Macedonia (Roman province)

The Roman province of Macedonia (Latin: Provincia Macedoniae, Greek: Ἐπαρχία Μακεδονίας) was officially established in 146 BC, after the Roman general Quintus Caecilius Metellus defeated Andriscus of Macedon, the last self-styled King of the ancient kingdom of Macedonia in 148 BC, and after the four client republics (the "tetrarchy") established by Rome in the region were dissolved. The province incorporated ancient Macedonia, with the addition of Epirus, Thessaly, and parts of Illyria, Paeonia and Thrace. This created a much larger administrative area, to which the name of 'Macedonia' was still applied. The Dardanians, to the north of the Paeonians, were not included, because they had supported the Romans in their conquest of Macedonia.

Description

Organization

After the reforms of Diocletian in the late 3rd century, Epirus Vetus was split off, and sometime in the 4th century, the province of Macedonia itself was divided into Macedonia Prima in the south and Macedonia Secunda or Salutaris in the north. These provinces were all subordinate to the Diocese of Macedonia, one of three dioceses comprising the praetorian prefecture of Illyricum. When the Prefecture was divided between the Western and Eastern Empires in 379, the Macedonian provinces were included in Eastern Illyricum. With the permanent division of the Empire in 395, Macedonia passed to the East, which would evolve into the Byzantine Empire.

Province

A province is almost always an administrative division, within a country or state. The term derives from the ancient Roman provincia, which was the major territorial and administrative unit of the Roman Empire's territorial possessions outside Italy. The term is now used in many countries.

In many countries with no actual provinces, "the provinces" or "the province" means outside the capital city.

Etymology

The English word "province" is attested since about 1330 and derives from the 13th-century Old French "province", which itself comes from the Latin word "provincia", which referred to the sphere of authority of a magistrate; in particular, to a foreign territory.

A popular etymology is from Latin"pro-" ("on behalf of") and "vincere" ("to triumph" or "to take control of"). Thus a "province" would a territory or function that a Roman magistrate held control of on behalf of his government. In fact, the word Province is an ancient term from public law, which means: "office belonging to a magistrate". This agrees with the Latin term's earlier usage as a generic term for a jurisdiction under Roman law.

Province (song)

"Province" is the second single from TV on the Radio's album Return to Cookie Mountain. The song features David Bowie on backing vocals.

Track listing (7″ vinyl single)

A1. Province (written by David Andrew Sitek, Kyp Malone)

B1. Dumb Animal (written by Aku Orraca-Tetteh, David Andrew Sitek, Kyp Malone)

B2. Wasted Weekend (written by Smith)

Producer: Dave Sitek
Cover artwork by Conejo, technical artwork assistance by Dave Sitek

Province Class

Province class may refer to:

See also

Roman (My Dear Boy)

"Roman (My Dear Boy)" (浪漫 〜MY DEAR BOY〜, "Romance (My Dear Boy)") is the twenty-second single of J-pop idol group Morning Musume and was released May 12, 2004. It sold a total of 87,255 copies. The single peaked at #4 on the weekly Oricon charts, charting for six weeks.

The single was certified Gold by RIAJ for physical sales of over 100,000 units.

The Single V DVD was also released on the same day. The single was also released in a limited editlon which came in special packaging with five B3-sized mini posters.

Track listings

All lyrics are composed by Tsunku.

CD

Single V DVD

Featured lineup

Roman mythology

Roman mythology is the body of traditional stories pertaining to ancient Rome's legendary origins and religious system, as represented in the literature and visual arts of the Romans. "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period.

The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements. The stories are often concerned with politics and morality, and how an individual's personal integrity relates to his or her responsibility to the community or Roman state. Heroism is an important theme. When the stories illuminate Roman religious practices, they are more concerned with ritual, augury, and institutions than with theology or cosmogony.

The study of Roman religion and myth is complicated by the early influence of Greek religion on the Italian peninsula during Rome's protohistory, and by the later artistic imitation of Greek literary models by Roman authors. In matters of theology, the Romans were curiously eager to identify their own gods with those of the Greeks (interpretatio graeca), and to reinterpret stories about Greek deities under the names of their Roman counterparts. Rome's early myths and legends also have a dynamic relationship with Etruscan religion, less documented than that of the Greeks.

Romanesque architecture

Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the late 10th century, this later date being the most commonly held. It developed in the 12th century into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture.

Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, groin vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials.