Lysippos (/laɪˈsɪpɒs/; Greek: Λύσιππος) was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style amongst the copies which survive. Not only did he have a large workshop and a large number of disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods. The Victorious Youth or Getty bronze, which resurfaced around 1972, has been associated with him.
Lysippos was successor in contemporary repute to the famous sculptor Polykleitos. Among the works attributed to him are the so-called Horses of Saint Mark, Eros Stringing the Bow (of which various copies exist, the best in the British Museum), Agias (known through the marble copy found and preserved in Delphi), the similar Oil Pourer (Dresden and Munich), the Farnese Hercules (which was originally placed in the Baths of Caracalla, although the surviving marble copy lies in the Naples National Archaeological Museum) and Apoxyomenos (or The Scraper, known from a Roman marble copy in the Vatican Museums). Lysippos was also famous for his bronze sculptures of Zeus and Herakles. The only remaining version of one such statue is a Roman copy of The Weary Herakles (Farnese Hercules), by Glykon.
Ninguém vai chorar porque a gente terminou
Não vou te cobrar o tempo todo que passou
Não vou mais gastar nem um minuto pra estar com você
Nem te procurar
Quem sabe nunca mais te ver
Vou sair do chão da tua casa
Vou tentar partir pra nunca mais voltar
Vou cuidar melhor da minha vida
Viver aquilo que eu imaginar
Vou deixar você pro mundo levar!