his son's declining exam scores, confronts Kittu on his obsession and tears down the posters. To Kittu, this is almost as bad as murder and decides to move out and away to Mumbai, where the star, herself, lives.

Unknowing of where else to go he goes to her bunglow, when uninvited, he finds a job at a nearby cafe. Actually interacting with Malika, Kittu soon finds that she is not the girl that he had pictured from her posters and movies. A simple orphan, exploited by her evil uncle and his family, that Kittu begins to feel sorry for her and even more in love.

Mast (hieroglyph)

The ancient Egyptian ship's mast hieroglyph is one of the oldest language hieroglyphs from Ancient Egypt. It is used on a famous label of Pharaoh Den of the First dynasty, but forms part of the location hieroglyph: Emblem of the East.

Language usage of ship's mast

The hieroglyphic language equivalent of the mast is 'kh'-('ḥ'), and means "to stand erect", or "to stand vertical"; its use is extensive throughout the language history, and hieroglyphic tomb reliefs and story-telling of Ancient Egypt. It is possibly a forerunner hieroglyph to khā-(now spelled: kh3), the sun rising upon the horizon.

Rosetta Stone usage

In the 198 BC Rosetta Stone, the ship's mast hieroglyph has the unique usage in the final line of the Ptolemy V decree: the mast is used twice-(adjective, verb):

From right, hieroglyphs: sedge of the South, Papyrus clump with leaves of North-Nile Delta, wife-hieroglyph, the tree-hieroglyph, and the Ship's Mast hieroglyph

From right, hieroglyphs: sedge of the South, Papyrus clump with leaves of North-Nile Delta, wife-hieroglyph, the tree-hieroglyph, and the Ship's Mast hieroglyph

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: