Malcolm (film)

Malcolm is a 1986 Australian cult film comedy, written by the husband-and-wife team of David Parker and Nadia Tass, and directed by Nadia Tass (who made her debut as a feature director on this film). The film stars Colin Friels as Malcolm, a tram enthusiast who becomes involved with a pair of would-be bank robbers. His co-stars are Lindy Davies and John Hargreaves. The film won the 1986 Australian Film Institute Award for Best Film, and seven other AFI awards including Best Script and Best Director.

Synopsis

At the start of the film Malcolm is working for the Metropolitan Transit Authority (then operator of Melbourne's trams). Socially awkward and shy, Malcolm is obsessed with trams, but he is also a mechanical genius whose modest inner-city cottage is fitted with a variety of remarkable gadgets. When his boss (Bud Tingwell) discovers that Malcolm has built himself a cut-down tram during work time and using work materials, and has taken it out on the tracks, Malcolm is sacked. With his mother dead and no other income, the local shop-owner advises him to take in a boarder, Frank (John Hargreaves). Frank's brassy girlfriend Judith (Lindy Davies) soon moves in with him, and Frank reveals that he is a petty criminal who has recently been released from gaol. Despite their differences, the trio develop an awkward friendship, and when Malcolm learns of Frank and Jude's plans to stage a robbery, he decides to use his technical ingenuity to help them. In his first demonstration, he shows Frank the "getaway car" he has built, which splits into two independently powered halves, and they use this to successfully elude police after Frank steals some cash from a bank customer.

Malcolm (given name)

Malcolm, Malcom, Máel Coluim, or Maol Choluim is a Scottish Gaelic given name meaning "devotee of Saint Columba".

Literature

Music

George Malcolm (musician)

George John Malcolm CBE KSG (28 February 1917 – 10 October 1997) was an English pianist, organist, composer, harpsichordist, and conductor.

Malcolm's first instrument was the piano, and his first teacher was a nun who recognised his talent and recommended him to the Royal College of Music at the age of seven, where he studied under Herbert Fryer. He attended Wimbledon College, and went on to study at Balliol College, Oxford.

During the Second World War he was a bandleader. After the war, he developed a career as a harpsichordist, although he continued to make occasional appearances as a pianist in chamber music, notably with the Dennis Brain Wind Ensemble. He left few recordings of his piano playing (one interesting example is the first performance of the Gordon Jacob Sextet, written for the group).

In the 1950s he participated in annual concerts featuring four harpsichordists, the three others being Thurston Dart, Denis Vaughan and Eileen Joyce. In 1957 this group also recorded two of Vivaldi's Concertos for Four Harpsichords, one in a Bach arrangement, with the Pro Arte Orchestra under Boris Ord. Malcolm, Dart and Joyce also recorded Bach's Concerto in C for Three Harpsichords. In 1967, he appeared with Eileen Joyce, Geoffrey Parsons and Simon Preston in a 4-harpsichord concert with the Academy of St Martin in the Fields under Neville Marriner in the Royal Festival Hall.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.