Maharaja is a Sanskrit title for a "great king" or "high king".
Maharaja may also refer to:
Maharaja is a Tamil film directed by Manoharan. It stars Nassar, Sathya and Anjali in the lead roles.
Mahadevan (Nassar), a middle-aged government employee who leads a very normal family life with his wife, a son and his father who is also living with him. He lives a budget life, rides an old scooter, wears out-of-fashion clothes and bears a sullen expression on his face for all the reasons above. He is unhappy with his present life which is monotonous and feels that he should lives a modernized life which he has missed in his earlier life.
In this day and age, with westernization overpowering everything else, he's constantly reminded of a flame that died out long ago and it questions the purpose of his existence. Meanwhile, Aravind (Sathya)who comes from America lives a very modern life. He works in a software company in Chennai. Mahadevan happens to meet Aravind and comes to know that he is his nephew, both of them becomes very close.
Maharaja is a 2005 Kannada family-drama film directed by Om Sai Prakash featuring Sudeep and Nikita Thukral in the lead roles. The film features background score and soundtrack composed by S. A. Rajkumar and lyrics by K. Kalyan and V. Nagendra Prasad. The film released on 14 January 2005.
Karnataka State Film Awards :-
Nathalie... is a 2003 French drama film directed by Anne Fontaine, and starring Fanny Ardant, Emmanuelle Béart, and Gérard Depardieu.
Catherine discovers that her husband Bernard is cheating on her. She decides to pay Parisian prostitute Nathalie to have an affair with her husband, and report back to her.
Nathalie... received generally positive reviews, currently holding a 73% "fresh" rating on Rotten Tomatoes; the consensus states: "A seductive French import that portrays adult issues of jealousy and betrayal with strong lead performances and considerable French charm." On Metacritic, which uses an average of critics' reviews, the film holds a 69/100 rating, indicating "generally favorable reviews".
Director Atom Egoyan remade the film in 2009, now entitled Chloe. The film stars Julianne Moore, Liam Neeson, and Amanda Seyfried. A reviewer in the New York Daily News (Elizabeth Weizmann) contrasting the original with the remake says Egoyan "Having adapted a film—via Erin Cressida Wilson's screenplay—from an erotic French drama called Nathalie, Egoyan appears convinced that he's creating a suspenseful work of art, rather than a mildly kinky bit of arthouse exploitation." However, in his self-promotion, the director of the remake, Egoyan, described Chloe as more erotically charged than Nathalie...
Night is the period in which the sun is below the horizon.
Night or Nights may also refer to:
Nyx (English /ˈnɪks/;Ancient Greek: Νύξ, "Night";Latin: Nox) is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty, that she is feared by Zeus himself.
In Hesiod's Theogony, Nyx is born of Chaos. With Erebus (Darkness), Nyx gives birth to Aether (Brightness) and Hemera (Day). Later, on her own, Nyx gives birth to Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres, Nemesis (Indignation, Retribution), Apate (Deceit), Philotes (Friendship), Geras (Old Age), and Eris (Strife).
In his description of Tartarus, Hesiod locates there the home of Nyx, and the homes of her children Hypnos and Thanatos. Hesiod says further that Nyx's daughter Hemera (Day) left Tartarus just as Nyx (Night) entered it; continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn).
Night (1960) is a work by Elie Wiesel about his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–45, at the height of the Holocaust toward the end of the Second World War. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about the death of God and his own increasing disgust with humanity, reflected in the inversion of the parent–child relationship as his father declines to a helpless state and Wiesel becomes his resentful teenage caregiver. "If only I could get rid of this dead weight ... Immediately I felt ashamed of myself, ashamed forever." In Night everything is inverted, every value destroyed. "Here there are no fathers, no brothers, no friends," a Kapo tells him. "Everyone lives and dies for himself alone."
Wiesel was 16 when Buchenwald was liberated by the United States Army in April 1945, too late for his father, who died after a beating while Wiesel lay silently on the bunk above for fear of being beaten too. He moved to Paris after the war, and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night.