Benjamin Collett "Ben" Mills (born 1 March 1980 in Chatham, Kent, England) is a British singer who finished in third place on the third series of The X Factor in 2006.
After the show, Mills signed a five-album record deal with SonyBMG. His debut album, Picture of You, was released on 12 March 2007, the same date as the debut album from X Factor runner-up Ray Quinn. His debut single was advertised as "Beside You" and set to be released on 5 March 2007, but it was pulled by the record company at the last minute. The reason given was to concentrate on album sales.
Mills made an appearance on 30 November 2008 in Margate, Kent together with Bob Geldof to switch on the Christmas lights. He also sang a rendition of Rod Stewart's "Maggie May" to around 2000 people.
Mills was a co-director of a marquee hire company in his home town of Whitstable before appearing on The X Factor.
He gained a diploma in music from the Academy of Contemporary Music in Guildford, Surrey and has been singing since he was a child. He also plays piano and guitar. He was also a keyboard player in the tribute band to The Doors called The L.A. Doors and toured the pub and club circuit with his own band called Benzego.
Ben Mills (born 23 March 1989 in Stoke on Trent, Staffordshire) is an English professional footballer who plays as a forward for Witton Albion.
Mills was a trainee at Port Vale and was also at Leek Town as a youth player.
He joined Newcastle Town in July 2007, turning down a deal with Leek and in September 2008 joined former club Leek, initially on loan. However, the decision by Newcastle to take Mills off contract to enable him to play for Leek backfired on the club, after the player decided to remain with Leek and sign with them.
In March 2009 he turned down moves to Stafford Rangers and to Tamworth and Hednesford Town. opting to remain with Leek for the remainder of the season. In July did sign for Stafford, with an opportunity to play at two steps higher in the football pyramid.
He then spent time with Alfreton Town before returning for a second spell at Stafford Rangers.
In the 2011/12 season he played for Nantwich Town, including featuring for the club in their 6–0 defeat by MK Dons in the FA Cup in November 2011.
"Maggie May" is a song written by singer Rod Stewart and Martin Quittenton and recorded by Stewart in 1971 for his album Every Picture Tells a Story.
In 2004, Rolling Stone Magazine ranked the song #131 on their list of The 500 Greatest Songs of All Time.
"Maggie May" expresses the ambivalence and contradictory emotions of a young man involved in a relationship with an older woman, and was written from Stewart's own experience. In the January, 2007 issue of Q magazine, Stewart recalled: "Maggie May was more or less a true story, about the first woman I had sex with, at the 1961 Beaulieu Jazz Festival." The woman's name was not "Maggie May"; Stewart claimed that the name was taken from "... an old Liverpudlian song about a prostitute."
The song was recorded in just two takes in one session. Drummer Micky Waller often arrived at recording sessions with the expectation that a drum kit would be provided and, for "Maggie May", it was - except that no cymbals could be found. The cymbal crashes had to be overdubbed separately some days later.
"Maggie May" (or "Maggie Mae") is a traditional Liverpool folk song (Roud #1757) about a prostitute who robbed a "homeward bounder": a sailor coming home from a round trip.
John Manifold, in his Penguin Australian Song Book, described it as "A foc'sle song of Liverpool origin apparently, but immensely popular among seamen all over the world". It became widely circulated in a skiffle version from the late 1950s.
In 1964, the composer and lyricist Lionel Bart (the creator of the musical Oliver!), used the song and its backstory as the basis of a musical set around the Liverpool Docks. The show, also called Maggie May, ran for two years in London. In 1970 a truncated version of the song performed by the Beatles was included on their album Let It Be.
As with most folk songs, the lyrics exists in many variant forms. The song specifies several real streets in Liverpool, notably Lime Street in the centre of the city.
In the most established version, it is sung in the first person by a sailor who has come home to Liverpool from Sierra Leone. He is paid off for the trip. With his wages in his pocket, he sees Maggie "cruising up and down old Canning Place". She had "a figure so divine" (either "like a frigate of the line" or with "a voice so refined"). He picks her up and she takes him home to her lodgings. When he awakes the following morning, she has taken all his money and even his clothes, insisting that they are in "Kelly's locker", a pawn shop. When he fails to find his clothes in the pawn shop, he contacts the police. She is found guilty of theft and sentenced to transportation to Botany Bay.
Maggie May is a musical with a book by Alun Owen and music and lyrics by Lionel Bart. Based on "Maggie May", a traditional ballad about a Liverpool prostitute, it deals with trade union ethics and disputes among Irish-Catholic dockers in Liverpool, centring on the life of streetwalker Margaret Mary Duffy and her sweetheart, a freewheeling sailor.
The show includes bittersweet ballads, robust chorus numbers, and even some rock 'n' roll, making it one of the most musically diverse British scores of the 1960s. Steven Suskin, in reviewing a newly released CD, wrote: the show begins with a "rather weird folk-ballad", and has "a couple of gentle lullaby-like ballads...raucous production numbers... a tongue-twister, set to an almost violent waltz", along with a distinctive version of the title song "which mixes a sailor's chanty with — what, Dixieland?".
The West End production opened on September 22, 1964 at London's Adelphi Theatre, where it ran for 501 performances. The cast included Rachel Roberts, Kenneth Haigh, Andrew Keir, Barry Humphries, John Junkin, and Geoffrey Hughes.Georgia Brown later replaced Roberts in the title role.
If you ever change your mind
About leavin', leavin' me behind
Oh, oh, bring it to me
Bring your sweet lovin'
Bring it on home to me, oh yeah
You know I laughed (ha ha) when you left
But now I know I've only hurt myself
Oh, oh, bring it to me
Bring your sweet lovin'
Bring it on home to me, yeah (yeah) yeah (yeah) yeah (yeah)
I'll give you jewellery, money too
And that's not all, all I'll do for you
Oh, oh, bring it to me
Bring your sweet lovin'
Bring it on home to me, yeah (yeah) yeah (yeah) yeah (yeah)
Yeah
You know I'll always be your slave
Till I'm dead and buried in my grave
Oh, oh, bring it to me
Bring your sweet lovin'
Bring it on home to me, yeah (yeah) yeah (yeah) yeah (yeah)
If you ever change your mind
About leavin', leavin' me behind
Oh, oh, bring it to me
Bring your sweet lovin'
Bring it on home to me, yeah (yeah) yeah (yeah) yeah (yeah)
Yeah (yeah) yeah (yeah)