Magnolia (film)

Magnolia is a 1999 American drama film written, co-produced, and directed by Paul Thomas Anderson. The film stars Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards, and Melora Walters, and is a mosaic of interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley. The film itself was partly filmed in Reseda.

Magnolia was a critical success, with critics praising it for its storytelling, the cast's performances, Anderson's direction, its ambition, and its soundtrack, largely consistings of Aimee Mann songs; while others deemed it overlong and messy. Of the ensemble cast, Tom Cruise was nominated for Best Supporting Actor at the 72nd Academy Awards, and won the award in that category at the Golden Globes of 2000. It was Robards' final feature film. Following the film's release, Anderson said: "I really feel... That Magnolia is, for better or worse, the best movie I'll ever make."

Magnolia

Magnolia is a large genus of about 210flowering plant species in the subfamily Magnolioideae of the family Magnoliaceae. It is named after French botanist Pierre Magnol.

Magnolia is an ancient genus. Appearing before bees did, the flowers are theorized to have evolved to encourage pollination by beetles. To avoid damage from pollinating beetles, the carpels of Magnolia flowers are extremely tough.Fossilised specimens of M. acuminata have been found dating to 20 million years ago, and of plants identifiably belonging to the Magnoliaceae date to 95 million years ago. Another aspect of Magnolia considered to represent an ancestral state is that the flower bud is enclosed in a bract rather than in sepals; the perianth parts are undifferentiated and called tepals rather than distinct sepals and petals. Magnolia shares the tepal characteristic with several other flowering plants near the base of the flowering plant lineage such as Amborella and Nymphaea (as well as with many more recently derived plants such as Lilium).

Magnolia (Turnover album)

Magnolia is the debut studio album by American pop punk band Turnover. The album was released on April 16, 2013 via Run For Cover Records.

Track listing

References

The Pineapple Thief

The Pineapple Thief is a progressive rock band, started by Bruce Soord in 1999 in Somerset, England.

History

Early years

Founder Bruce Soord started "The Pineapple Thief" as an outlet for his music back in 1999. Bruce released the debut Abducting the Unicorn on Cyclops records, which created enough interest to establish a small but loyal fan base. Soord returned to the Dining Room studios to work on the second album 137. During this time, several major labels started to take an interest, causing a delay in the release which arrived over two years after the debut. However it was probably the third album, Variations on a Dream that gave TPT the boost they needed, reaching out to yet more people all over the world, by which point TPT were consistently the top sellers on their label, Cyclops.

After this release in the spring of 2002 Bruce decided to form a band to take his music to the fans. The band consisted of his close musical friends - former university band mate Jon Sykes on bass, Wayne Higgins on guitars, Matt O'Leary on keyboards and Keith Harrison on drums. As a full band, they released 12 Stories Down in 2004, but Bruce Soord was unhappy with the final sound and re-recorded, remixed and changed some of the tracks before the release of 10 Stories Down in 2005. Matt O'Leary subsequently left the band, but Steve Kitch (who co-produced and mixed 10 Stories Down) joined to play keyboards.

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

List of film periodicals

Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.

Magazines and trade publications

Scholarly journals

References

Bibliography