MIDI (/ˈmɪdi/; short for Musical Instrument Digital Interface) is a technical standard that describes a protocol, digital interface and connectors and allows a wide variety of electronic musical instruments, computers and other related devices to connect and communicate with one another. A single MIDI link can carry up to sixteen channels of information, each of which can be routed to a separate device.
MIDI carries event messages that specify notation, pitch and velocity, control signals for parameters such as volume, vibrato, audio panning, cues, and clock signals that set and synchronize tempo between multiple devices. These messages are sent via a MIDI cable to other devices where they control sound generation and other features. This data can also be recorded into a hardware or software device called a sequencer, which can be used to edit the data and to play it back at a later time.
MIDI technology was standardized in 1983 by a panel of music industry representatives, and is maintained by the MIDI Manufacturers Association (MMA). All official MIDI standards are jointly developed and published by the MMA in Los Angeles, California, US, and for Japan, the MIDI Committee of the Association of Musical Electronics Industry (AMEI) in Tokyo.
"Feelings" is a 1974 song with lyrics written by Brazilian singer Morris Albert, set to the tune of "Pour Toi," separately composed by Louis “Loulou” Gasté in 1957. Albert recorded "Feelings" as a single and later included it as the title track of his 1975 debut album. The song's lyrics, recognizable by their "whoa whoa whoa" chorus, concern the singer's inability to "forget my feelings of love". Albert's original recording of the song was very successful, performing well internationally. "Feelings" peaked at #6 on the pop and #2 on the Adult Contemporary charts in America.
Over the next few years "Feelings" was performed by many other vocalists including Ella Fitzgerald, Nina Simone, Salena Jones, Angelica Maria, Petula Clark, José José, Caetano Veloso, Engelbert Humperdinck, Muslim Magomayev, Shirley Bassey, Glen Campbell, The O'Jays, Sarah Vaughan, Walter Jackson, Sergey Penkin, Julio Iglesias, Dobie Gray and Johnny Mathis. It was also recorded by numerous easy listening bandleaders and ensembles such as Percy Faith, Ferrante & Teicher, 101 Strings and Herb Ohta whose ukulele rendition was recorded with André Popp's orchestra for A&M Records.
This page explains commonly used terms in chess in alphabetical order. Some of these have their own pages, like fork and pin. For a list of unorthodox chess pieces, see Fairy chess piece; for a list of terms specific to chess problems, see Glossary of chess problems; for a list of chess-related games, see Chess variants.
[adjective: prophylactic] Prophylactic techniques include the blockade, overprotection, and the mysterious rook move.
Bibliography
In law, filing is the act of submitting a document to the clerk of a court for the court's immediate consideration and for storage in the court's files. Courts will not consider motions unless an appropriate memorandum or brief is filed before the appropriate deadline. Usually a filing fee is paid which is part of court costs.
In civil procedure systems, filing rules can be mandatory or permissive. In a mandatory filing system, all documents of legal importance exchanged between the parties are also filed with the court, while in a permissive filing system, nothing needs to be filed until the case reaches a point where direct judicial management is absolutely necessary (such as the brink of trial).
For example, the United States federal courts operate on a mandatory filing system (with minor exceptions for the most routine discovery exchanges). In contrast, the U.S. state of New York is known for its permissive filing system, which was modified in 1992 but still largely operates in its traditional form in certain lower courts.
Midi or MIDI may refer to:
Berliner, or "midi", is a newspaper format with pages normally measuring about 315 by 470 millimetres (12.4 in × 18.5 in). The Berliner format is slightly taller and marginally wider than the tabloid/compact format; and is both narrower and shorter than the broadsheet format.
The Berliner format is an innovation in press and an alternative to the broadsheet format. The name refers to the city of Berlin, and was originally contrasted with "North German" and "French" sizes in the early 20th century.
The Berliner format is used by many European newspapers, including dailies such as Le Monde in France, Le Temps in Switzerland, La Repubblica and La Stampa in Italy, De Morgen, Le Soir and Het Laatste Nieuws in Belgium, Mladá fronta Dnes and Lidové noviny in the Czech Republic, and The Guardian (since 12 September 2005) and The Observer in the United Kingdom, and others such as Expresso in Portugal and Jurnalul Național or Evenimentul Zilei in Romania. The French business newspaper Les Échos changed to this format in September 2003, and the largest daily papers in Croatia (Večernji list), Serbia (Politika) and Montenegro (Vijesti), are also in this format. The most recent European newspaper to join this trend is Het Financieele Dagblad, the daily Dutch newspaper that is focused on business and financial matters on 26 March 2013. Student publication The University Observer became Ireland's first Berliner-sized paper in September 2009. The Independent in London considered adopting this format, but could not afford to buy new presses; it ultimately became a tabloid size.
Midi 20 is the first studio album from Grand Corps Malade. The album sold over 600,000 copies.
Grand Corps Malade earned two Victoires de la musique awards for "Album révélation of the year" and "Artist stage révélation of the year" in 2007 for his work on album Midi 20
I?ll rise from the ashes
Of World War III
Destroying all remaining creatures
That threaten me
Pray for the day when you?ll see
My severed head
World War IV won?t be over
Till I am dead
I sacrifice my life
To gain my strength
I?ll drink the blood from the grail of
Medieval Saints
Pray for the day when you?ll see
My severed head
World War IV is a battle of
Our living dead
Who shall fight
Who will fight me
Who shall fight