Lord Macduff, the Thane of Fife, is a character in William Shakespeare's Macbeth (c.1603-1607). Macduff plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act. He can be seen as the avenging hero who helps save Scotland from Macbeth's tyranny in the play.
The character is first known from Chronica Gentis Scotorum (late 14th century) and Orygynale Cronykil of Scotland (early 15th century). Shakespeare drew mostly from Holinshed's Chronicles (1587).
Although characterized sporadically throughout the play, Macduff serves as a foil to Macbeth and a figure of morality.
The overall plot that would serve as the basis for Macbeth is first seen in the writings of two chroniclers of Scottish history, John of Fordun, whose prose Chronica Gentis Scotorum was begun about 1363 and Andrew of Wyntoun's Scots verse Orygynale Cronykil of Scotland, written no earlier than 1420. These served as the basis for the account given in Holinshed's Chronicles (1587), on whose narratives of King Duff and King Duncan Shakespeare in part based Macbeth. Macduff first appears in Holinshed's narrative of King Duncan after Macbeth has killed the monarch and reigned as King of Scotland for 10 years. When Macbeth calls upon his nobles to contribute to the construction of Dunsinane castle, Macduff avoids the summons, arousing Macbeth's suspicions. Macduff leaves Scotland for England to prod Duncan's son, Malcolm III of Scotland, into taking the Scottish throne by force. Meanwhile, Macbeth murders Macduff's family. Malcolm, Macduff, and the English forces march on Macbeth, and Macduff kills him. Shakespeare follows Holinshed's account of Macduff closely, with his only deviations being Macduff's discovery of Duncan's body in 2.3, and Macduff's brief conference with Ross in 2.4. Historically, the Clan MacDuff was the most powerful family in Fife in the medieval ages. The ruins of Macduff's Castle lie in East Wemyss cemetery.
Macbeth is a 2006 Australian adaptation of William Shakespeare's Macbeth. It was directed by Geoffrey Wright and features an ensemble cast led by Sam Worthington in the title role. Macbeth, filmed in Melbourne and Victoria, was released in Australia on 21 September 2006.
Wright and Hill wrote the script, which — although it uses a modern-day Melbourne gangster setting, and the actors deliver the dialogue in Australian accents — largely maintains the language of the original play.
Macbeth was selected to screen at the Toronto International Film Festival in September 2006.
This adaptation of Macbeth takes place in the Melbourne underworld. Macbeth (Sam Worthington), a loyal underboss to his crime boss Duncan (Gary Sweet), is told by teenage witches that he will one day assume great power. Driven by their prophecy, his wife (Victoria Hill) plans to kill Duncan and take the leadership of the gang for herself and her husband. Macbeth's obsessive love for her leads him to agree to her murderous plan, but he finds that maintaining his power will require a lot more from him than first imagined.
Macbeth is an opera in three acts, with music by Ernest Bloch to a libretto by Edmond Fleg, after the eponymous play of William Shakespeare. Bloch composed the opera between 1904 and 1906, but it did not receive its first performance until 30 November 1910 by the Opéra-Comique in Paris with Henri Albers in the title role and conducted by François Ruhlmann. Alex Cohen has written of quarrels within the cast that contributed to the opera's poorly received premiere.
After the premiere, the opera was performed 15 times through January 1911, but then was withdrawn.Romain Rolland had studied the score and communicated his admiration to Bloch in June 1911.
Guido Gatti has compared elements of Bloch's opera to the music of Modest Mussorgsky. He has also written of the different treatments of the Macbeth story by Giuseppe Verdi and Bloch in their respective operas on the subject, with Verdi being more "realistic" and Bloch being more in keeping with the symbolist era in art at his time.
A film of Macbeth with Laurence Olivier in the lead and directing was one project for which Olivier was ultimately unable to gain financing.
After making Richard III, Olivier wanted to film Macbeth, with himself in the title role and Vivien Leigh as his Lady. The Oliviers had performed together in the two roles on stage in a production by John Gielgud at Stratford first performed during June 1955.Terence Rattigan described his performance as definitive and Kenneth Tynan wrote that Olivier was "touched with greatness" on opening night. The response to Leigh as Lady Macbeth was more mixed. Both Tynan and Peter Hall were unimpressed with her interpretation, although Tynan consistently deprecated her stage work.Maxine Audley, who played Lady Macduff, thought Leigh had brilliantly conveyed the character's changes of mood, and that for once the spectator could believe this couple were married. Peggy Ashcroft thought Leigh was the best Lady Macbeth she had ever seen.