Nintendo is one of the world's biggest video game developing companies, having created multiple successful franchises. Because of its storied history, the developer employs a methodical system of software and hardware development that is mainly centralized within its offices in Kyoto and Tokyo, in cooperation with its division Nintendo of America in Redmond, Washington. The company also owns several worldwide subsidiaries and funds partner affiliates that contribute technology and software for the Nintendo brand.
Nintendo Co., Ltd (NCL) has a central office located in Minami-ku, Kyoto, Kyoto Prefecture, Japan (34°58′11.89″N 135°45′22.33″E / 34.9699694°N 135.7562028°E / 34.9699694; 135.7562028) and a nearby building, its pre-2000 headquarters, now serving as a research and development building, located in Higashiyama-ku, Kyoto, Kyoto Prefecture, Japan (34°58′29.00″N 135°46′10.48″E / 34.9747222°N 135.7695778°E / 34.9747222; 135.7695778). Its original Kyoto headquarters can still be found at (34°59′30.03″N 135°45′58.66″E / 34.9916750°N 135.7662944°E / 34.9916750; 135.7662944). Additionally, Nintendo has a third operation in Tokyo, Japan, where research and development, manufacturing, and clerical work are conducted. All three offices are interconnected and have video conferences often for communication and presentation purposes.
The Tao Framework is a C# library giving .NET and Mono developers access to popular graphics and gaming libraries like OpenGL and SDL. It was originally developed by the C# OpenGL programmer Randy Ridge, and since its start many developers have contributed to the project. The latest version of Tao is version 2.1 released on May 1, 2008.
Tao Framework has been superseded by OpenTK.
In 2012, in parallel with the development of OpenTK, a new project called TaoClassic has been introduced on SourceForge, as a direct continuation of Tao Framework, with the same licensing conditions and design disciplines, but with new authors and cutting-edge features, like support for OpenGL 4.3, 64-bit operating systems, etc.
"Tao" is Do As Infinity's twentieth single, released on July 27, 2005. The lyrics describe the parting of two friends. "Tao" was used as the Japanese opening song of Tales of Legendia. This was the last single released before the band disbanded in September 2005, but Do As Infinity reformed three years later, and released their twenty-first single, "∞1", in June 2009.
The title of the B-side, "Aurora", means 'dawn' in Italian; the lyrics of the song are like the conclusion of the story in "Break of Dawn", the first track on the band's first album Break of Dawn.
According to the Do the A-side booklet, "Tao" was originally to be included on their final album, Need Your Love, but was not because Nagao felt that it did not fit the album's theme. It was recorded two years before its actual release. Reportedly, Tomiko Van cried many times before the song was completely recorded.
The promotional video for "Tao" was filmed in Hokkaidō, the scene of Van riding on her Harley Davidson was shot next to a potato farm according to the Do The A-side booklet. Van is seen lipping the words sayonara (さよなら) (good-bye in Japanese) and waving good-bye after the main video ends.
"Lucky (In My Life)" is a song by Italian group Eiffel 65. It was first released in June 2001 as the third single from their album, Contact!. The song reached the top 40 in Austria, Canada, and Italy.
Eiffel 65 first performed the song live at Festivalbar in 2001.
The Italian, Canadian and Spanish vinyl releases included 5 mixes of the song. On the German and French vinyl releases, however, it had one less mix of the song than the Italian and Spanish vinyl releases, which was the "Under Deal Trance Mix" by Alex Topuntoli. Some of the CD releases for the single include only two versions of the song, which is the radio edit and a DJ Vortronik radio cut. Some CD releases have six mixes of the song, and other CD releases include all 8 mixes.
"Lucky" is the first track of the album "Contact!". Seven of the mixes of the song were featured on the 2x release of the album, and the Gabry Ponte radio mix of the song is the second track of the iTunes release of the album.
Lucky is the fifth album by alternative rock band Nada Surf. It was released on Barsuk in 2008.
Frontman Matthew Caws said, "I feel like it is a pretty heavy record, and that is a product of John Goodmanson, the guy who made it because even the songs that were even moderately rocking – now that they are mixed and mastered, they feel like they are really kickin’ even when they are relatively quiet, so that’s thanks to him. I think it is a little heavier than Let Go, but it’s not as heavy as The Proximity Effect."
In 2007, the band issued a statement asking for testimonies revolving around the word "Lucky", in order to include them to the album artwork.
The album was met with moderate success and favorable reviews. Lucky reached #82 on the Billboard 200. The single, "See These Bones", was listed by The Times as one of London's Best Songs of 2008, and described it as "2008's most overpoweringly propulsive and gloriously euphoric song".
The song "See These Bones" premiered on the Anti-Hit List Podcast on October 20, 2007. Due to a misquotation of Matthew Caws, the album was first expected to be called Time for Plan A.
One Hundred and One Dalmatians, often written 101 Dalmatians, is a 1961 American animated adventure film produced by Walt Disney Productions and adapted from Dodie Smith's 1956 novel of the same name. It is the 17th animated feature in the Walt Disney Animated Classics series. It stars Rod Taylor and Cate Bauer as, respectively, the voices of Pongo and Perdita, its canine protagonists, and Betty Lou Gerson as the voice of Cruella de Vil, its antagonist who kidnaps their puppies.
The film was originally released to theaters on January 25, 1961, by Buena Vista Distribution. Upon release, it was a box office hit, successfully pulling the studio out of the financial setbacks caused by Sleeping Beauty, a costlier production released two years prior. Aside from its box office revenue, its commercial success was due to the employment of inexpensive animation techniques—such as using xerography during the process of inking and painting traditional animation cels—that kept production costs down. It was reissued to cinemas four times: in 1969, 1979, 1985 and 1991. The 1991 reissue was the twentieth highest earning film of the year for domestic earnings. It was remade into a live action film in 1996.