Coordinates: 53°24′36″N 2°58′48″W / 53.410°N 2.980°W / 53.410; -2.980 Central is a Liverpool City Council Ward in the Liverpool Riverside Parliamentary constituency. The population at the 2011 census was 20,340. It was formed for the 2004 municipal elections from the former Abercromby, Everton and Smithdown wards. It contains the majority of the city centre but also includes Kensington Fields in Kensington to the east and the Marybone/Holy Cross community in Vauxhall. The ward includes the longstanding city centre community around the Bullring, as well as many new city centre apartments. Furthermore, the ward contains the Pier Head and the two larger universities; the University of Liverpool and Liverpool John Moores University.
In 2004 Central was the city's most marginal ward, largely due to the intervention of the hard left Liverpool Labour Community Party. In more recent elections has become safer for Labour. The May 2008 local elections saw Labour take 62% of the vote.
Central is a station of the Jacksonville Skyway in Jacksonville, Florida and the transfer point for the system's Northbank and Southbank lines. It is located on Bay Street between Pearl and Julia Streets in Downtown Jacksonville. The station is near the Jacksonville Landing.
The Central station was one of the three original Jacksonville Skyway stations that opened in June 1989. At the time it was the eastern terminus of the line, which ran west to Jefferson station and Terminal station (now Convention Center station). The station was revamped in 1997, when the Skyway system switched from Matra to Bombardier Transportation technology. It was designed as a transfer hub for subsequent extensions to the north and south, which were completed in 1997 and 1998, respectively. It allows transfer between trains heading east from Jefferson station and north from San Marco station. Additionally, the station was constructed to accommodate a future eastern expansion along Bay Street.
Central is a station of the Kolkata Metro located in central Kolkata on Bipin Behari Ganguli Street, which will serve the Line 2 on the Metro in a few years and is being upgraded.
Mambo is the fifth studio album by Spanish duo Azúcar Moreno, released on CBS-Epic in 1991.
The duo's two previous studio albums Carne De Melocotón and Bandido had resulted in the release of two remix albums, Mix in Spain and The Sugar Mix Album. Mambo was their first studio album on which the influences from contemporary dance music genres like house music, R&B and hip hop were fully integrated in the original production; the track "Feria" even saw the sisters making their debut as rappers. The album was also the first not to be entirely recorded in Spain or predominantly produced by their longtime collaborator Julio Palacios - it had no less than ten producers.
The lead single "Torero!", although as typically flamenco-flavoured as their international breakthrough single "Bandido", was in fact written and produced by Englishmen Nick Fisher and Garry Hughes and German Zeus B. Held and was recorded in London. Fisher and Hughes have since gone on to collaborate with numerous artists in the electronica/experimental/world music genres under the moniker Echo System, including Björk, The Shamen, Salif Keita, Garbage and Pop Will Eat Itself. "Torero!" was in 1992 covered in Turkish under the title "Yetti Artik" ("That's it" in Turkish) by Tarkan, one of Turkey's biggest stars both domestically and internationally. The song was included on his debut album Yine Sensiz ("Again without you" in Turkish).
Mambo is a musical form and dance style that developed originally in Cuba, with further significant developments by Cuban and Puerto Rican musicians in Mexico and the USA. The word "mambo" means "conversation with the gods" in Kikongo, the language spoken by Central African slaves taken to Cuba.
Modern mambo began with a song called "Mambo" written in 1938 by brothers Orestes and Cachao López. The song was a danzón, a dance form descended from European social dances like the English country dance, French contredanse, and Spanish contradanza. It was backed by rhythms derived from African folk music.
Contradanza arrived in Cuba in the 18th century, where it became known as danza and grew very popular. The arrival of black Haitians later that century changed the face of contradanza, adding a syncopation called cinquillo (which is also found in another contradanza-derivative, Argentine tango).
By the end of the 19th century, contradanza had grown lively and energetic, unlike its European counterpart, and was then known as danzón. The 1877 song "Las alturas de Simpson" was one of many tunes that created a wave of popularity for danzón. One part of the danzón was a coda which became improvised over time. The bands then were brass (orquestra tipica), but was followed by smaller groups called charangas.
Mambo is the term for a female (as opposed to the Houngan, or male) High Priest in the Vodou religion in Haiti.
Mambo are the highest form of clergy in the religion, whose responsibility it is to preserve the rituals and songs and maintain the relationship between the spirits and the community as a whole (though some of this is the responsibility of the whole community as well). They are entrusted with leading the service of all of the spirits of their lineage.
There are two ranks of mambo, mambo asogwe (high priestess) and mambo sur pwen / mambo sur point ("junior priestess"). A mambo asogwe is the highest member of clergy in vodou; she is the only one with authority to ordain other priests.