Mary Jane Kelly (c. 1863 – 9 November 1888), also known as Marie Jeanette Kelly, "Fair Emma", "Ginger" and "Black Mary", is widely believed to be the final victim of the notorious unidentified serial killer Jack the Ripper, who killed and mutilated several women in the Whitechapel area of London from late August to early November 1888. She was about 25 years old, and living in poverty at the time of her death. Reports of the time estimated her height at 5 feet and 7 inches (1.70 metres). Her hair colour is somewhat uncertain as her various nicknames imply.
Kelly has been variously reported as being a blonde or redhead, whereas her nickname, "Black Mary", suggests a dark brunette. Her reported eye colour was blue. Detective Walter Dew, in his autobiography, claimed to have known Kelly well by sight and described her as "quite attractive" and "a pretty, buxom girl". He said she always wore a clean white apron but never a hat. Sir Melville Macnaghten of the Metropolitan Police Force, who never saw her in the flesh, reported that she was known to have "considerable personal attractions" by the standards of the time. The Daily Telegraph of 10 November 1888 described her as "tall, slim, fair, of fresh complexion, and of attractive appearance". She was said to be fluent in the Welsh language.
Mary Jane Kelly is an Australian hardcore band out of Wollongong New South Wales that formed in 2005. The band shares its name with the last known victim of Jack The Ripper. Mary Jane Kelly have released 2 EP’s the first was released in 2007 entitled Marionettes. Their second entitled Our Streets Turn White was released on the 11th of October 2008 through Trial and Error Records.
Mary Jane Kelly's debut album was released on the 12th of March 2010 entitled Like There's No Tomorrow
Mary Jane Kelly was formed in Wollongong New South Wales, in early 2005. Matt Velozo and Justin Bortignon met while attending the Wollongong High School of the Performing Arts. Justin and Jamal Salem were in a band together, while Matt was playing in another band. Justin, Jamal and Matt all left their respective bands in order to form Mary Jane Kelly. They asked Sam Kost to join as bass player. During a 2008 interview with Triple J Mary Jane Kelly described themselves as: "Four best friends from Wollongong who met through school, shows and previous bands. We all had a similar passion for punk, hardcore and metal music and a shared desire to start a new band that was different to what we had done before; something with no prerequisites and no stolen formulas. A band that gave us the freedom to write whatever we wanted". They played various local shows around the Wollongong, Sydney and Canberra areas.
Jane Kelly (born 7 May 1956) is a journalist and artist, affiliated with the Stuckist art group. She was dismissed from the Daily Mail after exhibiting a painting of serial killer Myra Hindley.
Jane Kelly was born in Charlton, London, and educated at Pendeford High School, Wolverhampton, and Stirling University, where she graduated in 1978 in history and fine art. 1978–79 she taught in Sosnowiec University, Poland, since when she has worked as a journalist, including the Walsall Observer, The Times, The Daily Telegraph, Daily Mail, The Guardian and Daily Express. She said:
In 1995, she took an Advanced Diploma in Painting at the Central Saint Martins College of Art and Design, London. In 2000, she exhibited in the Royal Academy Summer Show. The same year, she was a guest artist of the Stuckist art group, and in 2003 founded The Acton Stuckists group.
In 2004, she was an exhibitor in The Stuckists Punk Victorian show at the Walker Art Gallery during the 2004 Liverpool Biennial. At the time she was a writer on the Daily Mail, but was dismissed after a painting by her, If We Could Undo Psychosis 2 featuring Myra Hindley, was exhibited in the show. The painting shows a family group of a mother and child with child-killer Myra Hindley substituted for the father and holding a teddy bear. The incident was reported on the front page of The Guardian newspaper, which commented:
Mary Jane may refer to:
So Far, So Good... So What! is the third studio album by American thrash metal band Megadeth. It was released on January 19, 1988 through Capitol Records; a remixed and remastered edition including several bonus tracks was reissued in August 2004. It is the band's only album recorded with drummer Chuck Behler and guitarist Jeff Young, both of whom were fired immediately after the subsequent tour. So Far, So Good... So What! features music performed at very fast tempos with technical ability; lyrically, frontman and guitarist Dave Mustaine addresses a variety of topics, including nuclear holocaust and freedom of speech.
The record was well received among contemporary music critics, although retrospective analysis has been less favorable. It managed to enter the top 30 on the Billboard 200 with no commercial radio play; it charted in several other countries as well. The album was eventually certified platinum by the Recording Industry Association of America (RIAA) and indicated Megadeth's forthcoming emergence from the underground scene.
The Untouchable is the fourth studio album by American rapper Scarface. The album was released on March 11, 1997, by Rap-a-Lot Records. The album debuted at number one on the Billboard 200 chart for the first time in his career with the album; in addition it peaked at the top of the Top R&B/Hip-Hop Albums chart for two weeks, giving Scarface his second number one album there. The effort included the smash hit single, "Smile", featuring Tupac Shakur, released shortly after the shooting deaths of Tupac and Notorious B.I.G.. It peaked at number 12 on the Billboard Hot 100 and is the only single released by Scarface to go Gold.
The album was certified Platinum by the RIAA on May 16, 1997.
This town and all of its disciples,
have their talons buried in my neck,
Oh how they perched upon these trees
like vines constricting, muting our dreams
Tempting us for a one night stand,
with the worst intentions to trap us all over again,
we could have foiled their master plan,
but we're so weak we never gave ourselves the chance.
The scarecrows are acting as shadows transmitting the memories
to which we're shackled, making it that much harder to push out tonight.
This towns growing over me, soon enough I won't be able to see
Deaths pail flag sure as hell advanced here,
it devoured what's left of me,
leaving a tourist in a city, I once called my home.
Struggling we move, lead footed to the coast, to dose ourselves,
in sin tonight, to succeed in nothing but to drown,
we where thankful to be safely underground
No matter how many times I leave
I come crawling back to the very same blood covered poetry.
From here on in miscalculated metronomes
will form the beats of our broken hearts and homes