"Taboo" | ||||
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File:Taboo (Single Cover).jpg | ||||
Single by Don Omar | ||||
from the album Meet the Orphans | ||||
Released | January 24, 2011 | |||
Format | Digital download | |||
Recorded | 2009[1] | |||
Genre | Lambada, danza, kuduro, Latin | |||
Length | 4:52 | |||
Label | Universal Latino, Machete | |||
Writer(s) | William Landrón, Gonzalo Hermosa, Ulises Hermosa, Milton Restituyo | |||
Producer | A&X And Eliel | |||
Don Omar singles chronology | ||||
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"Taboo" is the third single from Don Omar's collaborative album Meet the Orphans released in January 24, 2011 through Universal Latino.[2] The song is re-adapted version from Los Kjarkas's song "Llorando se fue" most commonly known for its use in Kaoma's 1989 hit single "Lambada" fused with Latin beats.[3] The song peaked at number one on the Billboard Latin Songs, becoming his third number one single on the chart.
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A low-quality preview of the song was posted on October 19, 2009 planned to be included on the now-unreleased album iDon 2.0, the re-release of his 2009 album iDon.[1] The album was never released, and in 2010 the song was mastered and included on Meet the Orphans.
Brian Voerding from Aol Radio Blog said that the song "It's a down-and-dirty dance number that melds traditional island rhythms with a techno-friendly undercurrent and bright synthesizer melodies. [...] Omar, along with Daddy Yankee and others, is one of the primary faces and souls of Reggaeton, a relatively new term for music that blends reggae with contemporary hip-hop and electronic elements."[2]
On the issue of March 5, 2011 the song debuted at number 41 on the Billboard Latin Songs, peaking at number one on the week of July 16, 2011,[4] becoming his third number one single on the chart, and number 23 on the Billboard Latin Pop Airplay,[5] peaking at number 2.[6] On the issue of April 2, 2011 the song debuted at number 28 on the Latin Tropical Airplay,[7] peaking at number 1.[8] On the issue of May 14, 2011 the song also debuted on the Bubbling Under Hot 100 Singles chart at position 15,[9] and weeks after, topped the chart.[10] It later debuted at number 97 on the Billboard Hot 100 giving Don Omar his third single to enter the chart.[11]
The music video for the song was shot in both the Dominican Republic and Brazil, directed by Marlon Pena and produced by Noelia Cacavelli.[12] It was premiered on April 12, 2011 through Vevo and YouTube.[13] The music video contains clips from the 2011 movie Fast Five (also known as Fast & Furious 5), where he is guest star,[12] as well guest appearances from the movie cast including Vin Diesel, Paul Walker, Tyrese Gibson, Dwayne Johnson, Ludacris and Tego Calderón.[14]
According to Don Omar's Universal website, the video has a strong storyline and recaptures the essence of the popular Brazilian version, which is heavily influenced by choreographed dance moves.[15] As of August 2011, the music video had received 50 million views, becoming his most viewed video after "Danza Kuduro".[16]
Chart (2011) | Peak position |
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Spain (PROMUSICAE)[17] | 36 |
US Latin Songs (Billboard)[4] | 1 |
US Latin Pop Songs (Billboard)[6] | 2 |
US Latin Tropical Airplay (Billboard)[8] | 1 |
US Latin Rhythm Airplay (Billboard)[18] | 1 |
US Billboard Hot 100[11] | 97 |
Venezuela (International Chart)[19] | 58 |
Venezuela (Latin Chart)[20] | 16 |
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Taboo is a word, guessing, and party game published by Parker Brothers in 1989 (subsequently purchased by Hasbro). The objective of the game is for a player to have their partners guess the word on the player's card without using the word itself or five additional words listed on the card.
The game is similar to Catch Phrase, also from Hasbro, in which a player tries to get his or her teammates to guess words using verbal clues. Taboo was later the basis for a 2002 game show of the same name on TNN (now Spike), hosted by comedian Chris Wylde.
Some early editions include a board to track progress (as shown in the photo on this page), but current editions do not.
The second edition of the game, produced in 1994, has a round, pink squeaker, or hooter, instead of a buzzer, as do the 1993 and 1990 editions.
Taboo is the name of a fictional character from the Wildstorm universe that first appeared in Backlash #1 in 1994, she quickly became a major supporting character in the series and Backlash's main love interest.
Born in Queens, New York, Amanda Reed's mother died when she was still young. Her father was a substance abuser and was often violent towards Amanda. When she was seventeen years old, Amanda was a prostitute, living on the streets, until she was recruited for the Daemonite organisation known as the Cabal. She was bonded to a symbiote that could form a bio-metallic suit around her and became Taboo. The symbiote had vampiric tendencies though and often Taboo would found herself overcome with bloodlust in battle. She was framed for murder when she wanted to leave the organisation and sent to Purgatory Max, a special prison for super-powered beings in the Arctics.
Five years later, colonel Mark Slayton aka Backlash freed her, hoping to use her knowledge of the Cabal to help his girlfriend, Major Diane Lasalle, who had been left comatose after the Daemonite Lord S'ryn had possessed her during an attempted Daemonite incursion of Skywatch. Together they tracked S'ryn down and fought him. S'ryn managed to escape, but Taboo had proven herself to Backlash. They went for a few drinks, but ended up in bed. Once sobered up, Slayton felt guilty about betraying Diane and tried to keep Amanda at bay, but over time they grew closer.
Mainline, Main line, or Main Line may refer to:
A mainline flight is a flight operated by an airline's main operating unit, rather than by regional alliances, regional code-shares or regional subsidiaries. In the United States, examples of mainline passenger airline flights include those operated by American Airlines, Delta Air Lines, United Airlines, and US Airways but it would not include flights operated by regional airlines Envoy Air, Executive Airlines, Piedmont Airlines, or PSA Airlines with regional jets or the services of regional airline marketing brands such as American Eagle, Delta Connection, United Express, or US Airways Express aboard lower-capacity narrowbody jets and turboprop aircraft, such as those produced by Embraer or Bombardier, that do not have transcontinental range.
Often US mainline airline carriers operate in-house brands such as United p.s. to cater to business segments such as the short-range air shuttle, low-cost, or premium-service flights which normally would not support the traffic or revenue yield needed for the traditional operation of larger mainline aircraft with over 100 passenger seats between selected city pairs.
In the field of software development, trunk refers to the unnamed branch (version) of a file tree under revision control. The trunk is usually meant to be the base of a project on which development progresses. If developers are working exclusively on the trunk, it always contains the latest cutting-edge version of the project, but therefore may also be the most unstable version. Another approach is to split a branch off the trunk, implement changes in that branch and merge the changes back into the trunk when the branch has proven to be stable and working. Depending on development mode and commit policy the trunk may contain the most stable or the least stable or something-in-between version. Other terms for trunk include baseline, mainline, and master, though in some cases these are used with similar but distinct senses – see Revision control: Common vocabulary. The trunk is also sometimes loosely referred to as HEAD, but properly head refers not to a branch, but to the most recent commit on a given branch, and both the trunk and each named branch has its own head.