Marfa lights

The Marfa lights, also known as the Marfa ghost lights, have been observed near U.S. Route 67 on Mitchell Flat east of Marfa, Texas, in the United States. They have gained some fame as onlookers have ascribed them to paranormal phenomena such as ghosts, UFOs, or will-o'-the-wisp, etc. However, scientific research suggests that most, if not all, are atmospheric reflections of automobile headlights and campfires.

Overview

According to Judith Brueske, "The 'Marfa Lights of west Texas have been called many names over the years, such as ghost lights, weird lights, mystery lights, or Chinati lights. The favorite place from which to view the lights is a widened shoulder on Highway 90 about nine miles east of Marfa...at this 'official Marfa Lights viewing site'. The lights are most often reported as rather distant bright lights distinguishable from ranch lights and automobile headlights on Highway 67 (between Marfa and Presidio, to the south) primarily by their aberrant movements."

Robert and Judy Wagers define "Classic Marfa Lights" as being seen south-southwest of the Marfa Lights Viewing Center (MLVC). They define the left margin of the viewing area as being aligned along the Big Bend Telephone Company tower as viewed from the MLVC, and the right margin defined by Chinati Peak as viewed from the MLVC.

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Deuter

Deuter (born Georg Deuter, 1945) is a German new age instrumentalist and recording artist known for his meditative style that blends Eastern and Western musical styles.

Biography

Born in 1945 in post-war Germany in the town of Falkenhagen, Deuter taught himself the guitar, flute, harmonica and "just about every instrument I could get my hands on," though it wasn’t until after a near-fatal car crash in his early twenties that he decided to pursue a career in music. His first release in 1971, titled D, is widely acknowledged as a Krautrock classic. D marked the beginning of Deuter’s spiritual and musical journey, ostensibly paving the way for a new genre of music known as New Age, which combined acoustic and electronic elements with ethnic instrumentation and nature sounds, such as whale and bird song, the open sea, wind in the trees, etc.

During the 1970s and 1980s Deuter, after travelling extensively in Asia in search of spiritual and creative inspiration, settled for a long time in Pune, India, where under the name Chaitanya Hari he became a neo-sannyasin — a disciple of Bhagwan Shree Rajneesh, who later changed his name to Osho. With the aid of a multitrack tape machine, living in the neo-sannyas ashram, he produced a series of music tapes to be used in "active meditations", consisting of several "stages" of ten or fifteen minutes each, which range between, and often merge, Indian classical motifs, fiery drums, loops, synthesisers, bells, musique concrète and pastoral acoustic passages. These works, constructed to the master's instructions in consultation with a team of disciples testing the meditation methods, deserve recognition for their purely functional or objective origination as well as for their originality, power and sometimes beauty.