Mary garden

A Mary Garden is a small sacred garden enclosing a statue or shrine of the Virgin Mary, who is known to many Christians as the Blessed Virgin, Our Lady, or the Mother of God. In the New Testament, Mary is the mother of Jesus of Nazareth. Mary gardens are most common to those Christian denominations which hold the Virgin Mary in special esteem, particularly Roman Catholics and Anglicans.

History

The practice originated among monasteries and convents in medieval Europe. During the Middle Ages, people saw reminders of Mary in the flowers and herbs growing around them. The first reference to an actual garden dedicated to Mary is from the life of St. Fiacre, Irish patron saint of gardening, who planted and tended a garden around the oratory to Our Lady he built at his famous hospice for the poor and infirm in France in the 7th Century. The first record of a flower actually named for Mary is that of "seint mary gouldes" (St. Mary's Gold or Marygold) for the Pot Marigold or Calendula, in a 1373 English recipe for a potion to ward off the plague.

Mary Garden

Mary Garden (20 February 1874 – 3 January 1967), was a Scottish operatic soprano with a substantial career in France and America in the first third of the 20th century. She spent the latter part of her childhood and youth in the United States and eventually became an American citizen, although she lived in France for many years and eventually retired to Scotland, where she died.

Described as "the Sarah Bernhardt of opera", Garden was an exceptional actress as well as a talented singer. She was particularly admired for her nuanced performances which employed interesting uses of vocal color. Possessing a beautiful lyric voice that had a wide vocal range and considerable amount of flexibility, Garden first arose to success in Paris during the first decade of the 20th century. She became the leading soprano at the Opéra-Comique; notably portraying roles in several world premieres, including Mélisande in Claude Debussy's Pelléas et Mélisande (1902). She worked closely with Jules Massenet, in whose operas she excelled. Massenet notably wrote the title role in his opera Chérubin (1905) for her.