Low Mass (called in Latin, Missa lecta, which literally means "read Mass") is a Tridentine Mass defined officially in the Code of Rubrics included in the 1962 edition of the Roman Missal as Mass in which the priest does not chant the parts that the rubrics assign to him. A sung Mass in turn is a Solemn or High Mass if celebrated with the assistance of sacred ministers (deacon and subdeacon); without them it is a Missa Cantata.
"Private Mass" (in Latin, Missa privata or secreta, familiaris, peculiaris), which is now understood as Mass celebrated without a congregation, formerly meant any Low Mass, even with a large congregation. In editions of the Roman Missal earlier than that of 1962, "Missa privata" was still contrasted with "Missa solemnis". In 1960 Pope John XXIII, who in 1962 removed from the Roman Missal the section headed Rubricae generales Missalis, replacing it with his Code of Rubrics, decried use of the term "Missa privata": "The most sacred Sacrifice of the Mass celebrated according to the rites and regulations is an act of public worship offered to God in the name of Christ and the Church. Therefore, the term 'private Mass' should be avoided." When applied to Low Mass in general, the word privata indicated that that form of Mass was deprived of certain ceremonies.
The Mass in B minor (BWV 232) by Johann Sebastian Bach is a musical setting of the complete Ordinary of the Latin Mass. The work was one of Bach's last compositions, not completed until 1749, the year before his death. Much of the Mass gave new form to vocal music that Bach had composed throughout his career, dating back (in the case of the "Crucifixus") to 1714, but extensively revised. To complete the work, in the late 1740s Bach composed new sections of the Credo such as "Et incarnatus est".
It was unusual for composers working in the Lutheran tradition to compose a Missa tota and Bach's motivations remain a matter of scholarly debate. The Mass was never performed in its entirety during Bach's lifetime; the first documented complete performance took place in 1859. Since the nineteenth century it has been widely hailed as one of the greatest compositions in musical history, and today it is frequently performed and recorded.Carl Philipp Emanuel Bach archived this work as the Great Catholic Mass.
Neoplasm (from Ancient Greek νέος- neo "new" and πλάσμα plasma "formation, creation") is an abnormal growth of tissue, and when also forming a mass is commonly referred to as a tumor or tumour. This abnormal growth (neoplasia) usually but not always forms a mass.
The World Health Organization (WHO) classifies neoplasms into four main groups: benign neoplasms, in situ neoplasms, malignant neoplasms, and neoplasms of uncertain or unknown behavior. Malignant neoplasms are also simply known as cancers.
Prior to the abnormal growth of tissue, as neoplasia, cells often undergo an abnormal pattern of growth, such as metaplasia or dysplasia. However, metaplasia or dysplasia do not always progress to neoplasia.
A neoplasm can be benign, potentially malignant (pre-cancer), or malignant (cancer).
MASS (formally, "MASS: A Theatre Piece for Singers, Players, and Dancers") is a musical theatre work composed by Leonard Bernstein with text by Bernstein and additional text and lyrics by Stephen Schwartz. Commissioned by Jacqueline Kennedy, it premiered on September 8, 1971, conducted by Maurice Peress. The performance was part of the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C.Mass premiered in Europe in 1973, with John Mauceri conducting the Yale Symphony Orchestra in Vienna.
Originally, Bernstein had intended to compose a traditional Mass, but instead decided on a more innovative form. The work is based on the Tridentine Mass of the Roman Catholic Church. Although the liturgical passages are sung in Latin, Mass also includes additional texts in English written by Bernstein, Broadway composer Stephen Schwartz, and Paul Simon (who wrote the first quatrain of the trope "Half of the People"). The work is intended to be staged theatrically, but it has also been performed in a standard concert setting.
Low or LOW may refer to:
A low-pressure area, low or depression, is a region where the atmospheric pressure is lower than that of surrounding locations. Low-pressure systems form under areas of wind divergence which occur in the upper levels of the troposphere. The formation process of a low-pressure area is known as cyclogenesis. Within the field of meteorology, atmospheric divergence aloft occurs in two areas. The first area is on the east side of upper troughs which form half of a Rossby wave within the Westerlies (a trough with large wavelength which extends through the troposphere). A second area of wind divergence aloft occurs ahead of embedded shortwave troughs which are of smaller wavelength. Diverging winds aloft ahead of these troughs cause atmospheric lift within the troposphere below, which lowers surface pressures as upward motion partially counteracts the force of gravity.
Thermal lows form due to localized heating caused by greater sunshine over deserts and other land masses. Since localized areas of warm air are less dense than their surroundings, this warmer air rises which lowers atmospheric pressure near that portion of the Earth's surface. Large-scale thermal lows over continents help drive monsoon circulations. Low-pressure areas can also form due to organized thunderstorm activity over warm water. When this occurs over the tropics in concert with the Intertropical Convergence Zone, it is known as a monsoon trough. Monsoon troughs reach their northerly extent in August and their southerly extent in February. When a convective low acquires a well-hot circulation in the tropics it is termed a tropical cyclone. Tropical cyclones can form during any month of the year globally, but can occur in either the northern or southern hemisphere during November.
Low is the eleventh studio album by British musician David Bowie, co-produced by Bowie and Tony Visconti. Widely regarded as one of Bowie's most influential releases, Low was the first of three collaborations with Brian Eno termed the "Berlin Trilogy" (though the album was mainly recorded in France and only mixed in West Berlin). The album marked a decisive shift in his musical style toward an electronic and avant-garde approach that would be further explored on the subsequent albums "Heroes" (1977) and Lodger (1979).
The genesis of Low lies in both the foundations laid by Bowie's previous album Station to Station, and music he intended for the soundtrack to The Man Who Fell to Earth. When Bowie presented his material for the film to Nicolas Roeg, the director decided that it would not be suitable. Roeg preferred a more folksy sound, although John Phillips (the chosen composer for the soundtrack) described Bowie's contributions as "haunting and beautiful". Elements from these pieces were incorporated into Low instead. The album's cover, like Station to Station, is a still from the movie: the photographic image, under the album's title, formed a deliberate pun on the phrase "low profile". The album's working title was New Music Night and Day.
USHER, baby
I hear you, yeah
Rock with me
Hey girl, I'm debating if I should take you home
Should I take you home?
I don't mean to keep you waiting
But I just gotta know
If you're ready
She says she wanna take her skirt off
Be my guest!
I decided to take my shirt off
And show my chest!
And we been sipping on that merlot
So you know what's next
Working intermissions, switching positions
We so explicit oh!
You've been saying all night long
That you couldn't wait to get me home alone
What you gon' do to me
Don't talk about it, be about it
Let me see, let me see, let me see
Girl I can't wait to get you home
Talk a good game mate, come on
Holler 'bout what you gon' do to me
Don't talk about it, be about it
Let me see, let me see, let me see
I've been anticipating
What you would do to me
What you gon' do to me
Sex babe, it's the occasion
Hands on when you're with me
Can you handle me, yeah
She says she wanna take her skirt off
Be my guest!
I decided to take my shirt off
And show my chest!
And we been sipping on that merlot
So you know what's next
Working intermissions, switching positions
We so explicit oh!
You've been saying all night long
That you couldn't wait to get me home alone
What you gon' do to me
Don't talk about it, be about it
Let me see, let me see, let me see
Girl I can't wait to get you home
Talk a good game mate, come on
Holler 'bout what you gon' do to me
Don't talk about it, be about it
Let me see, let me see, let me see[Rick Ross - Rap Verse]
Got on all my ice, talkin cash shit
Been ballin all my life, lamborghinis fast whips
She down to ride and deserves a boss who down to provide
We run the streets, but on G-5's im talkin fly
Boots and blue jeans cartier newer rings
You wit a big boy so we do the big things
Had to vallet park it, chanel hoodie on
lookin like Treyvon Martin George Zimmerman on wanted
She on my wanted posters, ciroc an my mimosa
im balling like lebron, we shoppin in milan
the 450 8 ferrari I park it on the lawn
I let her meet my tounge, she blew up like a bomb
The sex is so explosive, her stuff is supersonic
She my new addiction, I swear im through with chronic
Rosa and usher raymond, girl we the hottest
Rockin the most ice, I said we the hottest
You've been saying all night long
That you couldn't wait to get me home alone
What you gon' do to me
Don't talk about it, be about it
Let me see, let me see, let me see
Girl I can't wait to get you home
Talk a good game mate, come on
Holler 'bout what you gon' do to me
Don't talk about it, be about it