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The Don Killuminati: The 7 Day Theory | ||||
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File:2Pac Makaveli-The Don Killuminati front.jpg | ||||
Studio album by Makaveli | ||||
Released | November 5, 1996 | |||
Recorded | August 1996 Can-Am Studios (Tarzana, Los Angeles, California) |
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Genre | West Coast hip hop, gangsta rap | |||
Length | 59:24 | |||
Label | Death Row, Interscope | |||
Producer | Simon (exec.), Darryl Harper, Hurt-M-Badd, Makaveli, Reggie Moore, Dametrius Ship, Kevin Lewis* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* |
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Makaveli chronology | ||||
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Singles from The 7 Day Theory | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
MVRemixReview | (9/10) [1] |
RapReviews | (7.5/10) link |
RS Album Guide | ![]() ![]() ![]() ![]() ![]() |
XXL | ![]() ![]() ![]() ![]() ![]() |
The Don Killuminati: The 7 Day Theory (Meaning Makaveli The Don - Killuminati: The 7 Day Theory and commonly shortened to The 7 Day Theory) is the fifth and final studio album by Tupac Shakur, under the new stage name Makaveli, finished before his death and his first studio album to be posthumously released.[3] The album was completely finished in a total of seven days during the month of August 1996.[4] The lyrics were written and recorded in only three days and mixing took an additional four days. These are among the very last songs he recorded before his fatal shooting on September 7, 1996.
In 2005, MTV.com ranked Killuminati: The 7 Day Theory at #9 on their greatest hip hop albums of all time list[5] and, in 2006, recognized it as a classic.[6] The emotion and anger showcased on the album has been admired by a large part of the hip-hop community, including other rappers.[7] Ronald "Riskie" Brent is the creator of the Makaveli Don Killuminati cover painting.[8] George "Papa G" Pryce, Former Head of Publicity for Death Row, claimed that "Makaveli which we did was a sort of tongue-in-cheek, and it was not really to come out, [but] after Tupac was murdered, it did come out... Before that, it was going to be a sort of an underground."[9] The album peaked at number one on the Billboard Top R&B/Hip-Hop Albums chart and the Billboard 200.[10] The album generated the second-highest debut-week sales total of any album that year,[11] selling 664,000 copies on the first week. This album was certified 4X Platinum on June 15, 1999.[12]
Contents |
Though Shakur had been using the name Makaveli as far back as All Eyez On Me, the Makaveli album was conceived as a sort of introduction for Shakur's alternate stage name. Thus, the album’s sleeve contains the text, "Exit 2Pac, Enter Makaveli", referring to the exit of the Shakur of the past and the new person, Makaveli.
The album cover, which features Shakur on the cross in an attempt to convey his crucifixion by the media, is intended to imply an artistic resurrection and according to some of his fans a literal one after his death.
On "Bomb First", which serves as the album’s introduction, seven shots are heard on the track. The first six are fired during Shakur’s speech and the seventh as he begins to rap the verse, therefore[original research?] literally marking the end of 2Pac and the start of Makaveli, which happens to be the first word following the shot.
While All Eyez on Me was considered by Shakur "a celebration of life"[citation needed], he claims that Killuminati: The 7 Day Theory is a much darker album[citation needed] telling how bad the music will get in the future without him. Makaveli's style of rapping is still emotional, but is intensified throughout this album. Some songs on the album contain both subtle and direct insults to Shakur's rivals at the height of the East Coast-West Coast feud. Rappers insulted on the album include Nas, The Notorious B.I.G., Puff Daddy, Mobb Deep, De La Soul, Xzibit, Jay-Z & Dr. Dre . Although Shakur insulted rapper Nas on "Intro/Bomb First (My Second Reply)" and "Against All Odds", rapper Young Noble, who appeared on several songs on The 7 Day Theory, stated in an interview that the Nas song "I Gave You Power" served as a main inspiration for Shakur's "Me and My Girlfriend".[13] Nas was to appear on Makaveli: 7 day theory, due to his and Shakur's reconciliation in 1996, sadly Shakur was murdered before any collaboration could occur. The Don Killuminati: The 7 Day Theory was recorded and mixed in a mere 7 days in August 1996. It was released November 5, 1996 and debuted at number one on both the pop album and R&B/Hip-Hop album charts, with 663,000 albums sold in its first week.
Only six months after the release of his successful double-opus, All Eyez on Me, Shakur began work on Killuminati: The 7 Day Theory. The album was written and recorded at the Can-Am Studios in Tarzana, Los Angeles, California over 3 days in the month of August 1996.[citation needed] During those three days 20 songs were completed, 12 of which made the final product. The album did not feature the star-studded guest list that All Eyez on Me did. Most of the guest verses are supplied by Shakur's group The Outlawz. The only verse that was not from one of the Outlawz was from Bad Azz. Young Noble of the Outlawz recalled:
We had started writing the shit and we was taking long. 'Pac was like, "Who got something? Bad Azz you got something?" and it fit perfect, so it was meant for Bad Azz to be on that song. We had already been on a million 'Pac songs. That was his way of motivating us like, "If y'all ain't ready, then you don't make the song."[14]
Killuminati: The 7 Day Theory has also gained praise for its production. Although many of Shakur's usual producers were not involved in the project, the producers still managed to come through for the project. The only producer Shakur had worked with prior to this album was QD3, the son of Quincy Jones and brother of Shakur's girlfriend Kidada Jones. Shakur also co-produces three tracks on the album. The other two producers were Hurt-M-Badd and Darryl “Big D” Harper. E.D.I. Mean of the Outlawz recalls:
At the time Hurt-M-Badd, who was just an up-and-coming producer at Death Row, and Darryl Harper, who was an R&B producer - Suge had him working on all the R&B projects - they had a green room up in Can-Am [Studios] which everybody around Death Row called the "wack room" because they said "Ain't nothing but wack shit come out of there." But we was up in the studio one day and we trying to get music done - ain't none of us producers - we see them two niggas in the "Wack room" and 'Pac like, "Go get them niggas." So niggas go bring them, 'Pac just putting niggas to work like, "I need a beat here, I need y'all to do this, do that." And these are niggas that nobody at Death Row was fucking with. They'll tell you themselves.[15]
# | Title | Length | Songwriters | Producers | Additional Performers | Samples[16] |
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1 | "Intro/Bomb First (My Second Reply) | 4:57 | T. Shakur (as Makaveli),Big D, Malcolm Greenidge, Rufus Cooper | Big D, and Makaveli* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* | E.D.I. Mean & Young Noble | * Contains a sample of "Uptown Anthem" by Naughty by Nature |
2 | "Hail Mary" | 5:09 | Makaveli, Fetal Embrace, Yafeu Fula, Marika Kastrouni, Joe Paquette, Tyrone Wrice, R. Cooper | Hurt-M-Badd* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* | Kastro & Young Noble of The Outlawz & Prince Ital Joe | |
3 | "Toss It Up" | 5:06 | Makaveli, Aaron Hall, Danny Boy, Demetrius Meech Shipp, Cedric "K-Ci" Hailey, Joel "JoJo" Hailey, R | Demetrius Meech Shipp (Original production by Dr. Dre) | Danny Boy, K-Ci & JoJo, Aaron Hall |
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4 | "To Live & Die in L.A." | 4:33 | Makaveli, Val Young | QDIII | Val Young |
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5 | "Blasphemy" | 4:38 | Makaveli, J. Paquette, T. Wrice | Hurt-M-Badd* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* | Prince Ital Joe | |
6 | "Life of an Outlaw" | 4:55 | Makaveli, Big D, M. Greenidge, Marika Kastrouni, Mutah Beale and R. Cooper | Darryl Big D and Makaveli* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* | Young Noble, E.D.I. Mean, Kastro, Napoleon | |
7 | "Just Like Daddy" | 5:09 | Makaveli, M. Greenidge, T. Wrice, Yafeu Fula, R. Cooper | Hurt-M-Badd | E.D.I. Mean, Yaki Kadafi & Young Noble |
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8 | "Krazy" | 5:15 | Makaveli, Jamarr Stamps, D. Harper | Big D* Additional production Lance Pierre, and Kevin Lewis* | Bad Azz | |
9 | "White Man'z World" | 5:38 | Makaveli, D. Harper | Big D* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* | Daryl “Big D” Harper |
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10 | "Me and My Girlfriend" | 5:10 | Makaveli, D. Harper & T. Wrice | Darryl "Big D" Harper, Hurt-M-Badd and Makaveli* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* | Virginya Slim | |
11 | "Hold Ya Head" | 3:58 | Makaveli, T. Wrice | Hurt-M-Badd* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* | Hurt M Badd | Contains a sample from writer-director Frank Darabont's The Shawshank Redemption
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12 | "Against All Odds" | 4:36 | Makaveli, T. Wrice | Hurt-M-Badd and Makaveli* Additional production by Tommy "D" Daugherty, Lance Pierre, and Justin Isham* |
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* = Co-Producer
The 3 Day Theory (Original Version)
# | Title | Length |
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1 | "Bomb First (Shorter Intro) | 3:57 |
2 | "Hail Mary" | 5:12 |
3 | "Krazy (Original Version)" | 4:55 |
4 | "Watch Ya Mouth" | 3:20 |
5 | "To Live & Die In L.A. (Alternate Intro and Fade-Out)" | 4:33 |
6 | "Friends" | 4:19 |
7 | "Blasphemy (Alternate Intro)" | 4:31 |
8 | "Hold Ya Head (Full Fade-Out) | 4:11 |
9 | "Lost Souls" | 3:48 |
10 | "White Man'z World (Original Version)" | 5:25 |
11 | "Niggaz Nature" | 3:26 |
12 | "Against All Odds" | 4:25 |
13 | "Interlude" | 1:24 |
14 | "When Thugz Cry" | 3:50 |
Unused tracks
Charts (1996) | Peak positions |
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Australian Albums Chart [17] | 1 |
Deutsche Alternative Charts [18] | 1 |
Dutch Albums Chart [19] | 1 |
New Zealand Albums Chart [20] | 1 |
Swedish Albums Chart [21] | 1 |
UK Albums Chart [22] | 1 |
US Billboard 200 [23] | 1 |
US Top R&B/Hip Hop Albums [23] | 1 |
Preceded by Anthology 3 by The Beatles |
Billboard 200 number-one album November 23–30, 1996 |
Succeeded by Tha Doggfather by Snoop Doggy Dogg |
In the life we live as thugs,
Everbody fuckin wit us so can't you see
It's hard to be a man.
Ridin wit my gun in hand.
Why explain the game? Niggas ain't listenin.
Stuck in positions. If victims can't stand the heat,
Then stay the fuck out the kitchen.
Have these bustas switchin, lookin at me mean.
Itchin, givin suckas plenty space.
Have these bitch niggas snitchin.
Where are we now? Guns found daily.
The feds surely hope that they could finally nail me for sellin dope.
They backwards, make tracks burst whenever I rap.
Attack. Words bein known to explode on contact.
Extreme at times. Blinded by my passion and fury.
Look at me laugh at my competition's flashin my jewelry.
You'd stay silent if you niggas knew me. Truely effective.
The shit you heard ain't do me justice. Got a death wish, bitch.
Run up, face me and trace wit an infared beam.
It seems niggas ain't recognize my team.
Ain't nobody holdin you back. Explode the track to confetti.
Unload it. Cuz niggas ain't ready. The life of an outlaw.
[Chorus repeats]
Code 3. Attack formation. Pull out your pistols.
Keep an eye out for the devils cuz they itchin to get you.
Mercy to this madman screamin kamikaze in tongue.
Automatic gunfire makin all my enemies run.
Who should I call when I'm shot and bleedin.
Indeed the possibility has part a chase in cream.
Dope got me hatin fiends. Scheam wit my team, just a chosen few.
My foes victim of explosives. Come closer. Exhale the fumes.
We got memories fadin fast. A slave for cash.
Accelerate, mash, blast, then dash.
Don't look now. How you like it, raw.
Niggas ain't ready for the wrath of the outlaws. Never surrender.
Death is for a son to stay free. I'm thugged out.
Fuck the world cuz this is how they made me.
Scarred but still breathin.
Believe in me and you could see the victory.
A warrior with jewels. Can you picture me?
Life of and outlaw.
[Chorus repeats]
City under siege. It's like I can't even breathe.
I'm from the state of car theives. G, deep from the street.
Plenty beef. I play for keeps, arrange the whole crime scene.
Mobb Deep. This nigga from behind tryin to creep.
No halfs wit no straps, jack.
It's on to bounce back.
And an ounce so fat, they snatch my style ?
Get this grip wit hollows to get cha.
Snip wit clippers. Get the picture?
I wrote my life down like a scripture.
And I'm still on lost in the land of the lonely.
Where ain't nobody holy. A matter of a fact, we unholy.
Everybody livin soley for themselves. Too hostile on a land hell.
Somebody need me. You know we lost hope and we needin it.
Wit the evil it's forever. But it might be low down, scandalouz
Like a tramp is. All for the street fame on how to be managed.
To plan shit. 6 months in advaced to what we plotted.
Approved to go on swole and now I got it.
Un uh, crack my window. Knowin they'd love to catch Kastro sleepin.
Attach a strap under my pillow and a hand like we freakin.
Creepin deep into morning. Peepin out the weak.
While they yawnin and let my cloud speak for it's self.
No doubt. Outlaw. Outta my mind, outta time. You're all blind.
Some kind of life of mine Kato don't mind.
Findin it funny, matter of fact, cuz it is.
Perhaps finally I look at that true over the years as an outlaw.
Eh, Noble.
What's up nigga.
Would you die for me, nigga?
Hell yeah.
Would you kill for me?
On my grandmother, nigga.
Ah yo.
What's up.
Let's ride on them stupid bitches right now.
Watch out.
Well now they all say they roaches and parasites.
Snakes and all they might
Thug Life break night.
Drink till we fist fight.
Life or death. But you can't win with a vest.
But there won't be no breathing for the reason
Punk bitch on your breath.
I see day is dark and I admit it's dark.
So chase ?
Beware foolin marks.
And yo, Makaveli, give me them bullets that was left for PO's belly.
And let me bust back to them niggas till they all sweaty.