Astarte riding in a chariot with four branches protruding from roof, on the reverse of a Julia Maesa coin from Sidon

Astarte[1] ([pronunciation?]; Greek Ἀστάρτη, "Astártē") is the Greek name of a goddess known throughout the Eastern Mediterranean from the Bronze Age to Classical times. Originally the deified evening star, she is found as Ugaritic 𐎓𐎘𐎚𐎗𐎚 ʻṯtrt ("ʻAṯtart" or "ʻAthtart"); Phoenician "ʻštrt" (ʻAshtart); and Hebrew עשתרת (Ashtoret, singular, or Ashtarot, plural), and appears in Akkadian as 𒀭𒊍𒁯𒌓 D, the grammatically masculine name of the goddess Ishtar; the form Astartu is used to describe her age.[2] The name appears also in Etruscan as 𐌖𐌍𐌉 𐌀𐌔𐌕𐌛𐌄 Uni-Astre (Pyrgi Tablets), Ishtar or Ashtart.

Contents

Overview [link]

Astarte was connected with fertility, sexuality, and war. Her symbols were the lion, the horse, the sphinx, the dove, and a star within a circle indicating the planet Venus. Pictorial representations often show her naked.

Astarte was accepted by the Greeks under the name of Aphrodite. The island of Cyprus, one of Astarte's greatest faith centers, supplied the name Cypris as Aphrodite's most common byname.

Other major centers of Astarte's worship were Sidon, Tyre, and Byblos. Coins from Sidon portray a chariot in which a globe appears, presumably a stone representing Astarte. "She was often depicted on Sidonian coins as standing on the prow of a galley, leaning forward with right hand outstretched, being thus the original of all figureheads for sailing ships." [3] In Sidon, she shared a temple with Eshmun. Coins from Beirut show Poseidon, Astarte, and Eshmun worshipped together.

Other faith centers were Cythera, Malta, and Eryx in Sicily from which she became known to the Romans as Venus Erycina. A bilingual inscription on the Pyrgi Tablets dating to about 500 BC found near Caere in Etruria equates Astarte with Etruscan Uni-Astre that is, Juno. At Carthage Astarte was worshipped alongside the goddess Tanit.

Donald Harden in The Phoenicians discusses a statuette of Astarte from Tutugi (Galera) near Granada in Spain dating to the 6th or 7th century BC in which Astarte sits on a throne flanked by sphinxes holding a bowl beneath her pierced breasts. A hollow in the statue would have been filled with milk through the head and gentle heating would have melted wax plugging the holes in her breasts, producing an apparent miracle when the milk emerged.

The Syrian goddess Atargatis (Semitic form ʻAtarʻatah) was generally equated with Astarte and the first element of the name appears to be related to the name Astarte.

Astarte in Ugarit [link]

Astarte appears in Ugaritic texts under the name ʻAthtart', but is little mentioned in those texts. ʻAthtart and ʻAnat together hold back Baʻal from attacking the other deities. Astarte also asks Baʻal to "scatter" Yamm "Sea" after Baʻal's victory. ʻAthtart is called the "Face of Baʻal".

Astarte in Egypt [link]

Astarte arrived in Ancient Egypt during the 18th dynasty along with other deities who were worshipped by northwest Semitic people. She was especially worshipped in her aspect as a warrior goddess, often paired with the goddess Anat.

In the Contest Between Horus and Set, these two goddesses appear as daughters of Ra and are given in marriage to the god Set, here identified with the Semitic name Hadad. Astarte also was identified with the lioness warrior goddess Sekhmet, but seemingly more often conflated, at least in part, with Isis to judge from the many images found of Astarte suckling a small child. Indeed there is a statue of the 6th century BC in the Cairo Museum, which normally would be taken as portraying Isis with her child Horus on her knee and which in every detail of iconography follows normal Egyptian conventions, but the dedicatory inscription reads: "Gersaphon, son of Azor, son of Slrt, man of Lydda, for his Lady, for Astarte." See G. Daressy, (1905) pl. LXI (CGC 39291).

Plutarch, in his On Isis and Osiris, indicates that the King and Queen of Byblos, who, unknowingly, have the body of Osiris in a pillar in their hall, are Melcarthus (i.e. Melqart) and Astarte (though he notes some instead call the Queen Saosis or Nemanūs, which Plutarch interprets as corresponding to the Greek name Athenais)[dubious ] .

Astarte in Phoenicia [link]

Figurine of Astarte with a horned headdress

In the description of the Phoenician pantheon ascribed to Sanchuniathon, Astarte appears as a daughter of Epigeius (Greek: Uranus) and Ge (Earth), and sister of the god Elus. After Elus overthrows and banishes his father Epigeius, as some kind of trick Epigeius sends Elus his "virgin daughter" Astarte along with her sisters Asherah and the goddess who will later be called Ba`alat Gebal, "the Lady of Byblos". It seems that this trick does not work, as all three become wives of their brother Elus. Astarte bears Elus children who appear under Greek names as seven daughters called the Titanides or Artemides and two sons named Pothos "Longing" and Eros "Desire". Later with Elus' consent, Astarte and Hadad reign over the land together. Astarte puts the head of a bull on her own head to symbolize Her sovereignty. Wandering through the world, Astarte takes up a star that has fallen from the sky (a meteorite) and consecrates it at Tyre.

Ashteroth Karnaim (Astarte was called Ashteroth in the Hebrew Bible) was a city in the land of Bashan east of the Jordan River, mentioned in Genesis 14:5 and Joshua 12:4 (where it is rendered solely as Ashteroth). The name translates literally to 'Ashteroth of the Horns', with 'Ashteroth' being a Canaanite fertitility goddess and 'horns' being symbolic of mountain peaks. Figurines of Astarte have been found at various archaeological sites in Palestine, showing the goddess with two horns.[4]

Astarte's most common symbol was the crescent moon (or horns), according to religious studies scholar Jeffrey Burton Russell, in his book The Devil: Perceptions of Evil from Antiquity to Primitive Christianity.[5]

Astarte in Judah [link]

Ashtoreth is mentioned in the Hebrew Bible as a foreign, non-Judahite goddess, the principal goddess of the Sidonians or Phoenicians, representing the productive power of nature. It is generally accepted that the Masoretic "vowel pointing" adopted ca. 135 AD, indicating the pronunciation ʻAštōreṯ ("Ashtoreth," "Ashtoret") is a deliberate distortion of "Ashtart", and that this is probably because the two last syllables have been pointed with the vowels belonging to bōšeṯ, ("bosheth," abomination), to indicate that that word should be substituted when reading.[6] The plural form is pointed ʻAštārōṯ ("Ashtaroth"). The biblical Ashtoreth should not be confused with the goddess Asherah, the form of the names being quite distinct, and both appearing quite distinctly in the Book of 1st Kings. (In Biblical Hebrew, as in other older Semitic languages, Asherah begins with an aleph or glottal stop consonant א, while ʻAshtoreth begins with an ʻayin or voiced pharyngeal consonant ע, indicating the lack of any plausible etymological connection between the two names.) The biblical writers may, however, have conflated some attributes and titles of the two, as seems to have occurred throughout the 1st millennium Levant.[7] For instance, the title "Queen of heaven" as mentioned in Jeremiah has been connected with both. (In later Jewish mythology, she became a female demon of lust; for what seems to be the use of the Hebrew plural form ʻAštārōṯ in this sense, see Astaroth).

Other associations [link]

Some ancient sources assert that in the territory of Sidon the temple of Astarte was sacred to Europa. According to an old Cretan story, Europa was a Phoenician princess whom Zeus transformed into a white bull, abducted, and carried to Crete.[8]

Some scholars claim that the cult of the Minoan snake goddess who is identified with Ariadne (the "utterly pure") [9] was similar to the cult of Astarte. Her cult as Aphrodite was transmitted to Cythera and then to Greece.[10] Herodotus wrote that the religious community of Aphrodite originated in Phoenicia and came to Greeks from there. He also wrote about the world's largest temple of Aphrodite, in one of the Phoenician cities. Her name is the second name in an energy chant sometimes used in Wicca: "Isis, Astarte, Diana, Hecate, Demeter, Kali, Inanna."[11]

See also [link]

References [link]

  1. ^ Ishtar from Flickr.com
  2. ^ K. van der Toorn, Bob Becking, Pieter Willem van der Horst, Dictionary of Deities and Demons in the Bible, p. 109-10.
  3. ^ (Snaith, The Interpreter's Bible, 1954, Vol. 3, p. 103)
  4. ^ Raphael Patai. The Hebrew Goddess. (Wayne State University Press 1990). ISBN 0-8143-2271-9 p. 57.
  5. ^ Jeffrey Burton Russell. The Devil: Perceptions of Evil from Antiquity to Primitive Christianity. (Cornell University Press 1977). ISBN 0-8014-9409-5 p. 94.
  6. ^ John Day, "Yahweh and the gods and goddesses of Canaan", p.128
  7. ^ Mark S. Smith, "The early history of God", p.129
  8. ^ Lucian of Samosata. De Dea Syria.
  9. ^ Barry B. Powell. Classical Myth with new translation of ancient texts by H. M. Howe. Upper Saddle River. New Jersey. Prentice Hall Inc. 1998. p. 368.
  10. ^ R. Wunderlich. The Secret of Creta. Efstathiadis Group. Athens 1987. p. 134.
  11. ^ BURNING TIMES/CHANT, Charles Murphy, in Internet Book of Shadows, (Various Authors), [1999], at sacred-texts.com

https://wn.com/Astarte

Astarte (ballet)

Astarte, choreographed by Robert Joffrey, was the first live, multi-media ballet with a specially commissioned rock music score composed and performed by Crome Syrcus. It received its world premier on September 20, 1967 and was performed by the Joffrey Ballet in New York at the City Center Theater. It was produced by Midge Mackenzie, with sets and lighting design by Thomas Skelton, costumes by Hugh Sherrer, and film created and photographed by Gardner Compton.

Astarte made the cover of Time Magazine in March 1968.

References

External links

  • The Gerald Arpino and Robert Joffrey Foundation
  • Astarte (band)

    Astarte was an all-female black metal band from Athens, Greece, named after the goddess Astarte.

    History

    Astarte first formed under the name Lloth in September 1995 at Athens, Attica. The original line-up included Maria Kolokouri (bass, guitar, keyboards), a.k.a. Tristessa (who subsequently took over on lead vocals), Nemesis (guitar), and Kinthia (vocals, guitar). They had Psychoslaughter, the drummer from Greek band Invocation, play for the sessions on their demo, Dancing in the Dark Lakes of Evil, released as Lloth in 1997. Shortly thereafter they adopted the name Astarte, named after the Semitic goddess of sexuality. Their debut full-length album, Doomed Dark Years, appeared in 1998 on Black Lotus Records; two further LPs followed on the label. After lineup changes in which Nemesis and Kinthia left to be replaced by Katharsis (keyboards) and Hybris (guitar), they released their fourth and fifth albums on Avantgarde Music, the most recent of which, Demonized, was released in 2007. In 2003 the band participated in the Celtic Frost Tribute album Order of the Tyrants, released by Black Lotus Records, covering the song "Sorrows Of The Moon".

    Podcasts:

    PLAYLIST TIME:

    Logan Street

    by: Connells

    Oh yes I know, and believe me it gets worse.
    I got told, ring, round and gold.
    It's hard enough, when everything we say
    Is really fascination long away.
    I just got up, and the motion left me cold.
    And I found out, I'm growing old.
    It's not enough, your standing in your wealth
    And there's real infatuation with yourself.
    Chorus:
    Been down on Logan Street, been there having fun.
    Been down on Logan Street, I'm done.
    Bottoms up, and the rest is getting cold.
    And I'm decieved, ring, round and gold.
    It's bad enough, when everything we do
    Is really desperation coming through.
    (repeat chorus)
    (repeat chorus)
    (repeat chorus)




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