Main may refer to:
In computer programming, an entry point is where control is transferred from the operating system to a computer program, at which place the processor enters a program or a code fragment and execution begins. In some operating systems or programming languages, the initial entry is not part of the program but of the runtime library, in which case the runtime library initializes the program and then the runtime library enters the program. In other cases, the program may call the runtime library before doing anything when it is entered for the first time, and, after the runtime library returns, the actual code of the program begins to execute. This marks the transition from load time (and dynamic link time, if present) to run time.
In simple layouts, programs begin their execution at the beginning, which is common in scripting languages, simple binary executable formats, and boot loaders. In other cases, the entry point is at some other fixed point, which is some memory address than can be an absolute address or relative address (offset).
Main was a station on the Chicago Transit Authority's Niles Center branch, now known as the Yellow Line. The station was located at Main Street and Skokie Boulevard in Skokie, Illinois. Main was situated south of Dempster and north of Oakton. Main opened on March 28, 1925, and closed on March 27, 1948, upon the closing of the Niles Center branch.
Squeeze is the fifth and final studio album released by the Velvet Underground. While labeled as a Velvet Underground record, it actually features no members of the group other than multi-instrumentalist Doug Yule, who wrote and recorded the album almost entirely by himself. Yule had joined the Velvet Underground prior to recording their self-titled third album, replacing founding member John Cale, and had contributed significantly to the fourth album, Loaded. Following the departures of the remaining founding members, Lou Reed and Sterling Morrison, Yule took control of the band. Longtime drummer Maureen Tucker was slated to appear on Squeeze by Yule, but she was dismissed by the band's manager, Steve Sesnick.
Following a promotional tour for the album by Yule and a backing band, Yule called it quits, bringing the Velvet Underground to an end until the group reformed for a tour in 1993. Squeeze failed to chart and quickly fell into obscurity after its release. Critics generally dismiss the record as "a Velvet Underground album in name only".
A squeeze play (or squeeze) is a tactic, often occurring late in the hand, used in contract bridge and other trick-taking games in which the play of a card (the squeeze card) forces an opponent to discard a winner or the guard of a potential winner. Although numerous types of squeezes have been analyzed and catalogued in contract bridge, they were first discovered and described in whist.
Most squeezes operate on the principle that declarer's and dummy's hands can, between them, hold more cards with the potential to take extra tricks than a single defender's hand can protect or guard. Infrequently, due to of the difficulty of coordinating their holdings, two defenders can cooperate to squeeze declarer or dummy on the same principle.
Squeeze plays are considered by many "to be the domain of the experts but many of the positions are straightforward once the basic principles are understood." And according to Terence Reese, the squeeze play "in its practical aspects is not particularly difficult. It takes time, admittedly...and has...to be learned - it cannot be 'picked up'".
"Squeeze" is the third episode of the first season of the American science fiction television series The X-Files. It premiered on the Fox network on September 24, 1993. "Squeeze" was written by Glen Morgan and James Wong and directed by Harry Longstreet, with Michael Katleman directing additional footage. The episode featured the first of two guest appearances by Doug Hutchison as the mutant serial killer Eugene Victor Tooms, a role he would reprise in "Tooms". "Squeeze" is the first "monster-of-the-week" episode of The X-Files, a stand-alone plot which is unconnected to the series' overarching mythology.
The show's main characters are FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson), who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, Mulder and Scully investigate a series of ritualistic killings by somebody seemingly capable of squeezing his body through impossibly narrow gaps. The agents deduce that their suspect may be a genetic mutant who has been killing in sprees for ninety years.
Stormy may refer to:
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Written by: teena marie and doug grigsby
Hey you, where are you going with that suitcase
Naw, put that down, you ain't going nowhere
Just reflecting on the way it was - it is irrelevant
The fact we're still together baby doll - is so significant
I love you child I always will this will never change
I sign myself to you baby every time I speak your name
Back in the days when I was young and blind
Hanging with the sista's we was fine as wine
Checking you out on a regular basis
I even let you touch me in all my secret places
And I gave in when you held me
And we move and we groove and you wanted me
And you loved me and you wanted me
And you moaned and you groaned so don't you be
Crazy I'm your baby hold me tighter baby ahh
I'm your main squeeze - come on and squeeze me baby
Don't erase me I'm your baby
Kiss me one time and it's over
I'm your main squeeze - squeeze me - tease me
Round and round we go
In and out and up and over
Give me your love - ooh I need your love - I want your love
I couldn't see the forest for the trees
And every guy that tried to turn my head
Could not obstruct my view
You love me child you always will
In this you have no choice
You sign yourself to me every time you hear my voice
Back in the day when you was leading the pack
Honey you're my man - young gifted and black
Riding around in an old '64
I even let you touch me, even let you score
And I gave in when you held me
And we moved and we grooved and you wanted me
And you loved me and you wanted me
And you moaned and you groaned so don't be crazy
Couldn't see the forest baby, through the trees
All I saw was you - ooh baby
And we moved, and we grooved
And we moved and we grooved and you wanted me