Que

QUE or que may refer to:

See also

Que (tower)

Que (simplified Chinese: 阙; traditional Chinese: 闕) is a freestanding, ceremonial gate tower in traditional Chinese architecture. First developed in the Zhou Dynasty, que towers were used to form ceremonial gateways to tombs, palaces and temples throughout pre-modern China down to the Qing Dynasty. The use of que gateways reached its peak during the Han Dynasty, and today they can often be seen as a component of an architectural ensemble (a spirit way, shendao) at the graves of high officials during China's Han Dynasty. There are also some que found in front of temples. Richly decorated, they are among the most valuable surviving relics of the sculpture and architecture of that period.

Que in the Han Dynasty

It is thought that the que familiar to us are stone reproductions of the free-standing wooden and/or earthen towers which were placed in pairs in front of the entrances to the palaces, temples, and government buildings of the period (already known during the Qin Dynasty). Such free-standing towers, serving as markers of the symbolic boundary of a palace's or temple's premises, had developed from gate towers that were an integral part of a building or a city wall. None of such que in front of buildings have survived, but images of buildings with such towers in front of them can be seen on extant brick reliefs in Han Dynasty tombs, such as the one in Yinan County, Shandong).

Qué!

Qué! is a free daily newspaper, published by Factoría de Información in Spain. It is available from Monday to Friday each week in several regions across Spain.

History

Qué! was first published in 2005 and in just two years has become the free daily newspaper with the second highest readership (ahead of ADN and Metro), with a 26% share of the advertising market. It has a workforce of 240 people and is, according to a survey by Ipsos Media on the free press, the best rated free daily. On 1 August 2007, Qué! joined Grupo Vocento reinforcing its position as a popular Spanish newspaper.

Editions

The paper is based in and distributes to Madrid. Localised editions of the paper are also available in:

References

External links

Madí

Madí (or MADI) is an international abstract art movement initiated in Buenos Aires in 1946 by the Hungarian-Argentinian artist and poet Gyula Kosice, and the Uruguayans Carmelo Arden Quin and Rhod Rothfuss.

Concrete art

The movement encompasses all branches of art (the plastic and pictorial arts, music, literature, theater, architecture, dance, etc.) and promotes concrete art (i.e., non-representational geometric abstraction). The artists in the Madí movement typically focus on the concrete, physical reality of the medium and play with the traditional conventions of Western art (for instance, by creating works on irregularly-shaped canvases). Representatives of the movement, in addition to Kosice, Quin and Rothfuss, are Martín Blaszko, Waldo Longo, Juan Bay, Esteban Eitler, Diyi Laañ, Valdo Wellington, among others.

Origin of the name

Gyula Kosice has explained that the name for the movement is derived from the Republican motto in the Spanish Civil War, "Madrí, Madrí, no pasarán" ("Madrid, Madrid, they will not make it in", i.e., the Francoist forces will not invade Madrid). The name is most typically understood as an acronym for Movimiento, Abstracción, Dimensión, Invención (Movement, Abstraction, Dimension, Invention).

Mad (village)

Mad (Hungarian: Nagymad, Hungarian pronunciation:[ˈnɒɟmɒd]) is a village and municipality in the Dunajská Streda District in the Trnava Region of south-west Slovakia.

Geography

The municipality lies at an altitude of 114 metres and covers an area of 7.714 km².

History

In the 9th century, the territory of Mad became part of the Kingdom of Hungary. The village was first recorded in 1254 as Mod, in 1260 as Nagmod. Until the end of World War I, it was part of Hungary and fell within the Dunaszerdahely district of Pozsony County. After the Austro-Hungarian army disintegrated in November 1918, Czechoslovakian troops occupied the area. After the Treaty of Trianon of 1920, the village became officially part of Czechoslovakia. In November 1938, the First Vienna Award granted the area to Hungary and it was held by Hungary until 1945. After Soviet occupation in 1945, Czechoslovakian administration returned and the village became officially part of Czechoslovakia in 1947.

Demography

In 1910, the village had 438, for the most part, Hungarian inhabitants. At the 2001 Census the recorded population of the village was 469 while an end-2008 estimate by the Statistical Office had the villages's population as 509. As of 2001, 95,74 per cent of its population was Hungarian while 4,05 per cent was Slovakian. Roman Catholicism is the majority religion of the village, its adherents numbering 69.51% of the total population.

Mad (band)

Mad is a hard rock band from Buenos Aires, Argentina. It was formed in 1997.

Biography

Formed in 1996, the band consists of Tomy Casparri (lead vocals), Diego Castelli (bass), Julián Méndez Morgan (guitar), Pelusa Suffloni (guitar) and Rodrigo Chaparro (drums). With a "sound of powerful and overwhelming rock" they began by playing in the local underground rock scene.

They soon recorded their self-titled debut album 'MAD' which was released in 1998 and gained reasonable radio airplay having been well received by the critcis. They were subsequently invited to play in several rock festivals organised by Rock and Pop FM and recorded two songs for a 4K Records CD compilation.

In 2000 Mad was chosen by Eric Singer (former drummer of KISS) to support him for his KISS Exposition in Buenos Aires. In the same year they were chosen to play twice in Mar Del Plata city and also in Buenos Aires as the headlining act at a music festival organised by the national beer, Quilmes.

In January 2001 Mad played to a crowd of 50,000 people in the Monsters Of Rock Festival opening for Iron Maiden, Rob Halford and Queens of the Stone Age at Vélez Sársfield football stadium. They also appeared in several shows at the club Cemento, widely regarded as the "temple of Argentine rock" having hosted many famous bands in Argentine rock history such as Redonditos de Ricota, Las Pelotas and A.N.I.M.A.L. The shows were excellently produced and during this time Mad were very much the "band of the moment".