The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music and dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Often, the masquers who did not speak or sing were courtiers: King James I's queen consort, Anne of Denmark, frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I performed in the masques at their courts. In the tradition of masque, Louis XIV danced in ballets at Versailles with music by Jean-Baptiste Lully.
Masks (French: Masques) is a 1987 French comedy film directed by Claude Chabrol. It was entered into the 37th Berlin International Film Festival.
The Masques op. 34 is a work for piano written by Karol Szymanowski from 1915-1916.
In 1914, the composer took refuge in his home village in Ukraine and remained there until the Russian Revolution. He had returned from a long stay in Europe, Sicily and North Africa, where he drew his inspiration for these years' works. Here his style approached the Impressionism of Debussy and inaugurated a series of program music, a literary source, with his Myths for violin and piano, contemporaries of his Métopes for piano and his Masques.
The three pieces that compose the work offer access to three major myths of the Western imagination, whereas his Metopes focused on Homer. The Masques were written in a different chronological order than that of their publication, with Scheherazade initially completing the cycle. Tantris is a corruption of Tristan, taken from the myth of Tristan and Iseult and retold in a piece by Ernst Hardt where Tristan masquerades as a jester to meet his sweetheart.
(Michael Jackson)
She said she wants a man
To always understand
But that's alright for her
Still it ain't enough for me
She said she wants a guy
To keep her satisfied
But that's alright for her
But it ain't enough for me
Still, I don't care if he's young or old
(Just make him beautiful)
I just want someone I can hold on to
I want muscles
All, all over his body
(Make him strong enough from his head down to his toes)
I want muscles
All, all over his body
(Make him strong enough from his head down to his toes)
They say they have to see
His real personality
But that's alright for them
Still it ain't enough for me
I need what the eyes can see, ah
(His anatomy)
If that's alright for them
Still it ain't enough for me
I don't care if he's young or old
Just make him beautiful
I just want some strong man to hold on to
I want muscles
All, all over his body
(Make him strong enough from his head down to his toes)
I want muscles
All over his body
(Make him strong enough from his head down to his toes)
Muscle man, I want to love you
In person, I want your body
Come with me, hiding the cascades
Let this be, we've got this thing made
Lost at sea, hide the desert
Stay with me, you won't regret it
Take this love, so deep to swim in
Come to me, and let the love in
She said she wants a man
To always understand
But that's alright for her
Still it ain't enough for me
I don't care if he's young or old
(Just make him beautiful)
I just want someone I can hold on to
I want muscles
All, all over his body
(Make him strong enough from his head down to his toes)
I want muscles
All over him, all over him
I want muscles
All, all over his body
I want muscles
I want all I can get
All over him, all over him
I want muscles, muscles, muscles