Lyle Reynolds Wheeler (February 2, 1905 – January 10, 1990) was an American motion picture art director. He received five Academy Awards — for Gone with the Wind (1939), Anna and the King of Siam (1946), The Robe (1953), The King and I (1956) and The Diary of Anne Frank (1959).
Lyle Wheeler studied at the University of Southern California, then worked as a magazine artist and industrial designer. In 1936 he was hired by David O. Selznick to work as a set designer for Selznick's motion picture production company. Wheeler proved to be a creative genius when it came to designing quality sets at reasonable costs and was very much in demand in the industry. By the end of World War II, Wheeler had joined Twentieth Century-Fox Film Corporation, where he remained as chief art director until the end of the 1950s.
In a career spanning 40 years, Wheeler created sets for more than 350 motion pictures, many of which are considered film classics. His credits include A Star is Born, A Tree Grows in Brooklyn, State Fair, The Dolly Sisters, Forever Amber, The Fan, The Pride of St. Louis, The Seven Year Itch, and Carousel and in particular, Gone With the Wind, for which he drew some of the earliest examples of storyboards for film, illustrating not only the art design, but the framing, composition and even the color for nearly every shot in the film, greatly influencing the production. He also created matte paintings for all the ceilings for the sets as well as large set pieces like the facade of Tara. He was nominated for the Academy Award for Best Art Direction 29 times, winning five. In 1951, he was nominated for four different films, three in 1952 and twice for two films in one year.
I tell her
Pussy poppin
Panty droppin
Girl you is the freak (freak)[x3]
So won't you put that pussy on me
[Chorus: x2]
Shawty wanna fuck me
Cause I'm a deep stroker
Know that you's a supa freak
So won't you deep throat it
Girl I got that recipe
I'm a leave that pussy smokin
So won't you
Move it in slow motion shawty move it in slow motion(move it in slow motion mo-move it in slow motion)
[Verse 1:]
Baby girl you lookin good
So won't you ride with me
I can take ya very far
That's where ya 'pose to be
Know that I'm a real G
They gotta know it's me
Shawty I run the streets
Know that I keep the heat
[? ] love the way I twist and turn
I'm doin my thang
I'm shinin hard on ya like
Diamonds all in my chain
I change lanes in the chevy
Baby, watch me ball
If a nigga wanna hate
Then I'm a punk all ya'll
But Oh Lordy
Shawty lookin good
She fuckin with the nigga
Cause she know I'm from the hood
I'm like "Shawty,
Roll with ya boy
The same mothafucka told 'em [? ] "
Now I got her lookin at me like
She really wanna fuck
If ya put it in ya mouth
Betta suck it 'til I nut
Like UH! Yeah
All ova her butt
Who up in this mothafucka?
You know, girl, wats up
[Chorus]
[Verse 2:]
[? ] so fine, down to vibe
I can tell dat cause it's in ya eyes
Got a big dick for between them thighs
You can get it, right now
Girl you so fly, you sexy
Make me want to molest dat
Dat thang lookin so ready
That's why I'm confessin
Dat pussy just so swoll'
I'm beatin, ya know
Get money, fa sho
I'm ballin, uh oh
Ya'll niggas know my game so ridiculous
Got a pit bull, nigga I'll hit it quick
Ya'll niggas in a gang can't fuck with us
[? ] mothafuckas so respect dat shit
I'm flossin gettin cash
Yeah, she bouncin dat ass
And I'm spinnin (spinnin)
Let me know if you with it
I'm dippin, they shrimpin
I'm steady throwin them dollas
[? ] her belly
[? ] I'll holla
I'm a baller, don't call her
Tomorrow I stall her
In da mall bruh
Ya'll mothafuckas niggas can't maul us
I'll maul her
I put them legs behind her head
And I'm a beat it
Guaranteed [? ] gansta
While yo pussy ass gone eat it
[Chorus]
[talkin:]
Move it in slow motion, oh oh [x3]
(Move it in slow motion, mo-move it in slow motion)