Jamestown

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Jamestown, North Carolina

Jamestown is a town in Guilford County, North Carolina, United States, and is a suburb of the nearby cities of Greensboro and High Point. The population was 3,382 at the 2010 census.

Geography

Jamestown is located at 35°59′54″N 79°56′9″W / 35.99833°N 79.93583°W / 35.99833; -79.93583 (35.998221, -79.935733).

According to the United States Census Bureau, the town has a total area of 2.7 square miles (7.0 km²), all of it land.

You may access the Town of Jamestown's municipal website at for more information.

Demographics

As of the census of 2000, there were 3,088 people, 1,229 households, and 924 families residing in the town. The population density was 1,159.0 people per square mile (448.2/km²). There were 1,293 housing units at an average density of 485.3 per square mile (187.7/km²). The racial makeup of the town was 86.79% White, 7.97% African American, 0.19% Native American, 2.40% Asian, 0.74% from other races, and 0.91% from two or more races. Hispanic or Latino of any race were 2.04% of the population.

Jamestown (ship)

The Jamestown was a large sailing ship which was abandoned and ran aground near the Icelandic village of Hafnir on 26 June 1881.

History

The keel was laid in Richmond, Maine. She was registered there in 1880 after having been first floated the year before.

Abandonment

The Jamestown left Maine on the 10th of November, 1880, bound for Liverpool carrying a cargo of high-quality lumber. No sooner was the ship out of port than four of the crew jumped ship, and Captain William E. Whitmore had to find replacements. Then a windlass broke and the ship had to stop in Eastport, Maine for repairs. Finally underway across the Atlantic in early December, the ship encountered heavy seas and the rudder was torn away. After being battered by the seas for several weeks, the captain and crew was rescued by the Anchor Line steamer Ethiopia and left the Jamestown to drift at 43°06′N 22°00′W / 43.10°N 22°W / 43.10; -22. In total, 27 people were rescued, including the captain's wife and child.

The crew arrived safely in Glasgow on 16 February 1881, but their ship didn't reach its final resting place for another four months. On the morning of 26 June, residents of Hafnir woke to find that the enormous vessel had run aground the night before, although at that time of the year, it never gets fully dark at that latitude. The cargo of timber was particularly valuable in Iceland, which suffered almost complete deforestation in the several hundred years following the initial Viking settlement in 874. As such, the cargo was unloaded and one third of it was reserved for those who had participated in the salvage operation. The rest was auctioned off, bringing in about DKK 10,000. This is equivalent to USD 62,000 in 2012 dollars.

Mambo (Azúcar Moreno album)

Mambo is the fifth studio album by Spanish duo Azúcar Moreno, released on CBS-Epic in 1991.

The duo's two previous studio albums Carne De Melocotón and Bandido had resulted in the release of two remix albums, Mix in Spain and The Sugar Mix Album. Mambo was their first studio album on which the influences from contemporary dance music genres like house music, R&B and hip hop were fully integrated in the original production; the track "Feria" even saw the sisters making their debut as rappers. The album was also the first not to be entirely recorded in Spain or predominantly produced by their longtime collaborator Julio Palacios - it had no less than ten producers.

The lead single "Torero!", although as typically flamenco-flavoured as their international breakthrough single "Bandido", was in fact written and produced by Englishmen Nick Fisher and Garry Hughes and German Zeus B. Held and was recorded in London. Fisher and Hughes have since gone on to collaborate with numerous artists in the electronica/experimental/world music genres under the moniker Echo System, including Björk, The Shamen, Salif Keita, Garbage and Pop Will Eat Itself. "Torero!" was in 1992 covered in Turkish under the title "Yetti Artik" ("That's it" in Turkish) by Tarkan, one of Turkey's biggest stars both domestically and internationally. The song was included on his debut album Yine Sensiz ("Again without you" in Turkish).

Mambo (dance)

Mambo is a Latin dance of Cuba. Mambo was invented during the 1930s by the native Cuban musician and composer Arsenio Rodríguez, developed in Havana by Cachao and made popular by Dámaso Pérez Prado and Benny Moré.

History of dance form

In the late 1940s, Perez Prado came up with the dance for the mambo music and became the first person to market his music as "mambo", meaning "conversation with the gods" in the Kongo language, spoken by Central Africans, After Havana, Prado moved his music to Mexico, where his music and the dance was adopted. The original mambo dance was characterized by freedom and complicated foot-steps. Some Mexican entertainers became well known dancers like Tongolele, Adalberto Martínez, Rosa Carmina, Tin Tan and Lilia Prado. Most of these accompanied Prado in live presentations or were seen in Mexican films.

The Mambo dance that was invented by Perez Prado and was popular in the 1940s and 50s in Cuba, Mexico City, and New York is completely different from the modern dance that New Yorkers now call 'Mambo' and which is also known as Salsa "on 2". The original mambo dance contains no breaking steps or basic steps at all. The Cuban dance wasn't accepted by many professional dance teachers. Cuban dancers would describe mambo as "feeling the music" in which sound and movement were merged through the body. Professional dance teachers in the US saw this approach to dancing as "extreme," "undisciplined," and thus, deemed it necessary to standardize the dance to present it as a sell-able commodity for the social or ballroom market

Mambo (music)

Mambo is a musical form and dance style that developed originally in Cuba, with further significant developments by Cuban and Puerto Rican musicians in Mexico and the USA. The word "mambo" means "conversation with the gods" in Kikongo, the language spoken by Central African slaves taken to Cuba.

History

Modern mambo began with a song called "Mambo" written in 1938 by brothers Orestes and Cachao López. The song was a danzón, a dance form descended from European social dances like the English country dance, French contredanse, and Spanish contradanza. It was backed by rhythms derived from African folk music.

Origins (Contradanza and charanga)

Contradanza arrived in Cuba in the 18th century, where it became known as danza and grew very popular. The arrival of black Haitians later that century changed the face of contradanza, adding a syncopation called cinquillo (which is also found in another contradanza-derivative, Argentine tango).

By the end of the 19th century, contradanza had grown lively and energetic, unlike its European counterpart, and was then known as danzón. The 1877 song "Las alturas de Simpson" was one of many tunes that created a wave of popularity for danzón. One part of the danzón was a coda which became improvised over time. The bands then were brass (orquestra tipica), but was followed by smaller groups called charangas.