Maelström is a 2000 Canadian film by Québécois writer-director Denis Villeneuve. It stars Marie-Josée Croze as a depressed, alcoholic woman who becomes romantically involved with the son of a man she believes to have killed in a hit and run accident.
The film has won 23 awards, including 5 Genie Awards and the FIPRESCI Prize, and was nominated for 8 more awards.
The story is told by a fish (with the voice of Pierre Lebeau). In Quebec during the autumn of 1999, twenty-five-year-old Bibiane Champagne (Marie-Josée Croze), head of three clothing boutiques, is being crushed by the expectations put on her for being the daughter of a celebrity, Flo Fabert. She resorts to drugs and alcohol in an effort to cope, while trying in vain to keep her problems from for example her colleague brother Philippe (Bobby Beshro) and a persistent magazine reporter (Marie-France Lambert). The early scenes of the film show her friends supporting her through her first abortion and her inability to function in her job.
A whirlpool is a body of swirling water produced by the meeting of opposing currents. The vast majority of whirlpools are not very powerful. More powerful ones in seas or oceans may be termed maelstroms. Vortex is the proper term for any whirlpool that has a downdraft.
Very small whirlpools can easily be seen when a bath or a sink is draining. In oceans, whirlpools are normally caused by tides; there are few stories of large ships ever being sucked into such a maelstrom, although smaller craft are in danger. Smaller whirlpools also appear at the base of many waterfalls. In the case of powerful waterfalls, like Niagara Falls, these whirlpools can be quite strong. The most powerful whirlpools are created in narrow, shallow straits with fast flowing water.
The original Maelstrom (described by Poe and others) is the Moskstraumen, a powerful tidal current in the Lofoten Islands off the Norwegian coast. The Maelstrom is formed by the conjunction of the strong currents that cross the straits (Moskenstraumen) between the islands and the great amplitude of the tides, and reaches speeds of 27.8 km/h (17.3 mph)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: