MUX, Mux, or mux may refer to:
In computing, the Blit was a programmable bitmap graphics terminal designed by Rob Pike and Bart Locanthi Jr. of Bell Labs in 1982.
The Blit technology was commercialized by AT&T and Teletype. In 1984, the DMD (dot-mapped display) 5620 was released, followed by models 630 MTG (multi-tasking graphics) in 1987 and 730 in 1989. The 5620 used a Western Electric 32000 processor (aka Bellmac 32) and had a 15" green phosphor display with 800×1024×1 resolution (66×88 characters in the initial text mode) interlaced at 30 Hz. The 630 and 730 had Motorola 68000 processors and a faster 1024×1024×1 monochrome display (most had orange displays, but some had white or green displays).
The folk etymology for the Blit name is that it stands for Bell Labs Intelligent Terminal, and its creators have also joked that it actually stood for Bacon, Lettuce, and Interactive Tomato. However, Rob Pike's paper on the Blit explains that it was named after the second syllable of bit blit, a common name for the bit-block transfer operation that is fundamental to the terminal's graphics. Its original nickname was the jerq, inspired by Three Rivers' PERQ graphic workstation.
In Zapotec cultures of Oaxaca (southern Mexico), a muxe (also spelled muxhe; [muʃeʔ]) is an assigned male at birth individual who dresses and behaves in ways otherwise associated with the female gender; they may be seen as a third gender. Some marry women and have children while others choose men as sexual or romantic partners. According to anthropologist Lynn Stephen, muxe "may do certain kinds of women’s work such as embroidery or decorating home altars, but others do the male work of making jewelry."
The word muxe is thought to derive from the 16th-century Spanish word for "woman", mujer. At the time, the letter x had a sound similar to "sh" (see History of the Spanish language § Modern development of the Old Spanish sibilants).
In contrast to Mexico's majority mestizo culture, the isthmus of Oaxaca has a predominantly Zapotec population, and it is widely reported that there is less hostility toward muxe in the region than homosexual, effeminate males and trans women face in other regions of the country. One study estimates that 6 percent of males in an Isthmus Zapotec community in the early 1970s were muxe. Other Zapotec communities have similar "third gender" roles, such as the biza’ah of Teotitlán del Valle.
[Intro:]
Who Got Tha Clout?
Don't act surprised cuz it's that bitch from the South.
Pumpin' out the N-O.
You don't want no clout.
Who Got Tha Clout?
Don't act surprised cuz it's that bitch from the South.
[1st Verse: Mia X]
Who's 'bout to come?
Who they cleared the way for?
Who all them niggas respect?
Who got them hoes scared to flex?
Well here's a track that gets wrecked.
Who's got the industry hexed?
Well now, it's mama, full of marijuana.
Headline nigga, whatcha' whatcha' want, huh?
You can see them niggas writin' rhymes,
but don't need none, want some.
Hoes run from these here,
who gon still be the boss bitch next year?
Who ain't gotta brag cuz the realness is there?
Who be havin' muthafuckas bucked everywhere?
When you think the biggest mama,
who be on yo' fuckin' mind?
When you hear 'bout it, 'bout it,
who you waitin' for to rhyme?
Whose time is now?
Who you can't doubt?
Who's got clout?
Say my name loud.
[Bridge One x4: Mia X]
[Records Scratching]
Mia...X... When Mystikal hits the door.
[Verse Two: Mystikal]
You better hold yo' breath,
cuz I'ma leave this bitch SMOKIN', like ganja.
Not only will I run 'ya, BITCH I'LL RUN BEHIND 'YA.
I, stay sharper than yo' barbershop barber,
it's my honor, to rock it wit' the biggest mama.
I ROLLS, like hoes jaws go off from, RAW,
it's me the meat claws off.
Oh, you supposed to be balla?
It take tall props to call shots, that's bigger than bald spots,
y'all workin' off small pox.
You know, like I know, leave yo' fuckin' jaws locked,
stop worryin' 'bout niggas thats out to leave, work what
y'all got.
Believe none of what you hear, and some of what you
saw, Mystikal, Mia X, who the fuck you think it's for?
Look we ain't yo' standard his and hers rap duo,
we cut the fuckin' fool, who try somethin' TRU.
Been bustin' ass since days of old school,
I refuse to leave this bitch without my props and the jewels.
[Bridge Two:]
When Mystikal Hits The Door,
How ya' daughter got popped
[x7]
When Mystikal Hits The Door, When Mystikal Hits The Door
[Verse Three: Both]
[Mia X]
Mama comes through this bitch, like Hurricane
Bessy, messy hoes know, chill wit that ass like
a mill.
[Mystikal] I know they knew this ain't no damn Jack and Jill,
we run this fuckin' hill, got this bitch locked down,
so tight, zipped up, shit sealed!
[Mia] Still, I gotta keep my pocketbook filled...
[Mys] And you WILL, just gotta keep my wallet on til'.
Build our nine together, watch what kinda car we build.
Nigga better find some silence fo' yo'self, stop walkin' on
STEEL.
[Mia] For real, you know we actin' plum donkey, black prince
of the South and mama Mia tag teamin' boku funky...
[Mys] Stankin' like Monkey Shit!
[Mia] On the side of Limberger...
[Mys] On top of fart rocks...
[Mia] Washed down with skunk piss.
[Mys] I don't think they heard us,
stop trippin' cuz you playin' wit' yo'self,
bitch we rappin' for the world, just say that shit to yourself.
[Mia] Intentions of wealth, who you see?
That nigga wit' the braids, and that squeaky voiced bitch,
lyrics hurtin' yo' head for days, nigga. Representin' the
South, fuck all that asshole and nasty, you gonna
gimme my clout.
[Outro:]
I represent...
Who got the clout?...