In Norse mythology, Óðr (Old Norse for the "Divine Madness, frantic, furious, vehement, eager", as a noun "mind, feeling" and also "song, poetry"; Orchard (1997) gives "the frenzied one") or Óð, sometimes angliziced as Odr or Od, is a figure associated with the major goddess Freyja. The Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson, both describe Óðr as Freyja's husband and father of her daughter Hnoss. Heimskringla adds that the couple produced another daughter, Gersemi. A number of theories have been proposed about Óðr, generally that he is somehow a hypostasis of the deity Odin due to their similarities.
The Old Norse noun óðr may be the origin of the theonym Óðinn (Anglicized as Odin), and it means "mind", "soul" or "spirit" (so used in stanza 18.1 of the Poetic Edda poem Völuspá). In addition, óðr can also mean "song", "poetry" and "inspiration", and it has connotations of "possession". It is derived from a Proto-Germanic *wōð- or *wōþ- and it is related to Gothic wôds ("raging", "possessed"), Old High German wuot ("fury" "rage, to be insane") and the Anglo-Saxon words wód ("fury", "rabies") and wóð ("song", "cry", "voice", "poetry", "eloquence"). Old Norse derivations include œði "strong excitation, possession".
In Norse mythology, Thor (/θɔːr/; from Old Norse Þórr) is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, the protection of mankind, and also hallowing, healing and fertility. The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar (runic þonar ᚦᛟᚾᚨᚱ), stemming from a Common Germanic *Þunraz (meaning "thunder").
Ultimately stemming from Proto-Indo-European religion, Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman occupation of regions of Germania, to the tribal expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, Mjölnir, were worn in defiance and Norse pagan personal names containing the name of the god bear witness to his popularity. Into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referred to in place names, the day of the week Thursday ("Thor's day"; Old English Thunresdæg, Thunor's day; German "Donnerstag" Donar's day; Dutch "donderdag") bears his name, and names stemming from the pagan period containing his own continue to be used today.
Őr is a village in Szabolcs-Szatmár-Bereg county, in the Northern Great Plain region of eastern Hungary.
It covers an area of 17.78 km2 (7 sq mi) and has a population of 1380 people (2001).
Coordinates: 47°59′N 22°12′E / 47.983°N 22.200°E / 47.983; 22.200
Mäo may refer to several places in Estonia:
Mío is the first official single by Mexican pop singer Paulina Rubio from her first album, La Chica Dorada. Mio is considered as one of the best songs in the '90s in Spain. While it is considered Paulina's biggest hit during the decade. "Mio" has been considered by fans and the media as Paulina's signature song. The song was certified Gold for more than 100,000 shipped in Mexico.
The music video was directed by Ángel Flores, Paulina appears in the clip dancing and rarely sees a man.
Méo is a town in the far west of Ivory Coast, near the border with Liberia. It is a sub-prefecture of Toulépleu Department in Cavally Region, Montagnes District.
Méo was a commune until March 2012, when it became one of 1126 communes nationwide that were abolished.
"M.O.R." is a song by English rock band Blur, from their eponymous album Blur. "M.O.R." reached number 15 in the UK singles chart on its release as a single in 1997.
The song's chord progression was borrowed from David Bowie's "Boys Keep Swinging" and "Fantastic Voyage". On the album Lodger Bowie and collaborator Brian Eno carried out a musical experiment in which multiple songs were written with the same chord progression, of which "Boys Keep Swinging" and "Fantastic Voyage" were the two that surfaced. M.O.R is both a continuation of, and tribute to that experiment, as its chorus also lifts the melody and call-and-response vocals from Boys Keep Swinging (Bowie and Eno both received credit for "M.O.R." after legal intervention).
"M.O.R." itself stands for "middle of the road", which appears in the lyrics.
The song's music video was directed by John Hardwick and is considered one of the most expensive videos the band ever made. It was shot in Sydney, Australia, and follows the misadventures of the band members (or rather, stuntmen in balaclavas pretending to be them) as they try to escape from the police. It was intended that the stuntmen wear masks of the band members (to make it appear that the band were actually performing their own stunts) but the masks created for the video were such poor representations, that the decision was made to use balaclavas instead. The video also features cameos by stunt choreographer Grant Page as a helicopter pilot, and actor Noah Taylor as a truck passenger. It is included in the Blur: The Best of DVD/VHS released on 30 October 2000. The 'actors' in the video are all anagrams of the member of the band they play. They are as follows:
Wir nehmen Faker in die Mangel
und verbreiten Angst und Bange
lassen euch im Glauben
dass es nicht wahr sein kann
aber kommt ruhig näher
seit mal schlau
ich weiss solche Töne sind euch neu
ich lebe nur bei denen
ich sag ich glaub
und neidisch bin
lass es sein
und gesteht es euch ein
dass wir dei Bombe sind
ihr sagt ihr habt was drauf
oder schmeichelt mir
ich sag ihr seit so echt
aber blöfft nur
alles was ihr sagt
hat es längst gegeben
geh doch bitte heim und lass Hip-Hop weiterleben
lehnt euch zurück bereitet euch vor
Westberlin, Frankfurt, Yes, Yes, Yo!