The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music and dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Often, the masquers who did not speak or sing were courtiers: King James I's queen consort, Anne of Denmark, frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I performed in the masques at their courts. In the tradition of masque, Louis XIV danced in ballets at Versailles with music by Jean-Baptiste Lully.
Masks (French: Masques) is a 1987 French comedy film directed by Claude Chabrol. It was entered into the 37th Berlin International Film Festival.
The Masques op. 34 is a work for piano written by Karol Szymanowski from 1915-1916.
In 1914, the composer took refuge in his home village in Ukraine and remained there until the Russian Revolution. He had returned from a long stay in Europe, Sicily and North Africa, where he drew his inspiration for these years' works. Here his style approached the Impressionism of Debussy and inaugurated a series of program music, a literary source, with his Myths for violin and piano, contemporaries of his Métopes for piano and his Masques.
The three pieces that compose the work offer access to three major myths of the Western imagination, whereas his Metopes focused on Homer. The Masques were written in a different chronological order than that of their publication, with Scheherazade initially completing the cycle. Tantris is a corruption of Tristan, taken from the myth of Tristan and Iseult and retold in a piece by Ernst Hardt where Tristan masquerades as a jester to meet his sweetheart.
Madhouse may refer to:
(The original group MADHOUSE, is a band from Baltimore, Maryland that consisted of several members that went on to be a part of Bootsy's Rubber Band. They recorded their first album as kids in 1972 titled "Serve Em", which was released on a label called, Today. Prince project Madhouse, would follow years later using the same name.
DNA is the debut studio album by British girl group Little Mix. It was released on 19 December 2012 in the United Kingdom via Syco Music. The group began work recording the album in December 2011 and concluded in September 2012. Throughout the recording process, Little Mix worked with several producers, including TMS, Future Cut, Steve Mac, Jarrad Rogers, Richard "Biff" Stannard, Ash Howes, Jon Levine, Xenomania, Fred Ball and Pegasus. The album was co-written by Little Mix and they stated that they were involved in the development of the album as much as possible. Sonically, the album is primarily a mixture of pop and R&B records, with influences from dance-pop, pop rock and hip hop found on specific songs as well. The album's lyrical content explores empowerment, relationships and heartbreak. Songs on the album were also co-written by members of other girl groups, including Nicola Roberts of Girls Aloud, Shaznay Lewis of All Saints and T-Boz of TLC.
DNA received mixed reviews from music critics. The album's lead single, "Wings", was released on 26 August 2012, reaching number one in UK and Ireland as well as charting in Australia, New Zealand, Slovakia, Czech Republic, Hungary, Belgium, Canada and the US. The second single, "DNA", was released on 11 November 2012, peaking at number three in the UK. Two post-album singles were released: "Change Your Life" on 3 February 2013, and a remix of "How Ya Doin'?" featuring American rapper Missy Elliott was released on 17 April 2013; both songs reached the top 20 in the UK.
"Madhouse" is a song by the American thrash metal band Anthrax. It was released in 1985 on Megaforce/Island Records.
Madhouse was released as the only single and third track from the group's second album, Spreading the Disease. The song is written in an up-tempo time signature, with heavy distorted guitar riffs.
It has become a staple of live concerts, and has also appeared on Anthrax's "best of" album, Anthrology: No Hit Wonders (1985-1991). In 2009, the track was named the 46th best hard rock song of all time by VH1.
A music video was produced, which features the band performing in an insane asylum with several mental patients moving along to the tune. However, the video did not receive much airplay because it was banned from MTV, who believed the content to be degrading to the mentally ill.