Maa

Maa or MAA may refer to:

People

Organisations

Culture

Maa (1959 film)

Maa (Odia: ମା) is a 1959 Indian Oriya film directed by Nitai Palit.

Cast

Music

References

Maa (film)

Maa (English: Mother) is a 1992 Indian Bollywood Horror drama film, produced by Anil Sharma on Shatketan Associates banner and directed by Ajay Kashyap. Starring Jeetendra, Jaya Pradha in pivotal roles and music composed by Anu Malik.

Plot

Ram Khanna is a wealthy industrialist with a trusting soul. Unknown to him, his elder brother Murli Manohar and his sister-in-law Maya are after his money. Their greed gets better of them and they make an astrologer lie to him that a woman whose name starts with letter "M" will enter his life. As luck would have it, Ram spots a dancer named Mamta and is instantly smitten by her. What Ram doesn't know that Mamta is the daughter of Heerabai, a prostitute. Ram learns Mamta's truth but is also convinced that Mamta's roots do not make her a bad person. Ram decides to marry Mamta, much to the chagrin of Murli and Maya. Ram weds Mamta and brings her home, where she slowly realizes the true nature of Murli and Maya, upon which Mamta takes control of Ram's life to thwart the duo. Later, Mamta gives birth to a baby boy, which makes the villains, even more, desperate.

Maass

Maass or Maaß is a German surname. People with this surname include:

See also

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

Television film

A television film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.

Origins and history

Though not exactly labelled as such, there were early precedents for "television movies", such as Talk Faster, Mister, which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, or the 1957 The Pied Piper of Hamelin, based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, a first for television, which ordinarily used color processes originated by specific networks (most "family musicals" of the time, such as Peter Pan, were not filmed but broadcast live and preserved on kinescope, a recording of a television program made by filming the picture from a video monitor – and the only method of recording a television program until the invention of videotape).