Mannix | |
---|---|
225px | |
Format | Crime drama |
Starring | Mike Connors Gail Fisher |
Theme music composer | Lalo Schifrin |
Country of origin | United States |
No. of seasons | 8 |
No. of episodes | 194 (List of episodes) |
Production | |
Camera setup | Single-camera |
Running time | 45–48 minutes |
Production company(s) | Desilu Productions (1967) Paramount Television (1967–1975) |
Broadcast | |
Original channel | CBS |
Audio format | Monaural |
Original run | September 7, 1967 | – April 10, 1975
Mannix was an American television detective series that ran from 1967 through 1975 on CBS. Created by Richard Levinson and William Link and developed by executive producer Bruce Geller, the title character, Joe Mannix, is a private investigator. He is played by Mike Connors. Mannix was the last series produced by Desilu Productions.
Contents |
During the first season of the series Joe Mannix worked for a large Los Angeles detective agency called Intertect, which was the planned original title of the show.[1] His superior was Lew Wickersham, played by Joseph Campanella with the agency featuring the use of computers to help solve crimes. As opposed to the other employees who must wear dark suits and sit in rows of desks with only one piece of paper allowed to be on their desk at one time, Mannix belongs to the classic American detective archetype and thus usually ignores the computers' solutions, disobeys his boss's orders and sets out to do things his own way. He wears plaid sport coats and has his own office that he keeps sloppy between his assignments. Lew has cameras in all the rooms of Intertect monitoring the performance of his employees and providing instant feedback through intercoms in the room. Unlike the other Intertect operatives, Mannix attempts to block the camera with a coat rack and insults Lew, comparing him to Big Brother.
To improve the ratings of the show, Desilu head Lucille Ball and the producer Bruce Geller brought in some changes[2] making the show similar to other private eye shows. Lucille Ball thought the computers were too high tech and beyond comprehension for the average viewer of the time and had them removed.[3]
From the second season on, Mannix worked on his own with the assistance of his loyal secretary Peggy Fair, a police officer's widow played by Gail Fisher – one of the first African-American actresses to have a regular series role. He also has assistance from the L.A. police department, the two most prominent officers being Lieutenant Art Malcolm (portrayed by Ward Wood) and Lieutenant Adam Tobias (portrayed by Robert Reed). Other police contacts were Lieutenant George Kramer (Larry Linville) and Lieutenant Dan Ives (Jack Ging).
Joseph R. "Joe" Mannix is a regular guy, without pretense, who has a store of proverbs to rely upon in conversation. What demons he has mostly come from having fought in the U.S. Army during the Korean War. Unfortunately a sizable percentage of his old Army "buddies" turn out to have homicidal impulses against him. In the episode "The Cost of a Vacation" it is revealed that Mannix worked as a mercenary in Latin America.
Joe Mannix is notable for taking a lot of physical punishment. During the course of the series he is shot and wounded over a dozen separate times, or is knocked unconscious around 55 times.[4] Mannix frequently took brutal beatings to the abdomen; some of these went on quite a long time, particularly by the television standards of the era. Whenever Mannix gets into one of his convertibles he can expect to be shot at from another car, run off the road by another car, or find his vehicle sabotaged. Nevertheless he keeps his cool and perseveres until his antagonists are brought down. While making the television pilot The Name is Mannix, Connors dislocated his shoulder running away from a From Russia With Love type pursuit from a helicopter,[5] and broke his left wrist punching a stuntman who happened to be wearing a steel plate on his back.
Mannix lives at 17 Paseo Verde, West Los Angeles. Following military service in the Korean War, Mannix attended Western Pacific University on the GI Bill, graduated in 1955 and obtained his private investigator's licence in 1956. He is a black belt in Karate. In the first season he carried a Walther PP semi-automatic pistol. From the second season on Mannix carried a Colt Detective Special snubnosed revolver in .38 Special caliber.
Gary Morton, the husband of Lucille Ball and head of Desilu Studios, noticed a 1937 Bentley convertible being driven by Mike Connors. A car enthusiast, Morton began talking about cars to Connors when he remembered a Desilu detective show coming up that he thought Connors would do well in.[6]
Mannix featured a dynamic split-screen opening credits sequence set to theme music from noted composer Lalo Schifrin. Unusual for a private detective series, the Mannix theme is in triple time, the same signature used for waltz.
The show's title card, opening credits and closing credits roll are set in variations of the City typeface, a squared-off, split-serif face that was long used by IBM Corporation as part of their corporate design and still appears in their logo. This refers to the computers used by Intertect in the first season. The dot over the "i" in Mannix had the appearance of a computer tape reel. This was also removed after the first season.
The automobile was a focus of Joe Mannix's professional life, and he had a several of them as his personal vehicle in the eight-year run of the series. Those were:
Even though a ’69 Dart was built by Barris to replicate this car, the ’68 was regularly seen in the ’69 series. (In the 1969 episode "A Penny for the Peep Show" both the ’68 and ’69 Darts are used in the same shot, to elude a police tail on Mannix, but there was no explanation in the episode why or how two identical customized Dart convertibles show up together.) The '68 car was reportedly sold to a secretary at Paramount Studios and then was lost for decades until being discovered near a ranger station in the California mountains. It has since been restored to its original Mannix/Barris condition and was featured in Hemmings Muscle Machines, December 2009 issue. The Dart and its intriguing history was also featured on the TV show "Drive" on Discovery HD Theater in 2010. The TV show reunited the car with Mike Connors for the first time in over 40 years. The car is currently owned by C. Van Tune, former Editor-in-Chief of Motor Trend Magazine, who conducted the TV interview with Mike Connors and who also wrote an article on the Mannix Dart for the Summer 2011 issue of Motor Trend Classic Magazine. In that article, the Dart is reunited with Mike Connors, George Barris, and Mannix stuntman Dick Ziker. Another article on the famous Dart is being published in the October 2011 issue of Mopar Action Magazine.
Peggy Fair's cars were less prominent, but in seasons 2 – 8 they included a Simca 1204 hatchback, Dodge Colt sedan and finally a Chevrolet Vega hatchback coupe.
For his work on Mannix, Mike Connors was nominated for four Golden Globe Awards, winning once, and for four Emmy Awards. Gail Fisher was nominated for four Emmy Awards, winning once, and for three Golden Globe Awards, winning twice.
The series itself was twice nominated for the Emmy Award for Best Dramatic Series, and four times for the Golden Globe Award, winning once. In 1972, writer Mann Rubin won an Edgar Award from the Mystery Writers of America for the episode "A Step in Time".
In May 2011, Connors filed suit in Los Angeles Superior Court against Paramount and CBS Television Studios, claiming that he was never paid royalties from the Mannix series.[7]
CBS DVD (distributed by Paramount) has released the first 6 seasons of Mannix on DVD in Region 1. Season 7 will be released on July 3, 2012.[8]
In Region 4, Shock has released the first three seasons on DVD in Australia.[9][10][11]
DVD Name | Ep # | Release dates | |
---|---|---|---|
Region 1 | Region 4 | ||
The First Season | 24 | June 3, 2008 | August 10, 2010 |
The Second Season | 25 | January 6, 2009 | October 12, 2010 |
The Third Season | 25 | October 27, 2009 | February 9, 2011 |
The Fourth Season | 24 | January 4, 2011 | N/A |
The Fifth Season | 24 | July 5, 2011 | N/A |
The Sixth Season | 24 | January 24, 2012 | N/A |
The Seventh Season | 24 | July 3, 2012 | N/A |
|
The season originally aired Saturdays at 10:00-11:00 pm (EST).
The season was released on DVD by Paramount Home Video.
Mannix (subtitled Themes from the Original Score of the Paramount Television Show) is an album featuring music composed and conducted by Lalo Schifrin which was recorded in 1968 and released on the Paramount label. As with Music from Mission: Impossible (1967) and More Mission: Impossible the music on this album is rerecorded and extended scores that were originally commissioned for the TV series Mannix.
All compositions by Lalo Schifrin except as indicated
Bangs, also called a fringe outside North America, is a shaped cutting of the front part of the hair so that it lies over the forehead. Bangs are usually cut fairly straight at or above the eyebrows, but it can also be ragged or ruffled, spiked up with hair gel, mousse or wax, swept to one side or the other, or cut longer to fall over the eyes.
The term bangs originally referred to a hair cut bang-off (straight across at the front), although the term is now applied to diverse forms of hair stylings. It is probably related to bang-tail, a term still used for the practice of cutting horses' tails straight across. The term fringe refers to the resemblance of the short row of hair to ornamental fringe trim, such as that often found on shawls.
Space is the boundless three-dimensional extent in which objects and events have relative position and direction. Physical space is often conceived in three linear dimensions, although modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as spacetime. The concept of space is considered to be of fundamental importance to an understanding of the physical universe. However, disagreement continues between philosophers over whether it is itself an entity, a relationship between entities, or part of a conceptual framework.
Space, stylized as SPACE, is the fourteenth album by the Canadian comedy music group, The Arrogant Worms. It was released in March 2014.
In writing, a space ( ) is a blank area devoid of content, serving to separate words, letters, numbers, and punctuation. Conventions for interword and intersentence spaces vary among languages, and in some cases the spacing rules are quite complex. In the classical period, Latin was written with interpuncts (centred dots) as word separators, but that practice was abandoned sometime around 200 CE in favour of scriptio continua, i.e., with the words running together without any word separators. In around 600–800 CE, blank spaces started being inserted between words in Latin, and that practice carried over to all languages using the Latin alphabet (including English and most other Western European languages).
In typesetting, spaces have historically been of multiple lengths with particular space-lengths being used for specific typographic purposes, such as separating words or separating sentences or separating punctuation from words. Following the invention of the typewriter and the subsequent overlap of designer style-preferences and computer-technology limitations, much of this reader-centric variation was lost in normal use.